Friday, July 29, 2011

After Effects Apprentice: Expressions

Chris and Trish Meyer | 07/29- 08:59 PM

Our latest video training course on lynda.com is a gentle introduction to one of the most powerful yet underused features in After Effects

As we mentioned earlier, we’re in the process of recording our book After Effects Apprentice as a series of training videos, where you get to look over our shoulders and hear what we’re thinking as we work through each lesson. Our latest installment is on the subject of Expressions: The ability to define how a parameter animates using instructions such as “wiggle” compared to explicitly keyframing every value.

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Wednesday, July 13, 2011

You’ve read my writing, now hear my talking

Art Adams | 07/13- 07:46 AM

Yup, I got interviewed. If you have an hour to spare, here’s where to find it.

Izzy Hyman, of the website Izzy Video, interviewed me yesterday for his “Meet the Shooter” series.

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Thursday, July 07, 2011

Kinetic Typography Motion Graphics Tutorial

Matt Jeppsen | 07/07- 11:50 AM

How do to those cool flying words

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Here’s a nice long tutorial on how to do that cool animated word thing that is so popular (and useful) these days. It’s all compliments of creative superstar Jesse Rosten. Watch below…

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Friday, July 01, 2011

Izzy Video produces free 2:39 FCP X video tutorial

Allan Tépper | 07/01- 08:55 AM

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Our colleague Israel (“Izzy”) Hyman of Izzy Video has produced and published a free 2:39 Final Cut Pro X video tutorial. Yes, I said free. Yes, I mean 2 hours and 39 minutes, and yes, it is extremely well organized and well presented, and demonstrates that FCP X (despite several initial limitations) is extremely powerful. I have invested the time into seeing the entire production, and have absorbed it. I must applaud, congratulate, and thank Izzy for investing the considerably more time producing it. Finally, I must encourage any video editor to invest the time to absorb it also, and then (if you agree with me) you can applaud, congratulate, and thank Izzy too. The tutorial is divided into 26 digestible chapters, so you don’t have to watch it all in a single session.

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Wednesday, June 29, 2011

After Effects Apprentice Free Video: Building a Comp Hierarchy Designed to Accommodate Changes

Chris and Trish Meyer | 06/29- 10:25 PM

If you have an object that’s being used more than once, sometimes it’s best to give it its own “precomp” to live in.

As we mentioned earlier, we’ve been busy this year creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Each course has a selection of movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. This one tries to get some users over their hang-up about trying to keep all of their layers in one composition by showing how much easier it can be to accommodate client changes by strategically placing repeated elements in their own source composition.

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Sunday, June 26, 2011

Free Upcoming Final Cut Pro X Webinar, free FCPX podcast

Scott Simmons | 06/26- 07:10 PM

We all keep talking about Final Cut Pro X

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As if there’s isn’t enough Final Cut Pro X stuff out there on the web a week after its release, I want to pimp a couple of things that I’ve been involved in regarding Final Cut Pro X. First is the return of That Post Show (iTunes link) with a full edition devoted to FCPX and second is the FilmmakingWebinars.com Final Cut Pro X Hands On Tour.

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Tuesday, June 21, 2011

After Effects Apprentice Free Video: Non-Uniform Scale Issues with Parenting

Chris and Trish Meyer | 06/21- 11:14 AM

A weird issue that can crop up while parenting - and how to fix it using null objects.

As we mentioned earlier, we’ve been busy this year creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Each course has a selection of movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. This one explains an obscure bug visual anomaly that can appear when parenting one layer to another that has been scaled differently in the X and Y dimensions.

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Sunday, June 19, 2011

Anatomy of a Spot: T-Mobile

Art Adams | 06/19- 12:01 PM

What’s the best camera to use when shooting in an elevator? A small one. Hellooooo Canon 5D…

Over time I’ve come to respect the Canon 5D. It’s not the most user friendly of cameras, and it has some fairly serious faults, but if you can avoid the pitfalls it can make very pretty images.

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
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Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
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How to get good production dialogue
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Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
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Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

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These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement

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LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Compositing in FCP X

Mark Spencer | 05/23- 05:03 AM

On this week’s MacBreak Studio

On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.

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