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Visual Effects Workflow with Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 21, 2014

How does Final Cut Pro X fit into the visual effects workflow of a feature film?

Quite comfortably, as we discover on this week's episode of MacBreak Studio, where I get the opportunity to speak with Mike Matzdorff who was the first assistant editor on a big-budget studio... Read More

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Media Composer 101 - Lesson 2 - What’s New in Version 8.2

What's New in version 8.2 of Media Composer Subscription

By Kevin P. McAuliffe | October 19, 2014

Much like with most applications, you wait for the major updates (version 4, 5, etc) for new features to add to your editing toolkit.  Well, with the new Subscription Model of Media Composer, the world best editing application now gets new features every few months.  Here's what's new in version 8.2.

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iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

The new iPad Air 2 is non-reflective and reduces glare by 56%! The "least reflective tablet on the market"...

By Allan Tépper | October 19, 2014

Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use. In fact, I recently even sent my MacBook Air to have its display transplanted for a matte display. Now, I am ecstatic to see that Apple is finally offering a non-reflective screen on its latest iPad Air 2. I am only disappointed not to see it offered on the iPad Mini 3 or an any current iPhone. Details ahead.

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Review: ThunderBay IV 4-bay 12TB Thunderbolt system

Review: ThunderBay IV 4-bay 12TB Thunderbolt system

Now we can do RAID5 via software and save substantially.

By Allan Tépper | October 19, 2014

Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the palindromic price —in this configuration— of US$979, which has since been lowered to US$959. OWC offers other configurations too, with smaller or larger capacity, and now even some with Thunderbolt 2. Ahead I review the various available configuration options (JBOD, RAID 0, RAID 0+1, RAID 4, RAID 5) and compare their performance versus redundancy, logistical benefits of each one, and more.

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PVC at AES 2014 - The Amazing Nucleus Board from Solid State Logic

An all-in-one solution for anyone who wants to record, track and mix

By Woody Woodhall | October 15, 2014

In a world filled with computers replacing the desk and shelf space of mixing consoles and recorders, there have been a number of solutions over the years to address the tactile connection to the audio that mixers and sound engineers require. Avid has rolled out a number of controllers over the... Read More

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First Look: Hands-on with the GoPro HERO4 Black

First Look: Hands-on with the GoPro HERO4 Black

Actual Results and Dispelling Misconceptions for Aerial Videographers

By Jeff Foster | October 14, 2014

Since the announcement of the flagship camera in GoPro's new HERO4 lineup, I get to give the HERO4 Black a test with several devices and gimbals to see how it compares to the HERO3+ and share my initial results.

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Interactive Title Design in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 14, 2014

Did you know you can do interactive, realtime title design directly inside Final Cut Pro X?

This is the subject we tackle in this week's edition of MacBreak Studio. While Motion is the primary companion application for creating motion graphics for editors using Final Cut... Read More

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I Need You but Can’t Pay You: 4 Things to Remember When Asking for Free Work

By Bobby Marko | October 14, 2014

We've all been there! The all too familiar passion projects - ie: short films, documentaries, even feature films. When we create these projects we know in order to pull them off, we have to invite others to get the vision, to hopefully be as passionate about the project as we are, all in... Read More

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Why We Need Color Correction

And why we need to convince our audience that they do too.

By Terence Curren | October 13, 2014

The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals, right? If you answered no, do you think the average consumer can articulate the value you add over the newcomer? How do we continue to get compensated for our hard... Read More

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Locking Fonts in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 08, 2014

Why would you want to "lock" a font?

That's a question we tackle in this week's MacBreak Studio, where I show Steve Martin from Ripple Training how you can do exactly that.

With the integration between Final Cut Pro X and Motion, it is a common scenario for a... Read More

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Blackmagic Announces Firmware 1.9.7 Update

Cinema and Pocket Cameras now have in-camera formatting

By Brian Hallett | October 08, 2014

Blackmagic announced today the immediate release of camera firmware 1.9.7 that allows in-camera formatting for the Blackmagic Cinema Camera as well as the Pocket Camera.  This firmware update also includes a new dashboard view with nice big and easy to access buttons.

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Know the Pro: Stu Maschwitz

We talk Star Wars, the Visual Effects Industry, Video Copilot and all things Red Giant with Stu Maschwitz

By Kevin P. McAuliffe | October 07, 2014

This article series, to be posted once a month, will focus on one person in the Film or Television industry who’s name might not jump out at you right away, but you’ve definitely been influenced by their work.  This month, we’re talking to Visual Effects Guru, and Creative Director of Red Giant Software's Magic Bullet product line, Stu Maschwitz.

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TriCaster Mini from NewTek: a first (but intense) look

TriCaster Mini from NewTek: a first (but intense) look

TriCaster Mini is likely to become the most revered “multicamera studio in a box” in its class.

By Allan Tépper | October 07, 2014

Today NewTek announced TriCaster Mini, the newest member of its TriCaster family of “multicamera studio in a box” products. Frequent readers will recall that I have covered TriCasters in the past, and —full disclosure— have also written several contracted white papers for NewTek, in two languages. Under a non-disclosure agreement, I had a rather intense advanced briefing/discussion about TriCaster Mini with the company, and ahead you’ll see everything I love, plus details I would really like polished in an upcoming software update.

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Epson Moverio BT-200 Smart Glasses with the DJI Phantom 2 Vision+

Epson Moverio BT-200 Smart Glasses with the DJI Phantom 2 Vision+

A New Experience for Flying/Shooting FPV with HUD on Clear Lenses

By Jeff Foster | October 06, 2014

Unlike typical FPV goggles that basically block out the world around you and force you to only see what the on-board camera sees, the Epson Moverio BT-200 Smart Glasses work directly with the DJI Phantom 2 Vision+ with the DJI VISION app and the WiFi extender.

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The Padcaster Mini is now available

The Padcaster Mini is now available

iPad Mini mediographers now have more frame/case/mount options.

By Allan Tépper | October 04, 2014

Joining the original (larger sized) Padcaster, the new Padcaster Mini is similar, but sized to match Apple’s iPad Mini and iPad Mini Retina. Padcaster Mini’s purpose is to mount the iPad Mini (Retina) on a tripod or other support device, and to mount accessories and lenses. In many prior iOS mediography articles, I have covered the original Padcaster and its closest competitor, the iOgrapher. Ahead you’ll find virtues of each and help you pick the option for your iPad Mini (Retina).

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“Gone Girl” marks yet another milestone for Adobe Premiere Pro CC

“Gone Girl” marks yet another milestone for Adobe Premiere Pro CC

David Fincher crafts thriller with talented team of artists and Adobe Premiere Pro CC

By Meagan Keane | October 03, 2014

If the first film review in Variety is any indication, Director David Fincher’s film adaptation of Gillian Flynn’s bestselling novel Gone Girl will be well worth the price of admission. Many filmgoers will see the movie because they like the actors, the genre, or because... Read More

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Product Review: DSLRPros 3-Axis Handheld Stabilizers

Product Review: DSLRPros 3-Axis Handheld Stabilizers

Two Amazing New 3-Axis Powered Stabilizers for Smartphones and GoPros

By Jeff Foster | October 03, 2014

Never before have 3-axis brushless motor-driven handheld stabilizers been more needed than with release of the latest smartphones and GoPro cameras! I've had a chance to test both of these products from DSLRPros and give you a sample of how they work and what kind of results you can expect from them.

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Thrilling theater-goers with “The Last Showing”

Thrilling theater-goers with “The Last Showing”

Award-winning director streamlines production workflows with Adobe Premiere Pro

By Meagan Keane | October 02, 2014

Since the age of 13, director Phil Hawkins has cultivated his passion for filmmaking by writing and directing for both stage and screen. His work as a commercial director has earned him more than ten advertising awards, including a Roses Advertising Award, while his short and feature films have... Read More

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Small UAV Coalition Launched to Advance the Commercial Use of Unmanned Aerial Vehicles

Small UAV Coalition Launched to Advance the Commercial Use of Unmanned Aerial Vehicles

Big News in the Fight for Aerial Videography and Photography in the US!

By Jeff Foster | October 02, 2014

Iconic photo and commercial small drone manufacturers, 3DR, Aerialtronics, Airware, Amazon Prime Air, DJI Innovations, Google[x]'s Project Wing, GoPro, and Parrot all join forces to form a coalition to fight for the rights to commercial small UAV/UAS useage and work with existing orgnaizations to devlop safety and proper regulatory oversight in this exploding industry.

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Preparing for Cinema 4D Lite v2.0

Preparing for Cinema 4D Lite v2.0

How not to lose your current presets when you upgrade

By Chris and Trish Meyer | September 30, 2014

Adobe pre-announced many of the new features for the next version of After Effects CC 2014 at the just-passed IBC show. One of the big additions will be upgrading Cineware and Cinema 4D Lite - the 3D modeling and animation program that comes bundled with After Effects CC - to version 2.0, based on Maxon’s Cinema 4D R16 (Cinema 4D Lite is based on R14).

This is mostly great news, as this means a ton of new features for us After Effects CC users (see the series of movies Maxon posted on their Cineversity site for R15 and R16). However, some of these updates have obsoleted older features, which in turn means some of the currently provided factory presets for C4D Lite may be lost. Read on to learn how to proactively set these aside so you can still access them when the next update indeed happens.

 

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