DSC Labs Hawk Chart: The Simplest Color Chart That You Can’t Live Without
Art Adams | 06/17- 09:58 AM
Wouldn’t it be great if someone designed an easy-to-use color chart that could be quickly and easily used in the field? Well, someone did. And they call it The Hawk.
It wasn’t until I worked at the DSC Labs booth at NAB that I discovered The Hawk… and it blew me away. It’s a very simple chart, but it offers a colorist (professional or amateur) the most critical information necessary to accurately neutralize your raw, log, or even WYSIWYG images.
After Effects Apprentice Free Video: Overview of Per-character 3D Text
Chris and Trish Meyer | 06/13- 10:04 PM
The difference between 2D text, and animating each character in 3D (well, 2.5D) space.
As we mentioned earlier, we’ve been busy this year creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Each course has a selection of movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. This one explains the added control you get when you add the Per-character 3D characteristic to a text animation.
Arri Alexa and Rosco LitePads Come Through for OnLive’s First National Spot
Art Adams | 06/11- 12:04 PM
The project started out as a web-only teaser. When the client saw it they added another shoot day and turned it into a national spot. Here’s why, and how.
Originally slated to be a web-only spot, the first shoot day went so well that when the client saw the results they ordered a second shoot day, added an actor and made a $1m+ national ad buy.
After Effects Apprentice Free Video: The “Cascade” Type Animation Recipe
Chris and Trish Meyer | 06/07- 10:58 AM
Getting multiple characters to transition smoothly requires diving deep into a text animator’s parameters.
As we mentioned earlier, we’ve been busy this year creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Each course has a selection of movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. This one is for those who have been trying to create their own type animations, but have trouble getting After Effects to animate more than one character at a time.
Get registered for the June 10 - 11 even in New York City
Are you an editor in New York City? I really wish I was going to be there June 10 and 11 for EditFest NY. What is EditFest? Here’s a quote from the EditFest NY website: “Over two tightly-programmed days, attendees - including professional editors, production executives, network and studio staff, fledgling assistants and content creators - will participate in sharply planned, targeted panels and extensive Q&A sessions. They’ll listen to, learn from and engage with the most respected, award winning editors of feature films and television. Attendees, VIPs, sponsors and panelists will also mingle at the highly anticipated opening night reception.”
Our latest video training course on lynda.com demonstrates how to group and coordinate layers. Plus, we rescue a bonus movie from the cutting room floor…
Parenting is a way to group multiple layers within the same composition inside After Effects. In this lesson, Chris shows how to set up a parenting chain, discusses what makes a good parent, and demonstrates several techniques using Parenting such as creating a title animation with a minimum number of keyframes, building a geometric construct, and bringing an anthropomorphic robot arm to life. Sidebar topics include avoiding a scaling gotcha with parenting, and creating abstract backgrounds using the Fractal Noise effect.
After Effects Apprentice Free Video: Managing Audio Levels
Chris and Trish Meyer | 05/17- 01:48 PM
Audio doesn’t work like other parameters…
As we mentioned earlier, we’ve been busy this year creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Each course has a selection of movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. This one is for those new to handling audio, and wondering how to best control its level.
A handful of videos on some general concepts and specific effects.
Last week’s installment of Hidden Gems on effects was so well received, we decided to break out of our normal one-chapter-a-week rhythm this week, and instead provide some more resources on using effects.
A couple of years ago, we started a course on lynda.com dedicated to sharing insights into some of our favorite effects, also based on Bonus Chapter 23 from our book Creating Motion Graphics. After adding 46 movies on general concepts plus specific effects, we had to set the concept aside; we hope to revisit some time in the future. In the meantime, several of those movies are available for free, plus we have a couple that never made it up on lynda.com. We’d like to share those with you here.
where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”
Studio Daily posted the review last week after pounding the thing on a number of edits
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
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