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Post Production

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Day 1 #28daysofquicktips - Minimize Interview Roles in FCPX

This tips same me a lot of time watching FCPX redraw filmstrip thumbnails

By Scott Simmons | February 01, 2015

For some reason most all of my Final Cut Pro X job seem to revolved around talking head interviews. This is fine and we can tell some good stories from interviews but I’ve found that the redrawing of thumbnails in the FCPX timeline can take up a lot of time throughout the day. I’ve sped that up with this tip.

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Premiere Pro News Notes #11

By Rich Young | January 31, 2015

Here's another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have continued apace, though perhaps with rehashing, even behind the paywalls.

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Media Composer Quick Bite 1

"Working with Photoshop Guides" for Media Composer editors

By Kevin P. McAuliffe | January 31, 2015

Media Compser editors know that our Title safe and Picture safe guides are an essential part of our titling workflow.  Working in Photoshop is no different, but sometimes I see editors run into problems with their guides in Photoshop, and just need a little push in the right direction. Read More

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28 Days of Quicktips 2015 -  #28daysofquicktips

28 Days of Quicktips 2015 -  #28daysofquicktips

A tip a day for 28 days. Send your own and maybe win a prize!

By Scott Simmons | January 31, 2015

Way, way back in the year 2009 when I started this channel on PVC I published the 28 Days of Quicktips. And then we did it again in 2011 and included reader quicktips. It was exactly what the title says, one Quicktip a day for the entire month of February that somehow related to post-production. We’re going to do it again for 2015. Like we did in 2011, this year we're also looking for user submitted Quicktips. Just send us your favorite short Quicktip and an accompanying image or two that helps illustrate the tip and we'll try to publish those as well. And as an incentive to send us your own Quicktips I will choose what I personally judge to be the best submission and send them a free copy of the Color Correction Handbook. Details below.

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AE + C4D: Some Minor Assembly Required

AE + C4D: Some Minor Assembly Required

Properly setting up your AE and C4D Lite projects to best work together

By Chris and Trish Meyer | January 29, 2015

We’re fans of the Live 3D Pipeline workflow between After Effects CC and CINEMA 4D Lite. And Adobe has automated a large portion of the process to get the two to work together: In After Effects, create a New > Layer > MAXON CINEMA 4D File, and not only is a layer created in AE with the CINEWARE plug-in applied (where all the magic happens), C4D Lite is also opened with a new project linked to that particular instance of the plug-in for live rendering. However: At least as of AE CC 2014.2, not all of the necessary information about the AE composition is passed onto the C4D project, and neither is the AE project configured to match some assumptions C4D is making. Therefore, it’s up to you to fill in or correct the necessary parameters.

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Dynamic Trimming in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | January 27, 2015

What is dynamic trimming, anyway?

There has been a lot of discussion on this topic lately, and today Steve Martin from Ripple Training jumps in with his take on what the term meant when applied to legacy Final Cut Pro and what it means today in Final Cut Pro X.

By... Read More

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Have I Finally Perfected My Backup Strategy?

By Dan Carr | January 26, 2015

Like many people, I’ve struggled over the years to find the perfect backup solution for all of my digital content.  As file sizes creep ever upwards, it’s been a permanent upgrade process that’s often caused more than its fair share of headaches.  All drives will... Read More

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I am a Bird

Experiencing the Inspire 1

By Mark Spencer | January 26, 2015

This weekend my friend Gary Yost took out his new DJI Inspire 1 for some test flights. The footage is so pretty I thought it was worth sharing.

Though overall he loves the Inspire 1, he does have some criticisms. In his words:

The great news is that this craft is so... Read More

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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 3

Let's wrap up our look at creating DVD's by building them in our favorite DVD creation applications

By Kevin P. McAuliffe | January 24, 2015

In this week's Media Composer 101 tutorial, I'm going to show you four different DVD burning applications, and how simple they are to use, when creating your screening DVD's!

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Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Benjamín Fernández of Digital Sprockets has 6 reasons why he prefers to edit video with DaVinci Resolve instead of FCP X.

By Allan Tépper | January 24, 2015

Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine (film-to-tape) and film restoration services. While I’m in México City doing seminars, I visited Digital Sprockets and heard all 6 interesting reasons why Benjamín prefers editing video with DaVinci Resolve than with Final Cut Pro X.

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Easy Flying Logos with AE + C4D Lite (+ Illustrator)

Easy Flying Logos with AE + C4D Lite (+ Illustrator)

Your Creative Cloud subscription has all the tools needed for this common motion graphics task

By Chris and Trish Meyer | January 22, 2015

One of the most common, bread-and-butter motion graphics jobs you’re going to get is to take your client’s flat, two-dimensional print logo, turn it into a 3D object, and animate it onto the screen for an endless variety of video destinations (trade shows, press events, training videos, web & social media, etc.). This used to mean having to buy and learn a 3D program in addition to After Effects and/or your NLE of choice, rendering it out of one, and bringing it into the other to potentially integrate over additional footage. Now that CINEMA 4D Lite is bundled with After Effects, and there is a direct render path between the two, this task is now a bit easier.

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Review - Wipster

Can something so simple and free be any good? Yes, yes it can!

By Kevin P. McAuliffe | January 21, 2015

There have been a couple of great articles here on PVC in the last little while about Review and Approval.  Scott Simmons had an article that focused on the Review and Approval options for you out there, and Dorian Heller had posted his look at Wipster.  Well, with this review, I hope to take Dorian’s great review, and expand on it with my own take on Wipster, and look at not only the product itself, but the man behind it, Rollo Wenlock, Wipster's CEO, and his vision for the company. Read More

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The Public Domain Project

The Public Domain Project

Pond5 just saved you countless hours. And probably some money, too.

By Chris and Trish Meyer | January 21, 2015

We all need footage - but there’s not always the budget to license or shoot it. We can try to hide behind the illusion of “Fair Use” - but in reality it’s hard to qualify for the exemption. In theory, if we know where to look (such as the Archive.org, or anything funded by the US government - as long as you’re a US citizen), we may be able to dig up some public domain assets that are suitable - but that would take hours upon hours of searching and browsing, and the quality may not be great. Until now.

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The Compound Clip Conundrum

This Week on MacBreak Studio

By Mark Spencer | January 21, 2015

Handles? We don't need no stinkin' handles!

That's what a compound clip in Final Cut Pro X might say when you try to ripple, roll, or extend an edit point or add a transition between a compound clip and another clip. You'll find there is no extra media... Read More

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Audio Splits, Stems & Elemental Tracks

Additional Mixes for The Longevity of Your Project

By Woody Woodhall | January 19, 2015

A post sound mixer's main task is to create an awe inspiring mix that enhances and elevates the story being told.  But, post mixers' responsibilities are far more than just creating a great soundtrack. Using sophisticated digital tools, the mixer must be sure to meet and exceed all... Read More

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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 2

Let's compress our files with an application you might already have at your disposal.

By Kevin P. McAuliffe | January 15, 2015

In this week's Media Composer 101 tutorial, Kevin P McAuliffe will show you that no matter what compression application you have, whether it Sorenson Squeeze, Adobe's Media Encoder or even Apple's Compressor, with a little forethought, you will be creating your M2V and AC3 files, lightning quick!

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Allan Tépper to give 4 tech seminars in México City

Allan Tépper to give 4 tech seminars in México City

From January 26–29, Allan Tépper will give seminars in México City.

By Allan Tépper | January 15, 2015

From January 26–29, I’ll be giving four tech seminars in México City. Actually, three of the four will be tech (audio/video/podcast production/post/distribution), while the first presentation will be free, and will be about language issues. All four presentations will take place in México City, and will be presented in Castilian/castellano (aka “Spanish”). Details ahead.

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Sync-N-Link X for Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | January 13, 2015

Why would you want a separate app to sync audio and video clips?

This week on MacBreak Studio, Sam Mestman from FCPworks.com returns to make the case for Sync-N-Link X for Final Cut Pro X.

As he explains to Steve Martin of Ripple Training, Sync-N-Link X not only... Read More

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Tuesday Deal: Senal SMH-1000 Headphones

Expires January 13

By Rich Young | January 13, 2015

B & H had a special today on Senal SMH-1000 Professional Field and Studio Monitor headphones, which seem to be knockoffs of the SONY 7506. The advantage is that they're cheaper today and have two detachable cords of different lengths, which makes it easier to store while protecting against cord failure.

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Surviving Your First Film Market

Surviving Your First Film Market

Dear Filmmaker: you really need to start learning about this end of the business.

By Arthur Vincie | January 11, 2015

In November I went to my very first American Film Market.  If you're a filmmaker or any kind of "content creator," you really need to start learning about this end of the business.  I'm still a neophyte, so this is less a definitive guide and more of a set of observations and tips that I picked up while there.

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