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Getting Started with BCC Lite for Media Composer Part 2

In Part 1 we looked at BCC Colorize and Lens Flare 3D, now let's check out BCC Scanlines & Swish Pan

By Kevin P. McAuliffe | August 07, 2014

As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade.  That's because with your monthly subscription, you are now getting Symphony included.  But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.

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A Tale of Two Thunderbolt Drives

The AKiTio Neutrino Thunder Duo and the Other World Computing ThunderBay IV

By Scott Simmons | August 05, 2014

If you’re lucky enough to have Thunderbolt in your workflow then you know the joys of its ease of use and insanely fast transfer speeds. Whether that’s moving multiple gigabytes of data in a few seconds or getting well over 700 megaBYTES a second transfer speeds while editing, Thunderbolt is a massive step up from Firewire and eSATA. This is a story of two very nice, very fast Thunderbolt RAIDs: the AKiTio Neutrino Thunder Duo and the Other World Computing ThunderBay IV . Have both of these in your arsenal and you’re all set for a variety of editing tasks.

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The Improved Voiceover Tool in FCP X

This Week on MacBreak Studio

By Mark Spencer | August 05, 2014

Can you record a voiceover track directly into Final Cut Pro X?

Yes, and you've been able to do it since the very first version of Final Cut Pro X was released. However, in the recent 10.1.2 update, Apple added several new features which make this tool more useful than... Read More

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Premiere Pro News Notes #08

Catching up on the latest news

By Rich Young | July 31, 2014

A series of as-they-come notes on news of assorted Adobe Premiere Pro tutorials, tips, and related tools continues. And there's more to come. Read More

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Relatively Speaking, Absolutely!

This Week on MacBreak Studio

By Mark Spencer | July 31, 2014

 

Absolute or Relative?

It's up to you, as you'll discover in this week's episode of MacBreak Studio, in which Steve and Mark from Ripple Training continue their exploration of the feature enhancements in the 10.1.2 update to Final Cut Pro X.

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Your 4K Questions Answered

Your 4K Questions Answered

Participants of the live webinar answer all of the questions that came in during the event

By Jeremiah Karpowicz | July 30, 2014

During the live "The Benefits of Using 4K Now" webinar, presenters James Fox, Geoff Peck and Scott Hamilton presented info that content creators need to consider in the present and future when it comes to 4K. As the CEO and VP of Technology at Dawnrunner, respectively, James and Geoff discussed... Read More

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Sharknado 2 and Vashi’s Premiere Pro Editorial Workflow

You can use Adobe Premiere Pro CC to edit feature films. Sharknado 2's editor tells us how.

By Scott Simmons | July 29, 2014

Sharks and tornados go together so well that Syfy is on their second round of Sharknado movies with Sharknado 2: The Second One. This second coming of sharks and tornados was edited on Adobe Premiere Pro CC by Vashi Nedomansky (IMDB) as he shoehorned PPro into what has traditionally been a Final Cut Pro Classic workflow. I was curious as to how the process went (and feature film editing in general on tools other than the standards) so I sent over a list of questions that Vashi was kind enough to answer. Watch the mayhem on July 30 at 9/8c on Syfy.

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ProMAX Delivers a New Experience for Users Across Media & Entertainment

ProMAX Delivers a New Experience for Users Across Media & Entertainment

An interview with ProMAX CEO Jess Hartman about how acquisition of Cache-A affects their present and future

By Jeremiah Karpowicz | July 29, 2014

Big news was announced on July 22nd, as ProMAX went public with their acquisition of Cache-A, a leading supplier of network-attached video archive appliances. The move will allow ProMAX to integrate Cache-A’s archival technology into the multi-functional capabilities of Platform storage... Read More

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Saving Time and Money in Audio Post

Preparation is Key

By Woody Woodhall | July 27, 2014

Some picture editors say “I don’t do sound.”  Other picture editors storm into the bay and insist that as much of their edits, effects and automation as possible from the AAF remain so that their “audio doesn’t get [screwed] up.”  I am much more... Read More

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Adobe Premiere Pro CC 2014.0.1 - the biggest little update you’ll see today

Minor in number but a few major enhancements for offline to online delivery

By Scott Simmons | July 24, 2014

It seems like only yesterday that Adobe updated Premiere Pro CC to the 2014 version. Well check your updaters because now we have version 2014.0.1. The nomenclature is minor but there’s a couple of big editing enhancements that those who have been wanting them will be thrilled with.

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Finding Unused Clips in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | July 22, 2014

 

Did I use that clip already?

Continuing their exploration of new features introduced in the 10.1.2 update to Final Cut Pro X, this week on MacBreak Studio Steve Martin and Mark Spencer from Ripple Training demonstrate the expanded capacity to filter and build... Read More

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Half-Priced Pocket Cinema Camera

A Steal of a Deal

By Brian Hallett | July 16, 2014

The Pocket Cinema Camera goes on the discount sales shelf if only for a limited time. If you want to take advantage of the deal then you better hurry this sale goes until August 31st or until they run out of supplies.

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Pinnacle Studio for iPad to add missing framerates & 48 kHz!

Pinnacle Studio for iPad to add missing framerates & 48 kHz!

The developer has committed to adding non-integer framerates and standard audio sampling.

By Allan Tépper | July 16, 2014

Last month, I published an article covering improvements in Pinnacle Studio for iPad, which is a video editing app which was originally an Avid product. At the same time, I made some constructive criticisms to the lack of non-integer framerates and proper 48 kHz. I am now delighted to let you know that the developer has committed to adding all of those. Ahead are the details.

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Finder Logging for Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | July 15, 2014

I can log my footage in the Finder?

Yes, that is now possible thanks to a new feature in the 10.1.2 update to Final Cut Pro X which imports Finder Tags as keyword collections.

In Mavericks, you can now assign metadata to any file in the Finder with Finder Tags - an... Read More

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Inventing the non-linear edit suite

How five different products were created from five different philosophies

By ChrisZwar | July 15, 2014

If you're developing a groundbreaking new product, where do you start?  The desktop video revolution was driven by the emergence of non-linear editing systems running on home computers, but adapting them for video production was a gradual process.  The products that were being... Read More

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Rampant Design’s 4K Flares

Working in a 4K environment

By Brian Hallett | July 14, 2014

Rampant Design moves into the 4K fray with their new 4K and 5K flares and smoke effects.  Designed as easy to use drag and drop effects for editors, motion/visual effects creatives.

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Useful Tools for Editors - Been a Long Time Edition

Rejoice in small software developers!

By Scott Simmons | July 13, 2014

It’s been a long time, been a long time, been a long lonely, lonely, lonely, lonely time since we last had a Useful Tools for Editors roundup. Let’s jump into it with a long list of stand-alone applications, tools and items that support many different other tools and workflows. They all have one thing in common which we’ll discuss at the end of the post.

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New icons for all of those different Adobe Creative Cloud Apps

Well for After Effects and Premiere Pro really but you can make more

By Scott Simmons | July 11, 2014

If you updated your Adobe Creative Cloud apps a few weeks ago then you might have noticed it didn’t really update the apps at all. Rather you got brand new 2014 versions of the CC apps like Premiere Pro in your applications folder. You may have noticed those app icons look the same. Never fear the Internet is here to help with that first world problem.

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Color Grading for the Masses

Adjusting color in your video footage does not always have to cost hundreds of dollars. ColorDirector 2 is a good example.

By Jose Antunes | July 09, 2014

Color Grading is an advanced video editing technique used by all professional film makers to inject mood and energy into productions. Color Grading was, in the past, almost a science practiced by a few selected, but in fact, these days, it is accessible to almost anyone, either through specific programs or with plugins that extend functionalities of popular NLEs.

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Adobe Premiere Pro and the evolution of the NLE

Interview with product manager Al Mooney

By Eric Philpott | July 09, 2014

Al Mooney, senior product manager for Adobe Premiere Pro, has a long history in digital video editing and has played his part in the evolution of the NLE. Mooney grew up in the Southwest of England and studied music and sound recording at the University of Surrey. Starting out as a broadcast... Read More

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