RSS

Production

apple blackmagic broadcast camera cameras editing editing final cut pro final cut pro x nab

Blackmagic Adds New ProRes Options To Their Cameras

Longer Record Times

By Brian Hallett | July 17, 2014

Blackmagic announces camera firmware 1.8.2 which adds three Apple ProRes formats to three of their cameras.  Meaning longer record times with significantly smaller file sizes.  

Read More

0 Comments

Review: iRig Pro preamp/A>D from IK Multimedia

Review: iRig Pro preamp/A>D from IK Multimedia

Use the iRig Pro confidently as a mic preamp, an A>D converter, or both simultaneously.

By Allan Tépper | July 16, 2014

Although I have reviewed many audio preamps and A>D (analog-to-digital) converters, the iRig Pro I am covering here is truly unique for several reasons, two of which are why I purposefully excluded it from my recent roundup of five other preamp + A>D devices for iOS. Ahead you’ll learn everything I love about the iRig Pro for both audio and video, yet why I still can’t recommended the iRig Recorder app for video producers.

Read More

0 Comments

blackmagic camera digital lens news production video

Half-Priced Pocket Cinema Camera

A Steal of a Deal

By Brian Hallett | July 16, 2014

The Pocket Cinema Camera goes on the discount sales shelf if only for a limited time. If you want to take advantage of the deal then you better hurry this sale goes until August 31st or until they run out of supplies.

Read More

0 Comments

drones training

Taking Flight: Drone Photography & Videography Workshop

2-Day Online Streaming Video Workshop on CreativeLive

By Jeff Foster | July 15, 2014

Whether you're new to Aerial Photography/Videography and looking for how to get started, or have some experience and want to see how to get more out of your productions or take it to the next level, then this online streaming video workshop may be just the help you're looking for!

Read More

1 Comments

Inexpensive balanced XLR lavalier microphone test

Inexpensive balanced XLR lavalier microphone test

Can you really get a pair of balanced XLR lavalier mics for under US$100?

By Allan Tépper | July 15, 2014

If you have ever priced lavalier microphones with balanced XLR connections, you know that they typically cost upwards of US$150 each, and sometimes can cost more than double that price. However, my friend María found a package deal where she was able to receive not one, but two balanced XLR lavalier microphones for well under US$100, which means that each mic cost less than US$50. Ahead you’ll get to hear four recorded tests and make your own conclusion about the quality.

Read More

1 Comments

adobe apple avid blackmagic digital editing editing fcp final cut pro hardware

Inventing the non-linear edit suite

How five different products were created from five different philosophies

By ChrisZwar | July 15, 2014

If you're developing a groundbreaking new product, where do you start?  The desktop video revolution was driven by the emergence of non-linear editing systems running on home computers, but adapting them for video production was a gradual process.  The products that were being... Read More

2 Comments

after effects command id david torno menu menu command id pdf download

After Effects Menu Command ID’s

AE menu command id listing

By David Torno | July 08, 2014

 

Update: AECC_MenuIDs_v1_1.pdf released 7/10/14

So for awhile now, many After Effects community members have been using After Effects menu command id's in their ExtendScript scripts. Some compare the numbers against the text version of a menu command, while... Read More

0 Comments

Thinking About Extras

Thinking About Extras

By Arthur Vincie | July 08, 2014

This happens a lot: I’m budgeting a script and I get to this crowded street scene, or a basketball game, or a really killer dance set piece.  I figure out as best I can how many extras are needed, and budget all the related costs accordingly.  Then I present the budget to the producer and she’s horrified.  “One hundred thousand for extras?  What the hell?”

Read More

0 Comments

3D Technology Revolutionizes Advertising and Distribution for Everyone

3D Technology Revolutionizes Advertising and Distribution for Everyone

An in-depth interview about how developments in 3D are impacting the way we produce and consume content

By Jeremiah Karpowicz | July 07, 2014

San Francisco-based DMAX Imaging creates high-end visualizations and animations for leaders in design and innovation such as Beats, Mini and Nest. Founded by three partners who wanted to reinvent the prepress experience, DMAX focuses on meeting customer needs instead of selling a particular... Read More

0 Comments

4k blackmagic cameras digital editing editing lens news production software

Brian Hallett’s New Channel: In Focus

With permanent links to everything I've published on PVC

By Brian Hallett | July 07, 2014

I've been contributing to various production/post-production channels on the PVC Exclusive channel for awhile now, but my new channel, "In Focus" is where you'll be able to find new articles from me moving forward. Below are the links to everything I've published on the Exclusive... Read More

0 Comments

Product Review: SmallHD DP7-PRO OLED Field Monitor

Product Review: SmallHD DP7-PRO OLED Field Monitor

Color Accurate True Black HD 7.7" Field Monitor with Built in Scopes

By Jeff Foster | June 30, 2014

The SmallHD DP7-PRO OLED field monitor provides accurate color, rich blacks and an OSD/Scope system delivered through touch screen that will knock your socks off!

Read More

0 Comments

camera dslr monitor motion production video

Updated Product Review: Genus Mini Jib with MoCo

Truly Compact and Portable Jib for DSLRs and HD Camcorders

By Jeff Foster | June 28, 2014

The new Genus Mini Jib was designed for portability and simple setup/operation on location. It's not meant to be a studio jib but while it can handle a decent payload of about 9lbs, you can manage to get a decent load to balance and maintain control of the operation. I give the Genus Mini Jib a thorough test with different camera configurations and push it to the limits. UPDATED with the Genus MoCo motion control system for the Mini Jib started on the bottom of Page 2.

Read More

3 Comments

blackmagic camera cameras color lens news production video

DP Paul Del Vecchio & BMCC New Firmware

How the new debayer helped him acheive his film's look

By Brian Hallett | June 28, 2014

Recently, Blackmagic Design released camera firmware 1.8 for all four of their cameras: Cinema Camera, Pocket Camera, Production Camera, and the Studio Camera.  In an interview, New York based DP Paul del Vecchio talks about his work on the indie drama “Trent & Isabella.” and how the new firmware in the Cinema Camera helped him achieve the looks he lock down while on set.  

Read More

0 Comments

production

Product Review: Genus Elite Matte Box & Bravo Follow Focus MK3

Professional Filmmaking Gear That Keeps Working

By Jeff Foster | June 27, 2014

I've had the opportunity to use the Genustech cine gear for several months now on a variety of cameras from a Sony EX3, to a Canon 60D to a Blackmagic Design Cinema Cam and a BMD Pocket Cam. Highly adjustable, durable, and travels very well. In one word: Solid.

Read More

0 Comments

Do More While Saving Time and Money with 4K

Do More While Saving Time and Money with 4K

An interview with the team from Dawnrunner highlighting their upcoming webinar

By Jeremiah Karpowicz | June 27, 2014

4K has been called everything from a trend to the future of the industry, but no matter what your feelings are it’s not something that you can ignore. Numerous opportunities are created at nearly every stage of production with 4K, and decisions around shooting or not shooting in 4K impact... Read More

0 Comments

Hands on with the Atomos Samurai Blade and Connect Converter/TSG

Hands on with the Atomos Samurai Blade and Connect Converter/TSG

The First High-Definition HD-SDI Test Set That Fits in Your Hand

By Kevin Owen | June 26, 2014

I recently had the opportunity to try out the new Samurai Blade from Atomos and was really impressed with all of the features they managed to pack into such a small package.

I stumbled onto the product almost by accident - I had just purchased one of their Connect signal... Read More

0 Comments

CapicúaFM: First podcast I recorded with Bossjock Studio

CapicúaFM: First podcast I recorded with Bossjock Studio

CapicúaFM was the first podcast I recorded “live-to-drive” with Bossjock Studio, the automatic mixer, and iRig Pro

By Allan Tépper | June 25, 2014

ProVideo Coalition readers who are interested in audio production will recall my recent article about Bossjock Studio, and my review of the AT-MX351a automatic audio mixer which kills crosstalk (links ahead). Well now I recorded and published my first “live-to-drive” podcast, as opposed to post-producing everything later, as I did in the past. I also used the iRig Pro A-to-D converter. Ahead is the setup, and the experience.

Read More

0 Comments

autodesk smoke avid compositing editing editing effects fcpx media composer nle premiere pro cc

Autodesk Smoke 2015

Autodesk gets serious with Smoke 2015 to go against the big three - Apple, Adobe and Avid - to win over some editors!

By Kevin P. McAuliffe | June 24, 2014

In the past, the battle of the Non-Linear Editor’s pretty much comprised of three main apps.  Final Cut Pro (7 or X), Premiere Pro (CS6 or CC) and Media Composer.   With the move ahead to 2K and 4K post, FCPX and Premiere Pro have moved ahead slightly with 2K/4K finishing capabilities, but as we all know, there’s more to finishing than just editing.  You still need color correction/grading, compositing, titling and effects.  Now, I know that each application has built in and third party effects that you can use, but for right now, let’s look at each of them as stand-alones.  No third-party plug-ins included.

Read More

0 Comments

GoPro Dual HERO System for Stereoscopic 3D

GoPro Dual HERO System for Stereoscopic 3D

Housing and Sync System for Twin Hero3+ Black Cameras

By Jeff Foster | June 24, 2014

GoPro introduces the Dual HERO System for two Hero3+ Black Edition cameras to create 3D stereoscopic images and I get to take it to task in this review, shooting still image pairs and video clips.

Read More

0 Comments

Behind the Color of X-Men: Days of Future Past

Behind the Color of X-Men: Days of Future Past

An interview with DOFP colorists Adrian DeLude and Stephen Nakamura

By Jeremiah Karpowicz | June 24, 2014

DaVinci Resolve was used by EC3 dailies colorist Adrian DeLude for near set dailies grading on the Twentieth Century Fox blockbuster “X-Men: Days of Future Past.” EC3, part of Deluxe Entertainment Services Group's near set dailies offering, harnesses the technology and... Read More

0 Comments