Monday, February 21, 2011

Quicktips 2011 Day 21: Change multiple FCP audio clip levels at once

Scott Simmons | 02/21- 09:02 AM

February 21, 2011 - This Reader Quicktip is an option for changing levels and parameters for multiple FCP audio clips

This Reader Quicktip comes from Matt Larson and is sort of a workaround for Final Cut Pro lack of ability to change source audio parameters of multiple clips at once. It’s the kind of thing that can come in very handy when you have a very full bin of clips and changing them one at a time isn’t an option.

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Friday, February 18, 2011

Quicktips 2011 Day 18: Two FCP tips for today’s Quicktip

Scott Simmons | 02/18- 07:18 AM

February 18, 2011 - There’s 2 Reader Quicktips here, timeline preferences and preferred effects

Today’s a Reader Quicktip that is actually two tips from Final Cut Pro and After Effects trainer Clay Asbury. One tips is how he likes to setup his default FCP timeline settings and one is about using FCP’s Effect Availability option.

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Thursday, February 17, 2011

HPA Tech Retreat 2011 Day 3

Adam Wilt | 02/17- 10:32 PM

After the fear and trembling yesterday, suggestions of solutions; OLEDs; DSLRs; and more.

Day 3 (by my counting; HPA calls this Day 2, because Tuesday’s Super Session doesn’t count) covered LTO-5, LTFS, IMF, HDSLR, OLED, FIMS, SOA, SLA, monitors vs. displays, file-based mastering, Hollywood in the cloud, and Disney restorations.

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Thursday, February 17, 2011

Quicktips 2011 Day 17: Using extended markers to create subsclips

Scott Simmons | 02/17- 07:57 AM

February 17, 2011 - This Reader Quicktip explores FCP’s extended markers and making subclips from them

This Reader Quicktip comes from Final Cut Coach. It involves using the markers and the extend marker option in Final Cut Pro. Plus there’s discussion of using markers to makes subclips. Final Cut Coach also has its own site that looks to be a growing Final Cut Pro tutorial site.

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Tuesday, February 15, 2011

After Effects Apprentice Free Video: Editing Interactively in the Composition Panel

Chris and Trish Meyer | 02/15- 07:33 PM

A freebie from our new video training series on lynda.com.

As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from “I haven’t used it before” through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions. The second course is based on the Basic Animation section of the book, where we guide you through creating a simple project from importing sources to arranging and animating layers through rendering.

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Tuesday, February 15, 2011

Quicktips 2011 Day 15: Create audio synced subclips from overcranked footage

Scott Simmons | 02/15- 08:36 AM

February 15, 2011 - This Reader Quicktip might be especially helpful for the music video people

This Reader Quicktip comes from Matthew Gilna in Los Angeles. He’s been working on a cool series called The LXD or League of Extraordinary Dancers. This Quicktip is a technique that he’s been using quite a lot on this series to create new synced clips when he has to sync video with separate audio.

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Monday, February 14, 2011

Quicktips 2011 Day 14: Better performance for .motn files in FCP Timeline

Scott Simmons | 02/14- 10:06 AM

February 14, 2011 - This Reader Quicktip is for all those that use Motion projects in FCP

This Reader Quicktip is all the way from Lu Nelson in Berlin. If you use Apple Motion a lot and integrate those Motion project files in your Final Cut Pro timeline then read on for what could be a nice realtime trick.

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Sunday, February 13, 2011

HPA Tech Retreat 2011

Adam Wilt | 02/13- 10:21 PM

The industry’s most thought-provoking conference happens this week.

There’s a quiet gathering in Palm Springs every February. Many of the post-production industry’s leading luminaries, along with a gaggle of production folks, hangers-on, and ne’er-do-wells (including your correspondent) assemble for the Hollywood Post Alliance’s Tech Retreat, three and a half days of discussion about where the industry is and where it’s going.

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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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