After Effects Apprentice Free Video: Auto Bezier Keyframes
Chris and Trish Meyer | 03/01- 12:02 PM
A freebie from our new video training series on lynda.com.
As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from “I haven’t used it before” through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions. The third course is based on the Advanced Animation section of the book, where we demonstrate a number of tools in After Effects to create more sophisticated animations - from mastering the Anchor Point and getting over your fear of the Graph Editor, to using Motion Sketch, Smoother, Auto-orientation, Roving keyframes, Motion Blur, and Hold keyframes.
The Secret Art of Slating: 25 Tips to Help You Slate Like a Pro
Art Adams | 02/28- 02:37 PM
Take these to heart and become the editor’s best friend.
Slate training was my introduction to one of the most important tenets of filmmaking: always think of the next person down the production line. In the case of slating, this means taking care of the poor assistant editor who has to sync and track dailies based on your notes and your slating technique.
Here’s a short video tutorial on the topic of Shutter Speed, which is at times confused with Frames Per Second. The tutorial is from a DSLR shooting series by the University of Waterloo, and it’s a good primer on the topic. You can watch it below.
As we mentioned earlier, we’re creating a video training series from our book After Effects Apprentice and distributing it through lynda.com. They just released the next installment today: Layer Control. Some of the subjects this course covers includes:
After Effects Apprentice Free Video: Arranging Layers
Chris and Trish Meyer | 02/21- 02:24 PM
A freebie from our new video training series on lynda.com.
As we mentioned earlier, we’re creating a video training series based on our popular beginner’s book After Effects Apprentice, which progresses from “I haven’t used it before” through core skills including keyframing, masking, text animation, and 3D space to advanced techniques such as motion tracking, green screen, and expressions. The second course is based on the Basic Animation section of the book, where we guide you through creating a simple project from importing sources to arranging and animating layers through rendering.
Quicktips 2011 Day 21: Change multiple FCP audio clip levels at once
Scott Simmons | 02/21- 09:02 AM
February 21, 2011 - This Reader Quicktip is an option for changing levels and parameters for multiple FCP audio clips
This Reader Quicktip comes from Matt Larson and is sort of a workaround for Final Cut Pro lack of ability to change source audio parameters of multiple clips at once. It’s the kind of thing that can come in very handy when you have a very full bin of clips and changing them one at a time isn’t an option.
Quicktips 2011 Day 18: Two FCP tips for today’s Quicktip
Scott Simmons | 02/18- 07:18 AM
February 18, 2011 - There’s 2 Reader Quicktips here, timeline preferences and preferred effects
Today’s a Reader Quicktip that is actually two tips from Final Cut Pro and After Effects trainer Clay Asbury. One tips is how he likes to setup his default FCP timeline settings and one is about using FCP’s Effect Availability option.
After the fear and trembling yesterday, suggestions of solutions; OLEDs; DSLRs; and more.
Day 3 (by my counting; HPA calls this Day 2, because Tuesday’s Super Session doesn’t count) covered LTO-5, LTFS, IMF, HDSLR, OLED, FIMS, SOA, SLA, monitors vs. displays, file-based mastering, Hollywood in the cloud, and Disney restorations.
where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”
Studio Daily posted the review last week after pounding the thing on a number of edits
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
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