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Media Composer 101 - Lesson 7 - Settings Part 1

Your settings are what are going to keep you editing at top speed!

By Kevin P. McAuliffe | December 18, 2014

You settings are exceptionally important inside of Media Composer.  They are what are going to give you access to all the bells and whistles that will make the difference between a slow edit and unhappy client, to a fast edit, and an exstatic client!

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Linking Animations in Motion

This Week on MacBreak Studio

By Mark Spencer | December 17, 2014

The Link behavior in Motion is a powerful way of animating one one object with another.

This week on MacBreak Studio, I show Steve Martin from Ripple Training one way to use the Link behavior to create a wheel and piston animation similar to a steam locomotive.

In... Read More

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Adobe video applications updated

Creative Cloud offers pros performance and compatibility with the latest technologies

By Eric Philpott | December 16, 2014

Adobe release updates today for its pro video applications including Adobe Premiere Pro CC, After Effects CC, Adobe Media Encoder CC, SpeedGrade CC, Adobe Audition CC, Adobe Story CC Plus, and Adobe Prelude CC. The 2014.2 release offers feature enhancements and updates, including YouTube... Read More

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Let It Snow!

Creating Snow Effects in Motion

By Mark Spencer | December 15, 2014

 

Motion Magic is a weekly series of short tips from Ripple Training for how to do something useful in Apple Motion. This week, I show you how to add snow to a scene by starting with a preset particle emitter and then modifying it to make it come to life. Particle emitters are one... Read More

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Template Greeting Cards in Final Cut Pro X

This week's 5-minute Final Cut Tip

By Mark Spencer | December 15, 2014

Final Cut Pro X in under 5 minutes is a weekly series of short tutorials from Ripple Training designed to show you how to do something specific and useful in Final Cut Pro X from start to finish.

This week's episode shows you where you can get a holiday template that was... Read More

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Editing the Bioneers 25th Anniversary Conference

On-site Multicamera editing with Final Cut Pro X on a Mac Pro

By Mark Spencer | December 15, 2014

Editing the Bioneers 25th Anniversary Conference

In October 2014, the Bioneers (http://www.bioneers.org) held their 25th anniversary conference in San Rafael, California. Bioneers is a non-profit educational organization that explores innovative solutions to planetary issues. The... Read More

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How Will an HP Z Workstation Impact Your Production?

How Will an HP Z Workstation Impact Your Production?

Explore the logistics around the many ways an HP Z Workstation can change your approach to a project

By Jeremiah Karpowicz | December 15, 2014

The Mac vs PC debate feels like it’s been going on forever in media & entertainment. It’s a debate that has passionate defenders and opinions on both sides, but the unfortunate reality is that those same people often don’t realize what the other side has to offer. With... Read More

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REVIEW: proDAD Mercalli V4 SAL+

Let's clean up some video, shall we?

By Bruce A Johnson | December 11, 2014

Whether attached to a car, a bicycle, a motorcycle,  a quadcopter, a rocket or a pair of skis, we have all become addicted to the unusual perspectives the GoPro family and all their action-cam brethren can give us.  However, it doesn’t take too much experimentation with these... Read More

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Media Composer 101 - Advanced - Avid Pan and Zoom

Creating the Ken Burns effect inside of Media Composer is simple, AND included in your MC Subscription

By Kevin P. McAuliffe | December 11, 2014

In this week's Media Composer 101 tutorial, we're going to look at an effect that is used in just about every documentary, and that is the Ken Burns Effect, or a Pan and Zoom effect.  The effect comes standard inside of Media Composer, and is quite simple to use!

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Audio-only Cross-fades in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | December 10, 2014

 

  How do you cross-fade just the audio portion of an edit point?

That's the question we tackle on this week's episode of MacBreak Studio.

I start by showing Steve Martin from Ripple Training a simple storyline of clips, where I want to audio... Read More

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Holiday gift lists for digital video creators

with a quick look back at 2014 in After Effects

By Rich Young | December 10, 2014

Best of 2014 and holiday gift lists are mushrooming, but there aren't so many lists for digital video creators at this point, and it seems that most of them are on PVC (with more coming). We'll link in a few extra lists, and look back the year in After Effects for more ideas.

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Quick Tour of mocha AE CC 2014

Quick Tour of mocha AE CC 2014

free video from the After Effects CC Updates course

By Chris and Trish Meyer | December 09, 2014

We recently added several movies to our After Effects CC Updates course on lynda.com, covering the new user interface design, CINEWARE v2 and CINEMA 4D Lite R16, mocha AE CC 2014, Dynamic Link color management changes, and the embedded Adobe Color Themes panel (formerly known as Adobe Kuler). We selected the movie on mocha to be the freebie for this round, as not only does it cover the user interface and feature updates for this new version, it also gives a very quick tutorial of performing a simple track or stabilization inside mocha AE:

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Christmas Gift Ideas for the Editor - 2014 Edition

Christmas Gift Ideas for the Editor - 2014 Edition

Products, services and lots of other goodies

By Scott Simmons | December 07, 2014

There’s only a couple of weeks left until Christmas 2014 so shopping is in full force. As always there are a lot of gadgets and gizmos that an editor could use both in and out of the edit suite so here’s our annual list of Christmas Gifts for the Editor. The Editblog's editor gift list was the first and is still the best but if you don’t see what you want here check out the 2010 edition, the 2011 edition, the 2012 edition and the 2013 edition. There’s lots of great ideas in there as well.

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Media Composer 101 - Lesson 6 - Bins part 2

Let's continue our look at bins with some great "hidden" features you'll definitely want to know about.

By Kevin P. McAuliffe | December 04, 2014

In the second of our two part look at bins, we'll take a look at some tucked away features of Media Composer that will really help you get organized, and stay organized right from import to delivery.

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Enhanced Storyboarding in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | December 04, 2014

Do you still need a reason to use Motion?

This week on MacBreak Studio, Steve Martin from Ripple Training picks up from the prior week's discussion about using the Placeholder generator in Final Cut Pro X to pre-visualize a shoot by building a storyboard. If you... Read More

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MXF Support in Final Cut Pro 10.1.4

On This Week's Under 5

By Mark Spencer | December 02, 2014

Final Cut Pro X version 10.1.4 is out today. In the above Final Cut Pro in Under 5 Minutes video, Steve Martin from Ripple Training explores one specific new feature: how to import and export MXF files. 

Before getting into the workflow, it’s important to define... Read More

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Collaborate Efficiently and Effectively Away from Your Desktop with HP’s Remote Graphics Software

Collaborate Efficiently and Effectively Away from Your Desktop with HP’s Remote Graphics Software

“RGS is a lot easier than a hardware solution”

By Christian Jones | December 02, 2014

As the product marketing manager for HP’s remote graphics software, or RGS, I’m keenly aware of how productions of all sizes have been impacted by our solution. On large productions we’ve seen different groups who are working on different things use HP RGS to instantly share... Read More

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Video Copilot Element 3D version 2 released

3D model deform, modes, reflections, shadows, + more

By Rich Young | December 02, 2014

Video Copilot released Element 3D v2 today. E3D v2 is $199 or a $99 upgrade, with more bundle upgrade discounts. The plug-in is compatible with After Effects CS5 + above.

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5 features I miss from Final Cut Pro 7 “Classic”

All of these items would be welcome features added to other NLEs

By Scott Simmons | December 01, 2014

I spent most of the last week of November working on a job in Final Cut Pro 7; or Final Cut Classic as we seem to call it these days. This was the first FCP7 job I had done in over a year (at least I think as they all run together after awhile). Cutting in FCP7 was at the client’s request and while I have tried to convince them to move to a more modern NLE this job was to be an FCP7 job. It went well and I made a note of five features that I miss when working in other NLEs.

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ASCII Art & After Effects

Easy-to-use scripts and other resources

By Rich Young | November 30, 2014

ASCII art, pioneered by Victorian female stenographers, has enjoyed brief periods of interest and cobbled together solutions for After Effects, but there's now easy-to-use AE scripts to speed solutions. Read More

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