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Have a copy of my Final Cut Pro X Menu / Keyboard Shortcut Cheat-sheet

I made this a long time ago but have recently updated it

By Scott Simmons | August 12, 2014

I’m currently deep into the biggest Final Cut Pro X edit that I’ve done to date. Back when FCPX was new I did a webinar where I gave out a document I had made of some of the FCPX menus to help learn the keyboard shortcuts. I thought it was a good time to update that menu... Read More

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New Features in Motion

This Week on MacBreak Studio

By Mark Spencer | August 12, 2014

New features in Motion?

That's right - they aren't earth-shattering, but there were a few new features added to the Motion 5.1.1 update that came out the same time as the Final Cut Pro 10.1.2 update a few weeks ago.

In truth, there has been a lot of work... Read More

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Making Project Management Simple and Efficient

Making Project Management Simple and Efficient

CEO Fredrik Limsäter tells us how ftrack can help creators keep their project on track

By Jeremiah Karpowicz | August 10, 2014

Project management is an issue that industry professionals of all sizes and types deal with. Keeping track of shots, figuring out how to collaborate with someone who’s on the other side of the world and trying to organize budgeting and scheduling logistics are just a few of the issues... Read More

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After Effects and Alexa - The Expurgated Version

Log C in After Effects in 3 minutes...

By ChrisZwar | August 08, 2014

OK so you've got some Arri Alexa footage in Log C format, and it looks funny in After Effects.  You don't have time to sit through my 2-part, 40 minute video on the best way to deal with Alexa footage in After Effects, you just want to know the basic details NOW!

So... Read More

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After Effects and Alexa - Part 2

Working with Arri Log C footage in After Effects

By ChrisZwar | August 08, 2014

The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called Log C.  While there are many ways of working with Log C footage in After Effects, none of them are immediately obvious – and if you’re new to log colourspaces then... Read More

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After Effects and Alexa - Part 1

Working with Arri Log C footage in After Effects

By ChrisZwar | August 08, 2014

The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called Log C.  While there are many ways of working with Log C footage in After Effects, none of them are immediately obvious – and if you’re new to log colourspaces then... Read More

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Boris Red 5.5 for Media Composer Editors

This webinar replay will give you a new look at a classic AVX plug-in/app with a major update!

By Kevin P. McAuliffe | August 07, 2014

More and more these days, Media Composer editors find themselves trying to stay in their timeline to get simple tasks done.  Boris Red 5.5 is the successor to Avid FX, and it will let you do some common tasks super quick, and keep you out of the time vampire of importing and exporting! Read More

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Getting Started with BCC Lite for Media Composer Part 2

In Part 1 we looked at BCC Colorize and Lens Flare 3D, now let's check out BCC Scanlines & Swish Pan

By Kevin P. McAuliffe | August 07, 2014

As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade.  That's because with your monthly subscription, you are now getting Symphony included.  But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.

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A Tale of Two Thunderbolt Drives

The AKiTio Neutrino Thunder Duo and the Other World Computing ThunderBay IV

By Scott Simmons | August 05, 2014

If you’re lucky enough to have Thunderbolt in your workflow then you know the joys of its ease of use and insanely fast transfer speeds. Whether that’s moving multiple gigabytes of data in a few seconds or getting well over 700 megaBYTES a second transfer speeds while editing, Thunderbolt is a massive step up from Firewire and eSATA. This is a story of two very nice, very fast Thunderbolt RAIDs: the AKiTio Neutrino Thunder Duo and the Other World Computing ThunderBay IV . Have both of these in your arsenal and you’re all set for a variety of editing tasks.

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The Improved Voiceover Tool in FCP X

This Week on MacBreak Studio

By Mark Spencer | August 05, 2014

Can you record a voiceover track directly into Final Cut Pro X?

Yes, and you've been able to do it since the very first version of Final Cut Pro X was released. However, in the recent 10.1.2 update, Apple added several new features which make this tool more useful than... Read More

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Premiere Pro News Notes #08

Catching up on the latest news

By Rich Young | July 31, 2014

A series of as-they-come notes on news of assorted Adobe Premiere Pro tutorials, tips, and related tools continues. And there's more to come. Read More

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Relatively Speaking, Absolutely!

This Week on MacBreak Studio

By Mark Spencer | July 31, 2014

 

Absolute or Relative?

It's up to you, as you'll discover in this week's episode of MacBreak Studio, in which Steve and Mark from Ripple Training continue their exploration of the feature enhancements in the 10.1.2 update to Final Cut Pro X.

... Read More

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Your 4K Questions Answered

Your 4K Questions Answered

Participants of the live webinar answer all of the questions that came in during the event

By Jeremiah Karpowicz | July 30, 2014

During the live "The Benefits of Using 4K Now" webinar, presenters James Fox, Geoff Peck and Scott Hamilton presented info that content creators need to consider in the present and future when it comes to 4K. As the CEO and VP of Technology at Dawnrunner, respectively, James and Geoff discussed... Read More

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Sharknado 2 and Vashi’s Premiere Pro Editorial Workflow

You can use Adobe Premiere Pro CC to edit feature films. Sharknado 2's editor tells us how.

By Scott Simmons | July 29, 2014

Sharks and tornados go together so well that Syfy is on their second round of Sharknado movies with Sharknado 2: The Second One. This second coming of sharks and tornados was edited on Adobe Premiere Pro CC by Vashi Nedomansky (IMDB) as he shoehorned PPro into what has traditionally been a Final Cut Pro Classic workflow. I was curious as to how the process went (and feature film editing in general on tools other than the standards) so I sent over a list of questions that Vashi was kind enough to answer. Watch the mayhem on July 30 at 9/8c on Syfy.

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ProMAX Delivers a New Experience for Users Across Media & Entertainment

ProMAX Delivers a New Experience for Users Across Media & Entertainment

An interview with ProMAX CEO Jess Hartman about how acquisition of Cache-A affects their present and future

By Jeremiah Karpowicz | July 29, 2014

Big news was announced on July 22nd, as ProMAX went public with their acquisition of Cache-A, a leading supplier of network-attached video archive appliances. The move will allow ProMAX to integrate Cache-A’s archival technology into the multi-functional capabilities of Platform storage... Read More

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Saving Time and Money in Audio Post

Preparation is Key

By Woody Woodhall | July 27, 2014

Some picture editors say “I don’t do sound.”  Other picture editors storm into the bay and insist that as much of their edits, effects and automation as possible from the AAF remain so that their “audio doesn’t get [screwed] up.”  I am much more... Read More

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Adobe Premiere Pro CC 2014.0.1 - the biggest little update you’ll see today

Minor in number but a few major enhancements for offline to online delivery

By Scott Simmons | July 24, 2014

It seems like only yesterday that Adobe updated Premiere Pro CC to the 2014 version. Well check your updaters because now we have version 2014.0.1. The nomenclature is minor but there’s a couple of big editing enhancements that those who have been wanting them will be thrilled with.

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Finding Unused Clips in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | July 22, 2014

 

Did I use that clip already?

Continuing their exploration of new features introduced in the 10.1.2 update to Final Cut Pro X, this week on MacBreak Studio Steve Martin and Mark Spencer from Ripple Training demonstrate the expanded capacity to filter and build... Read More

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Half-Priced Pocket Cinema Camera

A Steal of a Deal

By Brian Hallett | July 16, 2014

The Pocket Cinema Camera goes on the discount sales shelf if only for a limited time. If you want to take advantage of the deal then you better hurry this sale goes until August 31st or until they run out of supplies.

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Pinnacle Studio for iPad to add missing framerates & 48 kHz!

Pinnacle Studio for iPad to add missing framerates & 48 kHz!

The developer has committed to adding non-integer framerates and standard audio sampling.

By Allan Tépper | July 16, 2014

Last month, I published an article covering improvements in Pinnacle Studio for iPad, which is a video editing app which was originally an Avid product. At the same time, I made some constructive criticisms to the lack of non-integer framerates and proper 48 kHz. I am now delighted to let you know that the developer has committed to adding all of those. Ahead are the details.

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