Thursday, May 24, 2012

LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse

Art Adams | 05/24- 11:24 AM

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

I love stacking cucolorii (plural of “cucoloris”) and I thought it was time to write an article about how this technique works and why I like it so much. I was a bit stretched for ideas that would illustrate this concept… and then an eclipse happened. Why that made a difference is a very interesting story…

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Monday, May 21, 2012

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition

Chris and Trish Meyer | 05/21- 08:53 AM

...plus an update on what’s next for the Apprentice series.

As we mentioned what now seems like ages ago, we spent a year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. The introduction plus one or more additional videos from each course are available for free preview; we re-posted here on PVC the videos that contain tips and instruction you might find useful. Well, the series is done, and we’re off writing the next edition of the book. But before we go, we had one last video to share with you, which may be of interest to any After Effects user who still has to create both 16:9 and 4:3 versions of their compositions.

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Tuesday, May 15, 2012

CAMERAS: Food Fights with the FS700

Art Adams | 05/15- 04:41 PM

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

When Adam Wilt and I shot “Fire and Ice” together on a prototype FS700 we had no idea that it would be shown at NAB… and that it would be hit. We wanted to do more, so we pitched Sony a commercial concept for a local company that involved high speed “veggie baseball.” Guess what: they sent us an FS700 again. Edible baseball never looked so good.

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Tuesday, May 15, 2012

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit

Chris and Trish Meyer | 05/15- 08:41 AM

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

As we mentioned awhile back, we’ve been busy the past year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Buried in the shuffle of the release of After Effects CS6 is that we concluded this series with a 3+ hour course dedicated to that book’s Final Project. Several movies from this course are available for free preview from lynda.com; we’d like to share those with you here - including this movie that demonstrates using parenting to group together a set of 3D layers.

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Monday, May 07, 2012

After Effects Apprentice Free Video: Working with Nested 3D Compositions

Chris and Trish Meyer | 05/07- 07:47 PM

How you can be two places at once inside After Effects

As we mentioned awhile back, we’ve been busy the past year and a half creating an extensive, multi-course video training series based on our popular beginner’s book After Effects Apprentice. Buried in the shuffle of the release of After Effects CS6 is that we concluded this series with a 3+ hour course dedicated to that book’s Final Project. Several movies from this course are available for free preview from lynda.com; we’d like to share those with you here - including this movie that includes a selection of small but useful tricks.

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Thursday, May 03, 2012

CAMERA MATH: The Importance of Ratios

Art Adams | 05/03- 11:33 AM

I’m better with words than equations, but once in a while a math technique is so useful that I can’t help but use it. Here’s one that I find invaluable.

I remember very little math from my high school days, but what I do remember are the tricks that I was able to apply to my daily life. One formula, determining ratios, has served me better than any other. Here’s how I’m using this formula to create custom frame lines for an upcoming web banner shoot.

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Tuesday, May 01, 2012

After Effects Apprentice Free Video: Copying Paths from Illustrator to After Effects

Chris and Trish Meyer | 05/01- 09:33 AM

Revealing Illustrator paths requires a few intermediate steps, involving After Effects masks and effects.

Buried in the shuffle over the announcement of After Effects CS6 is that we concluded the video training series for our book After Effects Apprentice 2nd Edition with a nearly 3.5 hour course dedicated to that book’s Final Project. Several movies from this course are available for free preview from lynda.com; we’d like to share those with you here - including this movie on how to reveal Illustrator artwork by copying its paths into After Effects masks.

more »

Tuesday, May 01, 2012

Trimming in the Adobe Premiere Pro CS6 timeline

Richard Harrington | 05/01- 04:32 AM

Learn about new trimming tools in Adobe Premiere Pro CS6.

 

The power really is in the trim for Adobe Premiere Pro CS6.

more »

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Drobo Delivers Data Defense
Sara Frances

Super Heroic efforts rule the digital universe,

My lengthy Adobe Premiere Pro CS6 review now online
Scott Simmons

Studio Daily posted the review last week after pounding the thing on a number of edits

LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement







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Drobo Delivers Data Defense

Sara Frances | 05/26- 10:09 AM

Super Heroic efforts rule the digital universe,

where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”

My lengthy Adobe Premiere Pro CS6 review now online

Scott Simmons | 05/26- 07:08 AM

Studio Daily posted the review last week after pounding the thing on a number of edits

Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.

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