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PVC at NAB 2014 - CoreMelt and Imagineer Systems

mocha planar tracking technology for all! FCPX, PPro as well as their own mocha Pro

By Scott Simmons | April 23, 2014

Imagineer Systems is always part of the plug-in pavilion but didn’t have anything new to show this year, rather taking the time to have a small technology preview. But they did have Roger Bolton of CoreMelt in their booth again and Roger was demoing TrackX, the phenomenal tracking tool for Final Cut Pro X that uses mocha planar tracking technology.

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PVC at NAB 2014 - iOgrapher

Covering a tradeshow? Then the iOgrapher might be just your thing ... among other uses that is.

By Scott Simmons | April 22, 2014

Smack in the middle of the plug-in pavilion was what looked like a retail store. That was for iOgrapher and their iPad mount/holder/all-around-helper accessory that will come in most handy if using the iPad for camera-related or new-gathering work.

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PVC at NAB 2014 - EditShare and Lightworks

I talked both storage and NLEs at the EditShare booth with new devices and the Mac Lightworks Beta

By Scott Simmons | April 22, 2014

The EditShare booth is always a good stop at NAB as you can cover both storage and its many flavors as well as editing in stop. While EditShare offers many different storage options I wanted to take a look at the Field units that we reviewed on PVC last year (in the field and in the edit). And, of course, there’s that little thing called Lightworks and that beta that is supposedly finally coming to the Mac.

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Fixing Titles in Final Cut Pro X

On This Week's MacBreak Studio

By Mark Spencer | April 22, 2014

How good is your spelling?

Even if it's great, and even with Final Cut Pro's built-in spellchecker, it's still easy to make mistakes, particularly when adding titles to video that include people's names.

This is where the powerful combination of the... Read More

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PVC at NAB 2014 - GoPro and the GoPro Studio Software

We all know GoPro's well so I discussed the software side of GoPro Studio, Cineform and ProTune

By Scott Simmons | April 21, 2014

Everyone knows GoPro and most everyone owns a GoPro or two so no need to dwell on what GoPro is all about. They didn’t have anything new at the show so I took the time to talk with one of their software engineers about GoPro Studio, camera settings for post-production and their post-production technology.

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PVC at NAB 2014 - Rampant and Indie Essentials

A new strategic alliance between Rampant Design Tools and That Studio is a big NAB announcement

By Scott Simmons | April 21, 2014

One of the big surprised of NAB 2014 came not from the big booths of Adobe, Blackmagic or AJA but rather the tiny plug-in pavilion; that little gathering of small developers who combine their small booths to create one very fun area of the South Hall. That announcement was that Rampant Design Tools and That Studio had formed a strategic alliance and split the great Rampant effects into two different categories. Henceforth we would have both Studio Essentials and Indie Essentials.

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PVC at NAB 2014 - DaVinci Resolve Gets More Edit Friendly

Lots of new editorial features highlight Resolve 11

By Scott Simmons | April 20, 2014

Sure Blackmagic Design had important new camera surprises (covered here by Matt) but it was the new features of DaVinci Resolve that most caught my eye. Why? Because they have added even more editorial tools to Resolve v11 and are building it into what looks to be a quite capable editor.

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Bossjock Studio creates a “live” radio studio in your iPad/iPhone/iPod Touch

Bossjock Studio creates a “live” radio studio in your iPad/iPhone/iPod Touch

Bossjock Studio replaces a recorder, carts, and in many cases, an audio mixer for podcasting and more.

By Allan Tépper | April 20, 2014

With its inboard virtual carts (to play intros, bumpers, commercial spots, PSAs, sound effects, and stingers), ducking and easy sharing, the under US$10 Bossjock Studio app in your iPad/iPhone/iPod Touch lets you produce your podcast or radio show in real time “live to flash memory”, encode it, and publish it online. This is my “first look” article.

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Átomos announces Shogun 4K 4:2:2 recorder/monitor  w/ balanced audio

Átomos announces Shogun 4K 4:2:2 recorder/monitor w/ balanced audio

For the first time, Átomos has embraced balanced audio inputs and 4K 4:2:2 recording.

By Allan Tépper | April 19, 2014

At NAB 2014, Átomos announced its under-US$2k Shogun 4K 4:2:2 recorder/calibratable 7" 1920x1080 monitor with scopes, HDMI and 12G-SDI, and XLR<>Lemo balanced audio breakout cable. (More about that cable ahead in this article.) Átomos also made a joint announcement with Sony regarding the A7s 4K camera, which is aimed to compete with the Panasonic’s GH4, both of which work with the Shogun. Details ahead…

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NAB 2014 Aerial Videography & “Drone” Overview

Field Trips, Workshops & Manufacturers Make A Huge Splash This Year!

By Jeff Foster | April 18, 2014

Above all the buzz about 4K cameras and monitors at NAB this year, were flying cameras that sounded like large swarms of bees. POV photography and videography have literally taken off in the past 18 months in a big way, and NAB 2014 was just the place to learn more about this rapidly emerging technology... and how filmmakers will benefit from above AND on the ground!

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The Power of the Timeline Index in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | April 15, 2014

The Timeline Index is one of the hidden jewels of Final Cut Pro X. Have you been using it to its full potential?

The Timeline Index is essentially a database window into your timeline. Since FCP X is in some ways a big database, all the items in your timeline: video clips,... Read More

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PVC at NAB 2014 - Red Giant talks Universe, BulletProof, PluralEyes and more

There's even some subscription and Instant 4K talk as well

By Scott Simmons | April 14, 2014

I couldn’t go to NAB without stopping by and visiting the folks at Red Giant Software. Their big news was the launch of Red Giant Universe and I talked with Sean from Red Giant about just that. But I didn’t want to let the other stuff go by unmentioned either so a talk with Randon gets us some info on Bulletproof, PluralEyes and the new Instant 4K.

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HP revitalizes DreamColor universe with 2 new models

HP revitalizes DreamColor universe with 2 new models

The new pro DreamColor monitor is larger, can accept 4K, and has many other improvements.

By Allan Tépper | April 14, 2014

At NAB 2014 in Las Vegas, HP showed two new DreamColor monitors with plenty to write home about! The new “pro” Z27X model has a larger 27“ diagonal panel, accepts up to a 4K signal, and costs substantially less than the original DreamColor monitor. Ahead I’ll explain many of its other improvements, together with some details on the new Z24X 24” “little brother” model, which is now the entry-level DreamColor monitor.

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PVC at NAB 2014 - Talking CION workflow with AJA

As well as discussing some of their other NAB products

By Scott Simmons | April 13, 2014

AJA CION

While all the biggest news and coverage out of AJA came around their surprise CION camera I took my turn interviewing Bryce Button of AJA about a few things beyond the CION. I wanted to chat about another interesting surprise from AJA called the LUT-box. This unassuming $695 interface sits just outside of your viewing monitor in the signal chain and is designed to transform that signal with a 3D LUT. Yes some monitors can support a LUT so you wouldn’t need the device in those situations but there are many places where the LUT-box will be a great addition. Plus it’s the only box of this type designed for such a specific task.

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PVC at NAB 2014 - Talking GPUs with NVIDIA

As well as how NVIDIA might help extend the life of an old Mac Pro

By Scott Simmons | April 13, 2014

We all know NVIDIA as a very important makers of GPUs for our post-production computers. But NVIDIA also makes a lot more stuff including the Shield portable and some serious rendering technology. But I didn’t talk to them about that stuff instead concentrating on those GPUs that apply to those of us in post-production … specifically how we might be able to use some of that NVIDIA technology to extend the life of an old Mac Pro. We talk Open CL, CUDA, Adobe CUDA specific acceleration and using multiple GPUs.

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PVC NAB 2014: Amimon

The power behind the aerials

By Bruce A Johnson | April 13, 2014

You may not recognize the name, but Amimon is a company pushing remote video to new heights - and distances.  Zero-latency video from 2000 meters away?  Sign me up.

 

PVC NAB 2014 Amimon from ProVideo Coalition on Vimeo.

 

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PVC NAB 2014: Vectormount

Give your GoPro the ability to pan with the wind

By Bruce A Johnson | April 12, 2014

Sure, it's nice to look straight ahead, but sometimes it's even better to be able to look around.  Vectormount gives your GoPro the ability to do just that.

 

PVC NAB 2014 Vectormount from ProVideo Coalition on Vimeo.

 

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PVC NAB 2014: LaCie

Medium drives, HUGE drives, and fast to boot.

By Bruce A Johnson | April 10, 2014

The folks at LaCie are leading the charge into Thunderbolt 2 technology, and creating some enormously huge drive arrays with wicked transfer speeds.  Have a look.

 

 

PVC NAB 2014 LaCie from ProVideo Coalition on Vimeo.

 

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PVC at NAB 2014: Dougmon Camera Stabilizer

A new look at an old problem...

By Bruce A Johnson | April 10, 2014

Have a look at the Dougmon, a fresh take on a vexing problem.

 

PVC Dougmon from ProVideo Coalition on Vimeo.

 

 

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AJA & Blackmagic announce shoulder-mounted 4K cameras

AJA & Blackmagic announce shoulder-mounted 4K cameras

Both offer RAW recordings + ProRes; Blackmagic emphasizes modular sensors: AJA emphasizes suede shoulder pad.

By Allan Tépper | April 08, 2014

At NAB 2014 in Las Vegas, both AJA and Blackmagic announced shoulder-mounted 4K cameras for attractive prices. AJA’s Cion camera uses an APS-C 4K/UHD sensor, while Blackmagic’s URSA offers 4 different sensor options which are user upgradable. The 4K/UHD sensor is Super 35mm. Some details are ahead, in alphabetical order…

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