Web Video & Beyond

Written by a collection of the best writers in the industry


Friday, July 31, 2009

Mobile Video: Distribution to the Fourth Screen

Dan Warvi & Izzy Abbass | 07/31- 02:01 PM

An overview of the players in this complex game.

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There is a lot of buzz these days about video distribution to cell phones. The idea of uploading an independent film, TV series pilot or even your demo reel to a place where anyone with an iPhone can see it sounds like “the next big thing.” Unfortunately, the ease of distributing to mobile devices is not nearly as easy as uploading a video to YouTube - at least not yet.

Over the next few articles, we’ll look at some of the complexities and strategies for delivering video to mobile devices. We’ll also look at how some trends will have an impact on production and distribution of video content. To begin with, let’s look at one straightforward question - why mobile and how are we going to view video on mobile devices?

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Thursday, July 23, 2009

Bringing Video to the Masses - Part 1 of an Interview

Richard Harrington | 07/23- 07:56 AM

An OpEd piece about web video

Live from the Voices That Matter conference, San Francisco, author Richard Harrington discusses the factors that have caused online video consumption to grow exponentially over the past few years.

You can also view part 2– here!


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Thursday, June 04, 2009

Online Video Delivery with Kyte

Richard Harrington | 06/04- 07:46 AM

Producing Video Podcasts host Rich Harrington Interviews Kyte about their video hosting network and features

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Author and video podcaster Richard Harrington discusses online video distribution with Cody Smith from kyte.com at NAB 2009.


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Wednesday, November 19, 2008

Mobile Phone Distribution and HDTV with mDialog

Richard Harrington | 11/19- 08:36 PM

Turnkey solution for web deployment

Richard Harrington discusses the mDialog online video platform with Greg Philpott at the 2008 New Media Expo.




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Sunday, November 16, 2008

Podcasting is NOT Dead

Richard Harrington | 11/16- 07:42 PM

Podcast, Webisode, or Netcast… doesn’t matter…

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I just need to rant for a second… I am sick and tired of people claiming that podcasting is dead. The truth is that it is far from it. While the names and flavors may change, podcasting is alive and well. Here’s what I have spent the past week doing.

I spoke in New York City for 3 days at the NY Post Conference. I was joined by great podcasters like Paul Vogelzang of MommyCast, Dusty Wright and Richard Burns from Culture Catch, and Alexandra Gebhardt from Inside Mac. We had healthy crowds with great questions. There were also big companies there, like TiVo and HP, as well as representation from several universities. I also had some great meetings with Apple and mDialog... two great companies with cool things coming.

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Saturday, September 27, 2008

Encoding web video in the age of the iPhone

Allan Tépper | 09/27- 02:45 PM

We can’t afford to prevent over six million Internauts from seeing our content by making the wrong decision.

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The last time I looked, Apple had already sold over six million iPhones after just 13 months since its initial launch. I don’t think that there have been six million extra standard computers sold (desktops and laptops) in the past year, compared to prior years’ sales. As a result, I conclude that mobile handheld communication devices [like the iPhone (plus the iPod Touch, Blackberry, Treo, and some others)] represent the fastest-growing segment of Internauts (Internet users).

Increasingly, I find myself having to warn my friends and clients against using Flash for their website and web video, since Flash is simply not playable on the most popular mobile handheld devices. (There are some handheld devices that play Flash as Adobe quickly points out, but I said “most popular”!) The formats that the popular handheld mobile devices play well are HTML, animated GIF, and H.264. Many graphic designers are so into the Flash rage, they attempt to minimize this vital and practical issue, in the hope that someday Flash might play on the most popular mobile handheld devices. I don’t know about you, but my clients and I need to communicate, sell, and eat today, not someday. We can’t afford to prevent over six million Internauts from seeing our content by making the wrong decision.

The rest of this article has been moved to Allan’s PVC channel. Click here to view it.


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Friday, September 26, 2008

Welcome to Web Video & Beyond

Chris Meyer | 09/26- 01:01 PM

Opening discussions on alternate forms of distribution.

As we mentioned earlier, we are in the process of launching a series of “themed” channels on PVC. One of the new channels we’re most excited about is Web Video & Beyond.

The advent of cable and satellite television had a big impact on the industry, as they created a demand for more content - content that had to look as good as any “national” feed, but produced at a lower cost. This was fuel to the fire for the desktop video industry, highlighting the economic advantage desktop production brought.

Today, we are still in the early stages of another large explosion in content distribution: web video, and other alternate outlets such as cell phones, PDAs, intelligent multimedia gaming devices, and beyond. Even while the business models are still being built up, the demand for cost-effective content is as strong as ever. (I’ve talked about this before.)

But there are new challenges as well: the technology (Flash has a huge installed base - but it’s not in iPhones), new program formats (an attention span closer to a 5-minute podcast than a 30 or 60 minute network program), the impact of increasing bandwidth (the movement from SWF to FLV means traditional editors and motion graphics artists can use their current skill sets, rather than learn how to animate sprites), and the question of just how much production value is needed in this Web 2.0, user-generated-content, YouTube world. It’s confusing; it’s evolving; it’s exciting. We hope to learn together with you up here.

Speaking of learning together: We are always on the lookout for good writers for PVC, and this new channel is a new opportunity to share what you know. If you already have a blog and want to repost some of your “classic” articles here (as well as new content, of course), or previously wrote for magazines or other web outlets and now want to be part of PVC, let’s talk! I can be reached at cmeyer @ PVC’s web domain above. Writers share in PVC’s ad revenue based on their traffic.



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2D Footage with a Stereo 3D Rig in After Effects CS5.5
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Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

How to get the “24p” look for your live-switched multicam shoot
Allan Tépper

A contracted article, sponsored by Datavideo Corporation.

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2D Footage with a Stereo 3D Rig in After Effects CS5.5

Jeff Foster | 02/10- 06:09 PM

Edit and Optimize 2D Stereo Pairs from a 3D Video Camera or Twin Cameras with a Modified Stereo 3D Rig in After Effects CS5.5

Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm for a simpler workflow in 3D space. Great if you are working in 3D space in After Effects, but what about an easy option for 3D Stereo pairs captured by a 3D camera or twin cameras on a rig? In this tutorial I’ll show you how to quickly modify the Stereo 3D Rig in After Effects to quickly mux your L&R video files and adjust the convergence for anaglyph, interlaced or stereo pairs output.

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How to get the “24p” look for your live-switched multicam shoot

Allan Tépper | 02/10- 04:23 PM

A contracted article, sponsored by Datavideo Corporation.

Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for your live-switched multicam shoot. The article covers many factors involved in accomplishing that goal, including framerate, aperture, shutter speed, depth of field, and menu settings in Datavideo’s digital HD video mixers (“switchers”) and recorders, and also the menu settings in several pro cameras from Canon, Panasonic, and Sony. The included chart explains which of the cameras have a direct HD-SDI output, and which require an optional converter to go from HDMI to HD-SDI to connect to the Datavideo digital HD video mixer. As you’ll see in the article, the approach is quite different from the workflows I normally cover, which are more appropriate when programs are to be edited, as opposed to when they are shot —and potentially broadcast— live. The graphics for this article were done by Victory Elliot of Datavideo Corporation.

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