A Look at GenArts’ Latest Upgrade to their Popular Plugin Effects
GenArts has released an update to their Monsters GT v7 - which includes some new effects like Sky, Starfield, Water, Roman Tile and Candle. This brings the Monsters GT suite to 55 effects plug-ins ranging from physics-based particles, fluids, fire, smoke and time-based feedback and artistic effects.
Matching Foreground Green Screen and Background Plates with Rack Focus Effect in After Effects
If you’re looking to give your green screen composites another step of realism or to simulate the look of a shallow DOF with a DSLR, then this video tutorial will show you how! Using Adobe After Effects, I show you first how to get a great green screen composite with Keylight and then alter both the foreground and background plates along the Timeline to give a simulated rack focus pull. Check out this step-by-step video tutorial and feel free to leave comments and questions below.
The Masters of Compositing Series - Part 1: Petro Vlahos
Jeff Foster | 02/21- 02:00 AM
Inventor of the Sodium Vapor Compositor and the Blue Screen Color Difference Traveling Matte & Multiple Oscar recipient
This is the first in a series of interviews with the pioneers and masters in the compositing/VFX film & television industry. I originally recorded these interviews for my published book “The Green Screen Handbook” (Sybex/Wiley, pub) and had intended to produce one full-length documentary from the materials. But after a couple of years past now, I thought they would be better served as individual parts of a series to help educate and inform people about these historic times from the early days of VFX compositing through modern-day techniques.
2D Footage with a Stereo 3D Rig in After Effects CS5.5
Jeff Foster | 02/10- 06:09 PM
Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.
Part Three: Video Editing & Animation with Photoshop CS4/CS5 Extended Series
Not only can you manipulate video layers in 3D space in Photoshop CS4 and later, but you can create 3D objects from primitives and import 3D models. In this FREE 12-minute tutorial from my Video Training DVD Photoshop CS4/CS5 Video & Animation, I give you an overview of the 3D workspace and how you can create, manipulate and modify 3D layers and tools right inside of Photoshop.
How technology is influencing storytelling and filmmaking
Michelle Gallina | 01/27- 08:23 AM
Watch the discussion unfold from award-winning panelists
Academy-award winning VFX Supervisor Rob Legato (Hugo, Titanic), and filmmakers/directors Vincent Laforet (Revelry, Mobius), and Jacob Rosenberg (Act of Valor, Waiting for Lightning) discuss the changing world of filmmaking. Moderated by Sharlto Copley (District 9), panelists dive into a discussion on the digital advances in filmmaking technology and innovative techniques to create engaging, thought-provoking work on any budget.
from the “Green Screen Workshop: The Setup” series
There’s more to lighting your green screen than just sticking some green fabric up on a wall behind your talent and hoping for the best! Planning ahead and choosing the right setup for the shot you’re hoping to get is a key factor in determining what kind of lighting setup you’re going to require. Will it be in a studio? On-location? Indoors or outdoors? Full-length with walk-ons or just a talking head? Will your actors be making contact with the screen? These are all questions covered in this video lesson from my Green Screen Workshop series - this is a FREE video lesson, so enjoy!
Beautiful stop-motion and shadowplay on this music video
Great stop motion animation on this Fleet Foxes music video. I especially love how they’ve added depth by using the shadows as well. Simple concept, beautiful execution. Watch below…
where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”
Studio Daily posted the review last week after pounding the thing on a number of edits
Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.
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