After Effects Apprentice Free Video: Track Matte Render Order Tips
Chris and Trish Meyer | 05/10- 09:58 PM
Workarounds for when effects aren’t working the way you expect with Track Mattes.
As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from “I haven’t used it before” through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions. Each course has a selection of movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. This one demonstrates a common problem encoutered when trying to combine Track Mattes with effects, and provides a few different ways to get the desired result.
After Effects Apprentice Free Video: Using Masks to Create Vignettes
Chris and Trish Meyer | 05/03- 01:25 PM
This “shortcoming” exhibited by some lens and films can help focus the viewer’s attention and add class to a composition.
As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from “I haven’t used it before” through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions. Each course has a selection of movies that are free for all to view; we’re re-posting those videos here on PVC to make sure you don’t miss them. This one demonstrates how to masks to quickly create vignettes.
One of the cornerstones of motion graphics is creating and animating type. In this course, Trish will show you how to typeset titles professionally and create your own custom animations, as well as apply and modify the hundreds of text animation presets that After Effects ships with. Additionally, Chris will show you how to add audio to your projects, including spotting “hit points” to align your keyframes and video action.
One set of Animation Presets that ship with After Effects create movement without adding keyframes.
As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from “I haven’t used it before” through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions. Each new course has a selection of movies that are free for all to view; we’re periodically presenting the YouTube versions of them here in case you missed them.
The Secrets of the Chroma Du Monde, Explained Live (on tape) at NAB!
Art Adams | 04/19- 09:04 PM
If you’ve always wanted to find out if I present on video as well as I write… click here to find out!
I spent a lot of time in the DSC Labs booth at NAB, giving Chroma Du Monde demonstrations and teaching basic waveform/vectorscope tricks. PVC’s Scott Gentry stopped by and asked me to say a few words on video, and this is the result. Enjoy!
After Effects Apprentice Free Video: Pyrotechnic Composites
Chris and Trish Meyer | 04/19- 08:00 AM
Please: Stop using Luma Key on footage (such as pyro effects) shot on black. There’s a better way.
As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from “I haven’t used it before” through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions. Each new course has a selection of movies that are free for all to view; we’re periodically presenting the YouTube versions of them here in case you missed them.
The client wanted contrasty toplight against seamless white, and then they wanted to intercut that with stock footage shot on film. Thanks to Arri’s Alexa, what the client wants—the client gets. In spades.
I sampled several seminars in the Post|Production World and Digital Cinema Summit.
DP Brian Pearson wields an EPIC as RED’s Ted Schilowitz watches.
On Sunday I sat in on several classes and sessions, to get a feel for the non-show-floor goings-on at NAB. Herewith, my fragmented, barely-edited notes.
Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…
I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…
On this week’s MacBreak Studio, I show Steve Martin from Ripple Training a few things I’ve discovered in my exploration of the compositing features in Final Cut Pro X.
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