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Post Production

Tracking and Managing the Business Side of Producing Content

Tracking and Managing the Business Side of Producing Content

An interview with Joel Stoner, CEO and Founder, AlterMedia

By Jeremiah Karpowicz | September 09, 2014

Studio Suite is a leading studio management software, and it meets the demands of thousands of users in post-production facilities in over 40 countries. Their customers include huge companies like Sony and Warner Bros but also hundreds of small boutique & corporate in-house production... Read More

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The Terence and Philip Show: Episode 64 – Finding the Resolution Sweet Spot with 4K

The Terence and Philip Show: Episode 64 – Finding the Resolution Sweet Spot with 4K

Terence and Philip discuss 4K – the good, the bad, and the bandwidth

By PVC News Staff | September 09, 2014

To listen to the Terence and Philip Show episode #64 where Terence Curren and Philip Hodges discuss 4K pipeline issues, a sweet spot with resolution and more, click the player below. A transcript of the episode itself is below the player.

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Adobe Video tools: Fall CC 2014 preview [updated]

rounding up blogs and video

By Rich Young | September 08, 2014

At IBC 2014, Adobe is previewing the latest features coming to Creative Cloud pro video apps (blog). Features are a bit light this time, except for some important new ones in Premiere, but these are updates not new version releases, like the ones in June. Hopefully there are few kinks in any UI changes amid the high-DPI functionality upgrades. Read More

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Living and Working Off-Site and Online

Living and Working Off-Site and Online

What sort of considerations come into play now that so many professionals are allowed to and even required to work remotely?

By Jeremiah Karpowicz | September 07, 2014

Homer Simpson once described working from home as his dream, and it’s a sentiment shared by many professionals. How many people have dreamed of a morning commute lasting no longer than 30 seconds? A lunch break spent on the back porch? Or having the desire to do something at the end of... Read More

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Comparing 3D type options for After Effects

Ray-traced 3D is walking dead

By Rich Young | September 04, 2014

While some may claim that the After Effects CS6-era Ray-traced 3D renderer is a minor feature that you can ignore, it's still a strong option for basic motion graphics with realistic reflections and refractions, and very fast if you have an Nvidia CUDA GPU. If you're not committed one way or another, you may want to check out an integrated in-depth resource from Eran Stern that compares major alternatives for creating 3D type.

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TurbulenceFD Depth Pass Using Cinema 4D

Free script to aid in creating a depth pass for smoke simulations

By David Torno | September 04, 2014

Creating a depth pass for a smoke simulation should be a simple task you might think. In most cases with professional softwares it can be, but not all softwares support this feature. In this particular case it is the Fire and Smoke simulation plugin TurbulenceFD (TFD). I am a... Read More

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Blackmagic didn’t quite remove the Band-Aid after all…

Blackmagic didn’t quite remove the Band-Aid after all…

As I sadly discovered in Guatemala, Blackmagic didn’t quite add RGB over HDMI after all…

By Allan Tépper | September 02, 2014

In June 2014, I published an article stating that Blackmagic had finally removed the Band-Aid for original DreamColor monitor users, based upon information published in their own ReadMe and a direct statement from Blackmagic’s US president, which I quoted. In mid August, I went to Guatemala to configure a system, and discovered that RGB over HDMI wasn’t really available. After a few weeks of email exchanges, Blackmagic has finally clarified their position via the public relations department.

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Moving Proxy Media in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 02, 2014

How can I take my proxies with me?

It's a question we've heard enough times that in this episode of MacBreak Studio, I show Steve Martin from Ripple Training some options for doing so.

The scenario is this: you have your original media on a RAID - a large... Read More

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Z-Depth compositing with Particular - Part 2

Create z-depth maps in Particular and composite multiple layers together

By ChrisZwar | September 01, 2014

Trapcode’s Particular is probably the most popular 3rd party plugin for After Effects, and amongst its many powerful features is the ability to read a z-depth map.  What it doesn’t have, however, is an obvious way to render out its own z-depth map - but by manually adjusting... Read More

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Z-Depth compositing with Particular - Part 1

Create z-depth maps in Particular and composite multiple layers together

By ChrisZwar | September 01, 2014

Trapcode’s Particular is probably the most popular 3rd party plugin for After Effects, and amongst its many powerful features is the ability to read a z-depth map.  What it doesn’t have, however, is an obvious way to render out its own z-depth map - but by manually adjusting... Read More

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Cosmetic fixes, blemish removal, and skin retouching in post-production

Digital beauty treatments

By Rich Young | August 31, 2014

Digital beauty treatments and cosmetic fixes in post-production often involve isolating skin with tracking and mattes for color correction and matching, skin smoothing, and blemish removal. Even skin matching across shots isn't always easy, but there's some help along the way in basic and advanced tutorials on the wide variety of tools available. Read More

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Premiere Pro News Notes #09

By Rich Young | August 30, 2014

Here's another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro.

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A Bunch of Random Hard Drive Speed Tests

As drives come into the edit suite I've been noting their read/write speeds for no other reason than because I can

By Scott Simmons | August 28, 2014

As a freelance editor I get a lot of hard drives sent to me with footage to edit. Usually all of that media is transferred off of those hard drives and onto a RAID for editing. Occasionally I might have a quick turnaround or just fixes on a project and I’ll cut right off the hard drive sent to me. The faster the drive the better for both of these tasks. I’ve been keeping a running log of hard drive speeds for the last few months and with the help of Blackmagic’s Disk Speed test I offer up this cornucopia of various drive speed tests and their connections. Little commentary is provided here but if you have a production asking why you’re questioning their use of a cheap little black Seagate drive from Target then send them to this blog post to see exactly what slow speeds that cheap drive will mean and how that will add time to editorial because of file transfers alone.

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SmartSound Plug-ins For Soundtrack Creation With Adobe Video Apps

Use SmartSound Plug-ins with Adobe Premiere Pro and After Effects CC For Round-Trip Music Soundtrack Creation and Editing

By Jeff Foster | August 27, 2014

SmartSound has made some great advancements in their software plug-ins for Adobe Premiere Pro and After Effects since I did my last how-to tutorial two years ago and posted here on ProVideo Coalition. I just recreated two new short video tutorials and wanted to share them with you here, to show you just how easy this NEW round-trip method is to create/edit music soundtracks for your video/animation projects starting inside your video production apps.

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Professional Platforms for Sales and Marketing Videos

Professional Platforms for Sales and Marketing Videos

Choosing the right video platform for video marketing, sales, and corporate communications.

By Chris Potter | August 27, 2014

Clients ask you to wear many hats. In addition to producing & editing video, you may be seen as the expert in online video distribution.

Using YouTube or Vimeo Pro to host and embed videos is a pretty safe choice. Both platforms provide great video playback and instant access to large communities that can expose your content to a broad audience.  However, they may not always be the best choice for you or your clients.

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Optical Kerning preference in After Effects

Edit the preference file for always on auto-kerning

By Rich Young | August 27, 2014

Optical kerning is a newer feature in Adobe apps. If you have a tendency to forget about kerning, be sure to enable Optical kerning, even it means occasionally overriding a font's built-in kern tables.

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Subroles in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | August 26, 2014

There are no tracks in Final Cut Pro X.

This fact really throws folks at first because it seems that tracks would be required for some very basic editing, compositing, organizing, and exporting functions. However, Final Cut's magnetic timeline, connected clips, and use of... Read More

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Follow Alexis Van Hurkman Down the Rabbit Hole to Find “The Place Where You Live”

Follow Alexis Van Hurkman Down the Rabbit Hole to Find “The Place Where You Live”

The director talks to us about the short film he wrote, produced and edited

By Jeremiah Karpowicz | August 24, 2014

Alexis Van Hurkman is a man of many talents. He might be best known for his expertise in post-production, and as the writer of books such as the “Color Correction Handbook,” and “Adobe SpeedGrade: Getting Started,” that should come as no surprise. ProVideo Coalition... Read More

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Review 1: Telestream’s Switch aims to overtake & surpass QuickTime Pro

Review 1: Telestream’s Switch aims to overtake & surpass QuickTime Pro

In many ways, Switch has already surpassed QuickTime Pro…

By Allan Tépper | August 20, 2014

Back in December 2013, I published my “first look” article about the then just-announced Switch application for Mac OS from Telestream, which in many ways has already gone way beyond what the QuickTime Pro app ever did. Now that Switch is shipping, I was able to get a review license from the company and ahead you will see what I like, and what should be added to this promising audiovisual tool.

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