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Production

Chernobly Project - A Personal Documentary Project with Sony’s 4K FS700 Camcorder

Chernobly Project - A Personal Documentary Project with Sony’s 4K FS700 Camcorder

Showing more than the typical journalistic point-of-view

By Philip Grossman | June 20, 2014

My passion for digital imagery has been with me my whole life. I started in photography when I got my first camera at age 13. It was fully manual so I had to learn how to do it all myself. Then I got into video, using my father’s VHS home video camera to make movies in my... Read More

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Creative Cloud 2014 June Release

Much more added to NAB video apps reveal

By Rich Young | June 18, 2014

This April, Adobe revealed many of the new features of Creative Cloud at NAB 2014, but that was for After Effects, Premiere, & the other video apps. It appears there's much more -- over 1000 feature updates for 14 desktop apps, plus numerous mobile and cloud updates. 

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New Adobe Creative Cloud video applications now available

2014 release of Adobe Premiere Pro and other production tools launched today

By Eric Philpott | June 18, 2014

At a special event in New York City, Adobe today announced the launch of the new 2014 versions of the Creative Cloud desktop apps, new mobile apps and tools, and expanded integration. Included in these are new versions of Premiere Pro CC, After Effects CC, SpeedGrade CC, Adobe Audition CC,... Read More

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Dynamic Range & Blackmagic’s 4K Production Camera

How much over/under can one shoot?

By Brian Hallett | June 17, 2014

Blackmagic Design lists the dynamic range of the 4K Blackmagic Production Camera at 12 stops.  What does this mean in real-world situation?  How much range is in the 4K ProRes file?  For me, I wanted to see what I can over/under expose and still get a great image out of the footage

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Dolby Gives Us Improvements to Visual and Audio Experiences That Make a Difference

An interview with Roland Vlaicu from Dolby Laboratories

By Jeremiah Karpowicz | June 17, 2014

Dolby Laboratories creates audio, video, and voice technologies that transform entertainment and communications in mobile devices, at the cinema, at home, and at work. They’ve already made several big announcements this year, and we wanted to learn more about these initiatives. We... Read More

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Adobe to hold special online event on June 18

Everything new is new again in Creative Cloud

By Eric Philpott | June 12, 2014

On June 18, Adobe will host a worldwide event from New York City on what's coming next in Creative Cloud. The presentation will start at 1:00 pm ET (10 am PT) and anyone can register to watch live.

At NAB this year, Adobe revealed new versions of all of the Creative Cloud... Read More

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The Desktop Video Revolution - Part 3

The Desktop Video Revolution - Part 3

How desktop technology revolutionised video production - 2013

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 2

The Desktop Video Revolution - Part 2

How desktop technology revolutionised video production - 1997

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 1

How desktop technology revolutionised video production

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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Video framerates and the Tower of Babel: a translation guide

Video framerates and the Tower of Babel: a translation guide

Until manufacturers start speaking the same language, we need a cheat sheet.

By Allan Tépper | June 10, 2014

What does “24p” or “30p” mean when a manufacturer states it? How can we tell if —and when— they really mean 23.976p, 24.000p, 29.97p, or even the non-standard 30.000p? Unfortunately, each manufacturer has its own policy about this, which reminds me of the biblical story of the Tower of Babel: At the end of the story, all of the workers were speaking a different language and couldn’t understand each other. Ahead is a translation guide, including Adobe, AJA, Apple, Avid, Blackmagic, Canon, Corel/Pinnacle Systems, Datavideo, GoPro, JVC, FiLMiC Pro, NewTek/TriCaster, Panasonic, and Sony, plus an FAQ.

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First look: ThunderBay IV 4-bay 12TB Thunderbolt system

First look: ThunderBay IV 4-bay 12TB Thunderbolt system

Over the upcoming weeks, I’ll be reviewing this quite flexible Thunderbolt storage device.

By Allan Tépper | June 06, 2014

Long time readers know that I have reviewed several different Thunderbolt storage (and other) devices from diverse manufacturers. One of those is OWC, aka Other World Computing. I am now honored to be invited to review their new ThunderBay IV 4-bay 12TB Thunderbolt, system, which can be configured in several different ways and promises to offer quite a punch for its relatively low —and even palindromic— price of US$979. Here’s a first look.

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Come See Adam Wilt and I at CineGear

By Art Adams | June 05, 2014

Mark your calendar: Saturday, June 7th, at 2:45pm, in the Sherry Lansing Theater at Paramount. Adam Wilt and I will spend an hour discussing "The Sony F55: Swiss Army Knife of Cameras."

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Art Adams and Adam Wilt on the F55 at Cine Gear Expo

Two PVC contributors talk about Sony's do-almost-anything cine cam

By Adam Wilt | June 05, 2014

In Los Angeles for Cine Gear Expo this weekend? Art Adams and I will be giving an hour-long presentation on the Sony PMW-F55 at the Sherry Lansing Theater on the Paramount lot, Saturday 7 June, from 2:45 - 3:45 in the afternoon. 

I'll go over the camera's versatility: with... Read More

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Directing Motion with Vincent Laforet

Directing Motion with Vincent Laforet

An interview with the man on a 10 week, 32 city tour of the country

By Jeremiah Karpowicz | June 03, 2014

Vincent Laforet is a man with no shortage of accolades. A three-time winner at the prestigious 2010 Cannes Lions International Advertising Festival, Laforet has been named one of the “100 Most Influential People in Photography.” He was also awarded with a Gold, Silver, and a Bronze... Read More

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Product Review: Hexolux D7 LED Fresnel Light

Product Review: Hexolux D7 LED Fresnel Light

An LED light with good color precision, power and control.

By Helmut Kobler | June 02, 2014

The Hexolux D7 LED light ($2400) is one of those lights that breaks ground because it can take the place of many conventional lights you’ve been using for years without the compromises that have typically characterized LEDs.

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Sony Enters the 4K Video Race

Sony Enters the 4K Video Race

The new Sony A7S camera, announced just before the NAB show in Las Vegas, offers full frame (35mm) 4K video.

By Jose Antunes | June 02, 2014

The newest camera in the Alpha family (Sony says α7 and α7R) is not only one of the smallest full frame camera's in the world, it is also a sign that the race for 4K video in full frame (35mm) sensors has begun. Sony cameras are no DSLR as we know them, these mirrorless models are something different, but in the end it does not matter: Sony is at the pole position for the new competition, and chose NAB to show the A7S. Read More

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Taking your BCC AE looks to BCC AVX

What might seem like a tedious process is actually very simple

By Kevin P. McAuliffe | May 31, 2014

Last week I had an interesting situation come up.  I was working on a commerical for Tom Cruise's "Edge of Tomorrow", and I needed to make a small revision to some text.  I didn't want to go into After Effects to do it, but my problem was, is there a simple way to take my BCC AE look, and quickly get it into Media Composer?  Well guess what, there is!  In this exclusive PVC tutorial, I'll show you how simple it is!

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Free Video: Creating Your Own Background Loops

Free Video: Creating Your Own Background Loops

Have some fun with your camera and shoot out-of-focus video that you can later repurpose into video backdrops

By Chris and Trish Meyer | May 30, 2014

A couple of months ago, we released a video training course titled Adobe Premiere Pro and After Effects: Enhancing Production Value. Some of the tricks in that course relied on using blending modes to add lighting effects from second footage layers that had color, abstract patterns and movements. There is a lot of stock footage available with these patterns; in the following video, we share some tips on creating your own:

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Getting Started with BCC Lite for Media Composer Part 1

Your new Media Composer Software subscription comes with some hidden gems. Let's see how to get up and running quick and easy!

By Kevin P. McAuliffe | May 29, 2014

As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade.  That's because with your monthly subscription, you are now getting Symphony included.  But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.

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Blackmagic Cameras and Clean Audio

How to "sweeten" the audio in your NLE

By Brian Hallett | May 29, 2014

No doubt, good sound is as important as good pictures. The problem?  How can you record good sound on the Blackmagic Cinema Camera and Pocket Cinema Camera when the in-camera preamps are a little less than desired?  I'll show how you can use your NLE's audio equalizer and on-camera accessories to help everything sound a little bit better.  

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