RSS

Production

Do More While Saving Time and Money with 4K

Do More While Saving Time and Money with 4K

An interview with the team from Dawnrunner highlighting their upcoming webinar

By Jeremiah Karpowicz | June 27, 2014

4K has been called everything from a trend to the future of the industry, but no matter what your feelings are it’s not something that you can ignore. Numerous opportunities are created at nearly every stage of production with 4K, and decisions around shooting or not shooting in 4K impact... Read More

0 Comments

Hands on with the Atomos Samurai Blade and Connect Converter/TSG

Hands on with the Atomos Samurai Blade and Connect Converter/TSG

The First High-Definition HD-SDI Test Set That Fits in Your Hand

By Kevin Owen | June 26, 2014

I recently had the opportunity to try out the new Samurai Blade from Atomos and was really impressed with all of the features they managed to pack into such a small package.

I stumbled onto the product almost by accident - I had just purchased one of their Connect signal... Read More

0 Comments

CapicúaFM: First podcast I recorded with Bossjock Studio

CapicúaFM: First podcast I recorded with Bossjock Studio

CapicúaFM was the first podcast I recorded “live-to-drive” with Bossjock Studio, the automatic mixer, and iRig Pro

By Allan Tépper | June 25, 2014

ProVideo Coalition readers who are interested in audio production will recall my recent article about Bossjock Studio, and my review of the AT-MX351a automatic audio mixer which kills crosstalk (links ahead). Well now I recorded and published my first “live-to-drive” podcast, as opposed to post-producing everything later, as I did in the past. I also used the iRig Pro A-to-D converter. Ahead is the setup, and the experience.

Read More

0 Comments

autodesk smoke avid compositing editing editing effects fcpx media composer nle premiere pro cc

Autodesk Smoke 2015

Autodesk gets serious with Smoke 2015 to go against the big three - Apple, Adobe and Avid - to win over some editors!

By Kevin P. McAuliffe | June 24, 2014

In the past, the battle of the Non-Linear Editor’s pretty much comprised of three main apps.  Final Cut Pro (7 or X), Premiere Pro (CS6 or CC) and Media Composer.   With the move ahead to 2K and 4K post, FCPX and Premiere Pro have moved ahead slightly with 2K/4K finishing capabilities, but as we all know, there’s more to finishing than just editing.  You still need color correction/grading, compositing, titling and effects.  Now, I know that each application has built in and third party effects that you can use, but for right now, let’s look at each of them as stand-alones.  No third-party plug-ins included.

Read More

0 Comments

GoPro Dual HERO System for Stereoscopic 3D

GoPro Dual HERO System for Stereoscopic 3D

Housing and Sync System for Twin Hero3+ Black Cameras

By Jeff Foster | June 24, 2014

GoPro introduces the Dual HERO System for two Hero3+ Black Edition cameras to create 3D stereoscopic images and I get to take it to task in this review, shooting still image pairs and video clips.

Read More

0 Comments

Behind the Color of X-Men: Days of Future Past

Behind the Color of X-Men: Days of Future Past

An interview with DOFP colorists Adrian DeLude and Stephen Nakamura

By Jeremiah Karpowicz | June 24, 2014

DaVinci Resolve was used by EC3 dailies colorist Adrian DeLude for near set dailies grading on the Twentieth Century Fox blockbuster “X-Men: Days of Future Past.” EC3, part of Deluxe Entertainment Services Group's near set dailies offering, harnesses the technology and... Read More

0 Comments

blackmagic camera cameras editing editing news production video

Blackmagic Releases Camera Firmware Updates

Then takes them down, only to officially release them the next day *(recently updated)

By Brian Hallett | June 23, 2014

A little before 2:00am Central Standard Time Blackmagic Design quietly released Firmware 1.8 for the Cinema Camera, the Production Camera, the Pocket Camera and the Studio Camera.  There was no press release... No announcement at all.  It was quietly uploaded and within a couple hours, they took the update away. At the very least, this is an opportunity to see what is to come in the new firmware before it's officially released

Read More

0 Comments

Chernobly Project - A Personal Documentary Project with Sony’s 4K FS700 Camcorder

Chernobly Project - A Personal Documentary Project with Sony’s 4K FS700 Camcorder

Showing more than the typical journalistic point-of-view

By Philip Grossman | June 20, 2014

My passion for digital imagery has been with me my whole life. I started in photography when I got my first camera at age 13. It was fully manual so I had to learn how to do it all myself. Then I got into video, using my father’s VHS home video camera to make movies in my... Read More

0 Comments

2014 after effects creative cloud mobile photoshop premiere pro

Creative Cloud 2014 June Release

Much more added to NAB video apps reveal

By Rich Young | June 18, 2014

This April, Adobe revealed many of the new features of Creative Cloud at NAB 2014, but that was for After Effects, Premiere, & the other video apps. It appears there's much more -- over 1000 feature updates for 14 desktop apps, plus numerous mobile and cloud updates. 

Read More

0 Comments

2014 adobe after effects announcement creative cloud editing editing event launch nle

New Adobe Creative Cloud video applications now available

2014 release of Adobe Premiere Pro and other production tools launched today

By Eric Philpott | June 18, 2014

At a special event in New York City, Adobe today announced the launch of the new 2014 versions of the Creative Cloud desktop apps, new mobile apps and tools, and expanded integration. Included in these are new versions of Premiere Pro CC, After Effects CC, SpeedGrade CC, Adobe Audition CC,... Read More

0 Comments

avid blackmagic camera cameras color color correction digital editing editing news

Dynamic Range & Blackmagic’s 4K Production Camera

How much over/under can one shoot?

By Brian Hallett | June 17, 2014

Blackmagic Design lists the dynamic range of the 4K Blackmagic Production Camera at 12 stops.  What does this mean in real-world situation?  How much range is in the 4K ProRes file?  For me, I wanted to see what I can over/under expose and still get a great image out of the footage

Read More

0 Comments

dolby

Dolby Gives Us Improvements to Visual and Audio Experiences That Make a Difference

An interview with Roland Vlaicu from Dolby Laboratories

By Jeremiah Karpowicz | June 17, 2014

Dolby Laboratories creates audio, video, and voice technologies that transform entertainment and communications in mobile devices, at the cinema, at home, and at work. They’ve already made several big announcements this year, and we wanted to learn more about these initiatives. We... Read More

0 Comments

Adobe to hold special online event on June 18

Everything new is new again in Creative Cloud

By Eric Philpott | June 12, 2014

On June 18, Adobe will host a worldwide event from New York City on what's coming next in Creative Cloud. The presentation will start at 1:00 pm ET (10 am PT) and anyone can register to watch live.

At NAB this year, Adobe revealed new versions of all of the Creative Cloud... Read More

0 Comments

The Desktop Video Revolution - Part 3

The Desktop Video Revolution - Part 3

How desktop technology revolutionised video production - 2013

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

0 Comments

The Desktop Video Revolution - Part 2

The Desktop Video Revolution - Part 2

How desktop technology revolutionised video production - 1997

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

0 Comments

3d tracking 3ds max after effects arri alexa desktop production quantel software video

The Desktop Video Revolution - Part 1

How desktop technology revolutionised video production

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

0 Comments

Video framerates and the Tower of Babel: a translation guide

Video framerates and the Tower of Babel: a translation guide

Until manufacturers start speaking the same language, we need a cheat sheet.

By Allan Tépper | June 10, 2014

What does “24p” or “30p” mean when a manufacturer states it? How can we tell if —and when— they really mean 23.976p, 24.000p, 29.97p, or even the non-standard 30.000p? Unfortunately, each manufacturer has its own policy about this, which reminds me of the biblical story of the Tower of Babel: At the end of the story, all of the workers were speaking a different language and couldn’t understand each other. Ahead is a translation guide, including Adobe, AJA, Apple, Avid, Blackmagic, Canon, Corel/Pinnacle Systems, Datavideo, GoPro, JVC, FiLMiC Pro, NewTek/TriCaster, Panasonic, and Sony, plus an FAQ.

Read More

1 Comments

First look: ThunderBay IV 4-bay 12TB Thunderbolt system

First look: ThunderBay IV 4-bay 12TB Thunderbolt system

Over the upcoming weeks, I’ll be reviewing this quite flexible Thunderbolt storage device.

By Allan Tépper | June 06, 2014

Long time readers know that I have reviewed several different Thunderbolt storage (and other) devices from diverse manufacturers. One of those is OWC, aka Other World Computing. I am now honored to be invited to review their new ThunderBay IV 4-bay 12TB Thunderbolt, system, which can be configured in several different ways and promises to offer quite a punch for its relatively low —and even palindromic— price of US$979. Here’s a first look.

Read More

0 Comments

cinegear cinematography color f55 sony training

Come See Adam Wilt and I at CineGear

By Art Adams | June 05, 2014

Mark your calendar: Saturday, June 7th, at 2:45pm, in the Sherry Lansing Theater at Paramount. Adam Wilt and I will spend an hour discussing "The Sony F55: Swiss Army Knife of Cameras."

Read More

0 Comments

adam wilt art adams cinegear cinegear expo f55 pmw-f55 sony

Art Adams and Adam Wilt on the F55 at Cine Gear Expo

Two PVC contributors talk about Sony's do-almost-anything cine cam

By Adam Wilt | June 05, 2014

In Los Angeles for Cine Gear Expo this weekend? Art Adams and I will be giving an hour-long presentation on the Sony PMW-F55 at the Sherry Lansing Theater on the Paramount lot, Saturday 7 June, from 2:45 - 3:45 in the afternoon. 

I'll go over the camera's versatility: with... Read More

0 Comments