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Multi-screen Multicam in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 30, 2014

 

Putting the Angle Viewer into the Timeline?

That is essentially what Steve Martin from Ripple Training shows us how to do in this week's episode of MacBreak Studio. So why would you want to?

When editing a multi-camera shoot in Final Cut Pro X, you first... Read More

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Product Review: 3D Robotics RTF Y6 Multicopter

Product Review: 3D Robotics RTF Y6 Multicopter

Precision, Power and Autonomous Flight Control

By Jeff Foster | September 27, 2014

Beyond traditional smaller quadcopter designs on the market, the usual choice for an upgrade is a hex or octocopter... but the form factor of 6 motors and props on the three-armed "Y" formation of the 3D Robotics RTF Y6 airframe provides not only good stability in windy conditions, but a hotrod of a UAV capable of over 55mph and some truly impressive video footage. But hold on - this sucker can really FLY!

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Creating Final Cut Pro Transitions in Motion

This Week on MacBreak Studio

By Mark Spencer | September 23, 2014

How do you customize effects in Final Cut Pro X?

That's a question I hear frequently from legacy Final Cut Pro editors. They are used to changing the settings of a built-in effect, then saving the modified version so they can use it again in other projects with all their... Read More

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Pinnacle Studio/iOS adds 48 kHz + non-integer framerates, but instructions are required

Pinnacle Studio/iOS adds 48 kHz + non-integer framerates, but instructions are required

Pay attention to some details, and we can now have audio/video that complies with our target format.

By Allan Tépper | September 16, 2014

As the developer previously committed, Pinnacle Studio for iPad/iPhone/iPod Touch has now added both 48 kHz audio as default for all iOS devices except for the first iPhone 4, and non-integer framerates like 23.976, 29.97, and 59.94 fps, together with integer ones like 24, 25, and 50. The way to handle these framerates requires a bit of explanation, as I’ll cover ahead.

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Toggling Corrections in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 16, 2014

How do you turn off a color correction?

This is the question we tackle on this week's episode of MacBreak Studio, where I show Steve Martin from Ripple Training a simple way to make toggling corrections in Final Cut Pro X much faster and easier.

When setting up... Read More

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Batch Encoding in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 09, 2014

Batch exporting directly from Final Cut Pro X?

That's what Steve Martin from Ripple Training explores in today's episode of MacBreak Studio.

While there are many sharing options built into Final Cut Pro X, some folks turn to Compressor, Apple's... Read More

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Review: Tascam iXJ2 preamp/A>D enables dual-mic/2-channel opportunities for iOS mediography

Review: Tascam iXJ2 preamp/A>D enables dual-mic/2-channel opportunities for iOS mediography

A discontinued interface from Tascam is still ideal for certain recording and streaming events.

By Allan Tépper | September 05, 2014

Although the Tascam iXJ2 preamp/A>D is officially discontinued, fortunately it is still available (for now). Ahead you’ll discover why the iXJ2 is a unique enabler for high-quality dual-mic/2-channel, 48 kHz/24-bit iOS recordings, including several use-cases: interviews, sportscasting, and even voiceover auditions; when it’s appropriate, and when it isn’t.

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Review: Plantronics accidentally enters broadcast headset market

Review: Plantronics accidentally enters broadcast headset market

When combined with a portable A>D converter, the Plantronics .Audio 326 becomes a broadcast headset.

By Allan Tépper | September 02, 2014

Plantronics is a renowned headset manufacturer for office communication, general listening, mobile telephony, and gaming, but not for broadcast or multimedia production. However, due to an unusual set of circumstances, I discovered that their completely analog Plantronics .Audio 326 headset (when combined with a portable preamp/A>D converter) transforms itself into an ultra-affordable broadcast headset for production and live streaming. Here’s my review with test recording.

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Moving Proxy Media in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 02, 2014

How can I take my proxies with me?

It's a question we've heard enough times that in this episode of MacBreak Studio, I show Steve Martin from Ripple Training some options for doing so.

The scenario is this: you have your original media on a RAID - a large... Read More

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Review: RØDE NT-USB studio-grade digital microphone

Review: RØDE NT-USB studio-grade digital microphone

The NT-USB includes a pop-shield + table stand, and works with Mac, Windows, and iPad.

By Allan Tépper | August 28, 2014

The new NT-USB from RØDE is a studio-grade digital microphone that officially works with Mac, Windows, and iPad. Unofficially, it also works with iPhone and iPod Touch. Ahead is my review, including exclusive comparative audio recordings with Chilean singer Bárbara Intriago.

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SmartSound Plug-ins For Soundtrack Creation With Adobe Video Apps

Use SmartSound Plug-ins with Adobe Premiere Pro and After Effects CC For Round-Trip Music Soundtrack Creation and Editing

By Jeff Foster | August 27, 2014

SmartSound has made some great advancements in their software plug-ins for Adobe Premiere Pro and After Effects since I did my last how-to tutorial two years ago and posted here on ProVideo Coalition. I just recreated two new short video tutorials and wanted to share them with you here, to show you just how easy this NEW round-trip method is to create/edit music soundtracks for your video/animation projects starting inside your video production apps.

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Sony’s Latest Budget A5100 Mirrorless Camera Delivers Surprising Video Features

XAVC S, Clean HDMI & more....

By Dan Carr | August 25, 2014

The A5100 is the latest edition to Sony’s increasingly popular mirrorless system and for the price point they’re hitting, this camera comes with a few surprising video features.

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3D Robotics - The Future of Autonomous Aerial Imaging

3D Robotics - The Future of Autonomous Aerial Imaging

Leading Technology for Filmmakers and Industry with Flying Robots

By Jeff Foster | August 23, 2014

You might hear the name 3D Robotics and say "Oh yeah, I've heard of those guys. They also make small UAVs don't they?” ...and you'd be right.. kind of. I take a closer look at this innovative company and peek into the future with one of the industries' great visionaries and technology leaders... and I get excited for what this all means for aerial imaging!

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Discounts on After Effects World and Adobe MAX

Discounts on After Effects World and Adobe MAX

We’re speaking at both events; here’s ways to save a little when you register

By Chris and Trish Meyer | August 21, 2014

In addition to the free Moviola webinar on creativity Chris is presenting next week, we’re both speaking at the upcoming After Effects World and Adobe MAX conferences:

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Review 1: Telestream’s Switch aims to overtake & surpass QuickTime Pro

Review 1: Telestream’s Switch aims to overtake & surpass QuickTime Pro

In many ways, Switch has already surpassed QuickTime Pro…

By Allan Tépper | August 20, 2014

Back in December 2013, I published my “first look” article about the then just-announced Switch application for Mac OS from Telestream, which in many ways has already gone way beyond what the QuickTime Pro app ever did. Now that Switch is shipping, I was able to get a review license from the company and ahead you will see what I like, and what should be added to this promising audiovisual tool.

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From Still Frames to Fine Art

From Still Frames to Fine Art

Chris is hosting a free webinar dedicated to creativity

By Chris and Trish Meyer | August 19, 2014

If you want to get Chris upset, come up to him and profess that you’re not creative. Despite his background as an engineer, we’ve had a very nice 20+ year career as graphic designers, and we’ve both started fine art careers. As a result, Chris agreed to create a webinar for... Read More

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Cinemagraphs in FCP X and Motion

This Week on MacBreak Studio

By Mark Spencer | August 19, 2014

Final Cut Pro X or Motion?

Both FCP X and Motion allow you to perform compositing and animation. How do you decide which to use? This week on MacBreak Studio, I show Steve Martin from Ripple Training how to approach the same task in both applications.

According to... Read More

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Product Review: DSLRPros Cannes Cinema Edition P2 Aerial Kit

The Next Generation Aerial Kit Does So Much More!

By Jeff Foster | August 15, 2014

The DJI Phantom 2 is the second generation quadcopter from the industry giant, boasting better performance and longer flight time and it's remained pretty much a "hobbyist" craft as it comes from the factory - but I'll show you why the DLSRPros Cannes Cinema Edition P2 Aerial Kit has turned this "RC toy" into a serious, useful aerial videography tool. Read More

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Mike Russell Makes Audio Awesome with Adobe Audition

Making radio promos, jingles, voiceovers and podcasts with Adobe's audio app

By Eric Philpott | August 13, 2014

Hailing from England’s southeast, Mike Russell is a digital audio expert, voice over artist, and popular instructor. He is also an enthusiastic proponent of Adobe Audition, which he uses for all his audio - along with many other Creative Cloud applications for other parts of his work.... Read More

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