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Animating a Sky Part 2 - Photoshop for VideoCreating Moving Footage with Phtoshop and After Effects
Instructor Richard Harrington shows you how to add an animated sky to your still photos using Photoshop and After Effects. Part 2 of 2. more »Events: DCS & MFM discuss CineAlta; FCPUG SuperMeet; Broadcast Video ExpoThree months, three events, in the SF Bay Area and London.
Get out, meet people, see cool things, and learn stuff. December: Learn about CineAlta cameras and different recording gammas in Cupertino. January: party with the FCP faithful at MacWorld Expo in San Francisco. February: the UK’s own miniature version of IBC takes place at Earl’s Court in London. Be there, or may your pixels be ever non-square. more » Animating a Sky Part 1 - Photoshop for VideoCombining PS and AE to make videos from photos
Instructor Richard Harrington shows you how to add an animated sky to your still photos using Photoshop and After Effects. Part 1 of 2. more »My First Shoot with the Sony F35In which a series of tests becomes the fastest spec spot shoot in history About a week and a half ago I received an email from Leigh Blicher, partner at Videofax in San Francisco. “Just wanted to let you know our F35 has arrived.” My response read something like this: “Ooo! Oh! Oh oh oh! Ooooo oh oh OH! Oh! OHHHHH! Can I come over and PLAY?” more »Advertisement Lighting Simply for the REDTwo PARs, a couple of bounce cards and some grid cloth make this spot shine
A while back I posted a Quicktime movie of this project, shot for the California “No on Prop 8” campaign. At the time I promised that lighting diagrams would be along shortly. I lied. I just got around to this today. more » The RED Camera and Green ScreenWhat you need to know before you learn the hard way After working in this business a while (this year was 21 for me) I find that I don’t worry about venturing into the unknown. And three weeks ago green screen with the RED was certainly an unknown for me. more »More Fun with REDIn which a four day corporate shoot for Sunpower goes exceedingly well I just finished a four day shoot for solar energy company Sunpower where we used the RED for three days of location shooting and one day of green screen. More about the green screen later—here’s how I did all the live action shots. more »What I’ve learned about the RED in the last three daysMy tips, direct from the set to you Tomorrow I finish a project that has shot for three days already on the RED, build 16. Here’s what I’ve learned and discovered: more »Page 26 of 30 pages « First < 24 25 26 27 28 > Last » Advertisement |
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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
Compositing in FCP X
On this week’s MacBreak Studio
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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