Web Video & Beyond

Written by a collection of the best writers in the industry


Saturday, September 27, 2008

Encoding web video in the age of the iPhone

Allan Tépper | 09/27- 02:45 PM

We can’t afford to prevent over six million Internauts from seeing our content by making the wrong decision.

image

The last time I looked, Apple had already sold over six million iPhones after just 13 months since its initial launch. I don’t think that there have been six million extra standard computers sold (desktops and laptops) in the past year, compared to prior years’ sales. As a result, I conclude that mobile handheld communication devices [like the iPhone (plus the iPod Touch, Blackberry, Treo, and some others)] represent the fastest-growing segment of Internauts (Internet users).

Increasingly, I find myself having to warn my friends and clients against using Flash for their website and web video, since Flash is simply not playable on the most popular mobile handheld devices. (There are some handheld devices that play Flash as Adobe quickly points out, but I said “most popular”!) The formats that the popular handheld mobile devices play well are HTML, animated GIF, and H.264. Many graphic designers are so into the Flash rage, they attempt to minimize this vital and practical issue, in the hope that someday Flash might play on the most popular mobile handheld devices. I don’t know about you, but my clients and I need to communicate, sell, and eat today, not someday. We can’t afford to prevent over six million Internauts from seeing our content by making the wrong decision.

The rest of this article has been moved to Allan’s PVC channel. Click here to view it.


*VIDEO*
compression
Mobile Devices
Web Video • (8) Comments • Most recent comments by: IM BUZZ PLR, sverko, casino de jeux, Rafael Perez, Allan Tépper, Tom Frisch, panr235, Victor Martorella, • Permalink


Page 1 of 1 pages


Advertisement



Drobo Delivers Data Defense
Sara Frances

Super Heroic efforts rule the digital universe,

My lengthy Adobe Premiere Pro CS6 review now online
Scott Simmons

Studio Daily posted the review last week after pounding the thing on a number of edits

LIGHTING: Advanced Cucoloris Use Illustrated by a Solar Eclipse
Art Adams

Q: What happens when you stack several pattern-making devices in front of a light? A: Extreme lighting goodness. Learn why here…

Compositing in FCP X
Mark Spencer

On this week’s MacBreak Studio

David Atkins Enterprises and Digital Pulse use Adobe software for record-setting arena projection
Todd_Kopriva

Australian production studio delivers animation for the 12th Arab Games, on record-size projection space, using Adobe Premiere Pro and After Effects.

After Effects Apprentice Free Video: Rendering a 4:3 Center Cut Movie from a 16:9 Composition
Chris and Trish Meyer

...plus an update on what’s next for the Apprentice series.

Final Cut Pro X Multicam Editing webinar now available on-demand
Scott Simmons

Plus a little screencast in this blog post on a topic we didn’t get to cover.

CAMERAS: Food Fights with the FS700
Art Adams

You want 240fps 1920x1080? I’ve got your high-speed HD right here… for less than $10K.

How to get good production dialogue
Matt Jeppsen

Use a boom mic and some common sense!

After Effects Apprentice Free Video: Using Parenting to Animate Layers as a Unit
Chris and Trish Meyer

Taking advantage of parenting, multiple 3D views, and AE’s built-in calculator to coordinate a multi-layer animation.

Rigging the Bird
Mark Spencer

Motion Magic on MacBreak Studio

10 Final Cut Pro things FCP editors might be missing in Adobe Premiere Pro CS6
Scott Simmons

These are a few of the things that I found myself searching for as I’ve been moving over to Premiere Pro CS6 as a FCP 7 replacement







image

Drobo Delivers Data Defense

Sara Frances | 05/26- 10:09 AM

Super Heroic efforts rule the digital universe,

where we’re all acquiring and creating media at an alarming rate—media that requires vast amounts of storage space. If your clients are like mine, they are remarkably unsophisticated, sometimes even careless, about how and why to protect the valuable images we make for them. Drobo® changes all that. When they come crying to you, wouldn’t it be great to be the hero and say, “yes, I’ve got you covered!”

My lengthy Adobe Premiere Pro CS6 review now online

Scott Simmons | 05/26- 07:08 AM

Studio Daily posted the review last week after pounding the thing on a number of edits

Last week Studio Daily published my Adobe Premiere Pro CS6 review. It’s a longie but a goodie as I tried to go into detail about what I really like and what I kinda don’t like about this brand new Premiere Pro. I had been pounding it hard on several projects before writing the review. I have had a few questions about exactly what kind of jobs I’ve been working on with it.

To be considered for listing, contact pr (at) provideocoalition (dot) com


Copyright © 2012, HD Expo, LLC a division of Diversified Business Communications. DBA Createasphere

All rights reserved. HD EXPO, High Def EXPO, Createasphere, E-Tech, Entertainment Technology Exposition, 3D Production Workshop, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC.

Terms of Use  |  Privacy Policy

Check PageRank