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Post Production

MAXON 3D Software Solutions and Creativity Take Center Stage at 2014 NAB Show

MAXON 3D Software Solutions and Creativity Take Center Stage at 2014 NAB Show

Digital Artists Showcase the Role of Cinema 4D in Visual Effects, Motion Graphics and Design

By PVC News Staff | March 12, 2014

MAXON invites convention attendees to stop by its exhibitor booth, #SL 8620, at the 2014 NAB Show®, “…the world's largest electronic media show covering filmed entertainment and the development, management and delivery of content across all mediums…”, April 7... Read More

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The Story Behind a 21st Century Post House

The Story Behind a 21st Century Post House

By Jeremiah Karpowicz | March 12, 2014

When we last caught up with Josh Senior, Senior Post founder, we focused on what makes his company different as well as how they’ve been able to utilize the Creative Cloud in their workflow. This time we wanted to get into the specifics around how they’re able to focus on... Read More

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Why Use Camera Archives in Final Cut Pro X?

This Week on MacBreak Studio

By Mark Spencer | March 11, 2014

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Why would you want to use a Camera Archive to import your video clips?

This week on MacBreak Studio, Mark Spencer talks with Steve Martin from Ripple Training about Camera Archives. When transferring footage from a camera's card, you can of course simply drag the... Read More

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Notes from the 2014 Editors Retreat

It was my first time attending and I really want to go back

By Scott Simmons | March 06, 2014

This past week I was able to attend my first ever Editors Retreat in Savannah, Georgia. It was an unbelievably fun week of learning, networking, eating and drinking. This was an event I have wanted to attend for years but 2014 was the first time it has worked out. While not inexpensive, I made the decision to attend in January after a number of Editors Retreat alumni all said the same thing: the Retreat is a great creative reboot. I whole heartedly agree.

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PVC meet EditStock, EditStock meet PVC

PVC meet EditStock, EditStock meet PVC

By Misha Tenenbaum | March 05, 2014

Hello ProVideo Coalition! I’m looking forward to regularly contributing to this community. My name is Misha, I’m an assistant editor, and editor, who lives in LA.  I’ve worked 4,700 hours of Editor’s Guild work over the last three years on films and television shows... Read More

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Bring on the Backups in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | March 04, 2014

How does Final Cut Pro X back up your work?

On this week's episode of MacBreak Studio, Steve Martin from Ripple Training takes us through the what, why, when, where, and how of backups in Final Cut Pro X.

Final Cut backups are enabled by default and they back up... Read More

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Discover How The Foundry’s Tools Can Impact and Improve Your Workflow

Discover How The Foundry’s Tools Can Impact and Improve Your Workflow

An interview with New Deal Studios' Digital FX Supervisor & Technical Lead Jeff Jasper

By Jeremiah Karpowicz | March 02, 2014

New Deal Studios is a 21st Century Media Studio that invents, prototypes, designs and creates projects for film and TV. They use The Foundry's workflow solutions in various, innovative ways that have allowed them to take on some amazing projects. And Digital FX Supervisor & Technical... Read More

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Kinetic type in After Effects

Some resources

By Rich Young | March 01, 2014

Kinetic typography can be considered a storytelling technique that broadly engages the literal Illustration, rhythmic embellishment, personification, and disruption of language. In general, type-in-motion is increasing popular, and although kinetic type per se may have reached it peak a few years... Read More

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Fly around CC Sphere in After Effects

Or use Power Sphere

By Rich Young | February 28, 2014

As noted by Andrew Devis, "cameras are notoriously difficult to get to grips with in After Effects" (see video at bottom). Once example is trying to fly a camera around a CC Sphere layer, which isn't really 3D.

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Audition Tips in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | February 25, 2014

How do you use Auditions in Final Cut Pro X?

This week on MacBreak Studio, Steve Martin from Ripple Training shows us some novel and practical ways to use auditions that you may not have considered.

Auditions are kind of like single "multiclips" that obviate the need... Read More

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Optimizing performance in Premiere & After Effects

Some resources

By Rich Young | February 25, 2014

Adobe offered a free webinar, Optimizing your system for peak performance with After Effects & Adobe Premiere Pro, on February 27, 2014. Presented by Todd Kopriva (After Effects QA) and Steve Hoeg (Premiere Pro engineering manager), the session covers how CPU, graphics cards, and RAM affect performance, as well as platform-specific considerations, including the new Mac Pro.

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4k

To 4K or Not to 4K - A PVC Roundtable Discussion

ProVideo Coalition writers weigh in on 4K questions, concerns and logistics

By The ProVideo Coalition | February 23, 2014

John Bourbonais says it all in the title of his recent article, Why 4K is Wrong. In it, Bourbonais looks at the issues 4K presents around quality, post, delivery and future-proofing while laying out why 4K doesn't add anything to the process or the product. He doesn't delve to... Read More

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Hey Adobe, how about that video focused Production Premium CC bundle?

Even if it only saved us $60 a year, that's something

By Scott Simmons | February 22, 2014

When Adobe ditched the “boxed software” model of pay one price get the product forever and moved to a monthly subscription model the outcry was loud. Some loved it. Many hated it. There were more level headed critiques. Most of use were more like: whatever … how much and is this software good? From the video production perspective it is good, even great, software tools that Adobe is creating these days. But while installing CC on a new laptop the other day I couldn’t help but wish we still had some type of video focused Production Premium CC option. Like our cable subscriptions, many of us are paying for things we’ll never, ever use.

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The Post Podcast Episode 11 - Imagineer Systems

We talk to Ross Shain, Chief Marketing Office at Imagineer Systems about all things tracking!

By Kevin P. McAuliffe | February 21, 2014

In this weeks show, we look at news & views from the week ending February 21st, 2014.  We're talking motion tracking with Ross Shain, Chief Marketing Officer at Imagineer Systems, and we're giving away a copy of Mocha Pro!

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Useful Tools for Editors - Winter’s End Edition

Lots of FCPX stuff in this list. And a $150 iPad app

By Scott Simmons | February 18, 2014

It’s been awhile since we’ve looked at some Useful Tools for Editors so with this new batch of utilities that have popped up recently let’s have a look. We’ve got quite a few for Final Cut Pro X, a color correction app for those with deep pockets and one that might help with tricky file format conversions.

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Final Cut Pro X and Mac Pro Performance

This Week on MacBreak Studio

By Mark Spencer | February 18, 2014

How many streams of 4K can you play on a new Mac Pro?

This week on MacBreak Studio, Steve Martin and Mark Spencer from Ripple Training answer that question and more.

To be fair, a more accurate way to phrase the question would be: how many streams of UHD RAW,... Read More

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Pre-Production Audio For Post Production Sound

Make a Plan to Capture Great Sound

By Woody Woodhall | February 14, 2014

Pre-production is a busy time for a filmmaker.  Meeting and hiring cast and crew, securing locations, making budgets, contracts and deals, writing final script tweaks and a thousand other things will occupy all of the available time.  One of the main things that typically falls by the... Read More

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Blackmagic Cinema Camera and Pocket Cameras were “The Only Choice“

We all have choices. What will yours be?

By Jeremiah Karpowicz | February 14, 2014

“The Only Choice” was written and directed by Christopher Califano.  A short film that was shot in three days, it tells the story of a woman who seems to have only one choice left with her boyfriend, and details how she comes to that decision.

Califano shot with the... Read More

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Media Composer - You Ask, I Answer! - Lesson 2

Need a quick scratch VO for the project you're working on? Not a problem with this handy tutorial

By Kevin P. McAuliffe | February 13, 2014

In this tutorial, exclusive to PVC, I'm going to answer a question about recording scratch VO's for your projects.  It's quick, simple, and will have you cutting your edits to time, in no time flat!

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The New Face and Mobile Capabilities of globaledit

The New Face and Mobile Capabilities of globaledit

An interview with the team behind one of the industry’s most powerful workflow tools

By Jeremiah Karpowicz | February 13, 2014

This week Industrial Color Brands rolled out the release of its software division’s new website and branding, along with the industry’s most advanced mobile application. It’s a big change and will allow... Read More

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