Friday, August 22, 2008

Adobe MAX, motion 08 Awards Shows

Chris Meyer | 08/22- 09:12 AM

Opportunities to show off your work.

There are a few awards show coming up that we wanted to let you know about:

Adobe 2008 MAX Awards

The Adobe MAX Awards recognizes the best uses of Adobe software for creating engaging experiences. Normally, the MAX show is the domain of web content creators, but lately it’s been expanding out to include more video and motion graphics. In keeping with that, this is the first year that there is a category for digital video projects The top three finalists will be invited to show their projects at MAX 2008 in San Francisco Nov 16-19. The winner receives free MAX registration. Award submissions are due September 5. Click here for more information.

motionfest and motionawards
Call for Entries

These two awards show are connected with the motion 08 conference (which we both will be speaking at). The first is for animation (including Flash, stop motion, 3D, etc. flavors); the second is more for motion graphics artists:

motionfest is a juried competition honoring the best in animation worldwide. Specifically, motionfest recognizes the best animations created for the purpose of entertainment: animated shorts and full-length features. Finalists will be notified by September 12, 2008. Winners of motionfest08 will be announced as part of our opening day animation events, Sunday, October 12, 2008. The deadline to enter is September 8, 2008. Click here for more information.

The motionawards celebrate creative excellence in motion graphics, animation, and vfx, honoring the most current, breakthrough work. All worked entered must be the result of paid creative services and media placement, with the exceptions of public service work, projects for the arts, self-promotion, and student. Finalists will be notified by September 12, 2008. Winners of the 2008 motionawards will be announced Monday, October 13, 2008 at the motionawards party - part of motion08. The deadline to enter is September 8, 2008. Click here for more information.

Save on registration. save $300 on early-bird registration and an additional $200 by using promo code 08stashMO - courtesy of stash. To register, click here.

Saturday, August 16, 2008

What Wired Didn’t Understand about Depth of Field

Art Adams | 08/16- 04:33 PM

It’s not about analog vs. digital, it’s frame size vs. focal length

In the Sept. ‘08 issue of Wired Magazine, in an article about the RED camera called “A Star is Born,” the author states that the difference in depth of field between film cameras and HD cameras is due to “analog versus digital,” with no other explanation. I’ve written this for him and for anyone who wonders why 35mm film and large sensor HD cameras have so little depth of field.

Thursday, August 14, 2008

The Swing of Things

Art Adams | 08/14- 02:45 PM

Using tilt/shift lenses for good instead of evil

I recently shot a museum project where the style required almost exclusive use of tilt/shift lenses. (We occasionally used a Zeiss 14mm prime, but that was rare.) It was a lot of fun, but I remember how tilt/shifts were a considerable mystery before I used them for the first time. Here’s the nickel tour of how to use these lenses.

Wednesday, August 13, 2008

Advice to a Camera Trainee

Art Adams | 08/13- 08:55 PM

What I’d tell someone who starts a job as a camera PA--tomorrow!

A film student, who I’ve been mentoring, landed a job on a low-budget RED project as camera PA. He sent me an email saying he’s starting the job tomorrow, and what should he know? Here’s the email I sent him to prep him for his first real camera department job:

Tuesday, August 05, 2008

Make the Entrance Pupil Your Friend

Art Adams | 08/05- 09:47 AM

Eliminate parallax errors on pans and tilts (for fun and profit)

I’m helping a friend build a three RED camera panoramic camera system that will shoot a 180 image, combining three 60 degree images in post. One of the more important things to consider when doing this kind of work is finding, and aligning, the “pivot point” of each lens to eliminate parallax errors that can occur during panning and tilting.

Saturday, August 02, 2008

Tip from the Trenches

Art Adams | 08/02- 05:28 PM

Learn from the mistakes of others: White Balancing

I hate white balancing, and I try never to do it. If you must, here’s when and where to do it.

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