RSS

Production

cinematographers cinematography lighting natural light production tips

Helpful Ways for Cinematographers to Get a Grip on Lighting Part 3

Part 3: Single Source Method

By Bobby Marko | August 15, 2014

Here we are in Part III of our series, Lighting Tips for Cinematographers. To recap, in part 1 I discussed the topic of lighting for foreground and background exposure. I wrote about how to achieve the standard look of exposing your foreground 1 stop above your background as a framework to begin. Then I showed some examples of how you can break that rule. In part 2 I talked about the checkerboard pattern and how this method will create depth and direct the viewers attention to certain aspects of the scene. As a storyteller this always increases your ability to effectively tell your story and guide the viewer on the journey you have laid out for them.

Read More

0 Comments

blackmagic broadcast camera cameras digital lens news production video

First Footage From Blackmagic’s URSA Camera

The $6,000 Camera's Spectacular Sunrise Footage

By Brian Hallett | August 13, 2014

Australian John Brawley Director of Photography, known for testing Blackmagic Cameras before they are released, shows off the first footage from Blackmagic's new URSA Camera.  In predictable Brawley fashion; it is spectacular.

Read More

0 Comments

Here are My Rules of Thumb When Choosing a Codec

Here are My Rules of Thumb When Choosing a Codec

I know just enough to be dangerous and keep myself out of trouble

By Art Adams | August 10, 2014

Olympic codec rankings. AVCHD is the most accurate... pic.twitter.com/ncRykgBznq

— Shane Ross (@comebackshane) July 16, 2014

 

Everything I know about codecs could fit on the head of a dime. That's after compression, of course. Prior to compression I... Read More

9 Comments

avid media composer avid media composer 8 avid symphony boris fx boris red compositing

Boris Red 5.5 for Media Composer Editors

This webinar replay will give you a new look at a classic AVX plug-in/app with a major update!

By Kevin P. McAuliffe | August 07, 2014

More and more these days, Media Composer editors find themselves trying to stay in their timeline to get simple tasks done.  Boris Red 5.5 is the successor to Avid FX, and it will let you do some common tasks super quick, and keep you out of the time vampire of importing and exporting! Read More

0 Comments

bcc bcc lite editing editing editing. post-production media composer 8 media composer software nle post production

Getting Started with BCC Lite for Media Composer Part 2

In Part 1 we looked at BCC Colorize and Lens Flare 3D, now let's check out BCC Scanlines & Swish Pan

By Kevin P. McAuliffe | August 07, 2014

As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade.  That's because with your monthly subscription, you are now getting Symphony included.  But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.

Read More

0 Comments

cinematographers cinematography lighting production tips

Helpful Ways for Cinematographers to Get a Grip on Lighting Part 2

Part 2: The Checker Board Pattern Method

By Bobby Marko | August 07, 2014

The last post we talked about how to get a proper initial setting when lighting your subject/foreground and background. If you missed it, check out Part I: Foreground and Background Exposure. For this post I wanted to take that initial step and move a little more in depth and talk about lighting scenes with the checkerboard pattern.

Read More

0 Comments

Initial review: iRig Mic HD from IK Multimedia

Initial review: iRig Mic HD from IK Multimedia

iRig Mic HD is a handheld digital mic from IK Multimedia

By Allan Tépper | August 05, 2014

I am honored to be one of a few tech journalists who have received the iRig Mic HD from IK Multimedia for initial review. The iRig Mic HD is a handheld digital-exclusive mic, made for use with iOS (iPad/iPhone/iPod Touch), Mac and Windows and produces rich and full bodied sound recordings (and this is not a shampoo commercial). I have a lot to say about the iRig Mic HD, so let’s get started.

Read More

0 Comments

RT and DirecTV Sports go beyond conventional mic flags

RT and DirecTV Sports go beyond conventional mic flags

Using a technique virtually unused in the US, networks like RT and DirecTV Sports are getting better branding on their mics.

By Allan Tépper | August 04, 2014

Most people who produce sports or news for TV know that branding is important, both on location (with signs and mic branding) and on screen (via electronic graphics). That is nothing new. However, I have recently seen how two TV networks from outside of the US are taking advantage of a device —and a technique— that grants them better branding by going beyond conventional mic flags.

Read More

0 Comments

cinematrography lighting production tips

Helpful Ways for Cinematographers to Get a Grip on Lighting

Part I: Foreground and Background Exposure

By Bobby Marko | July 31, 2014

I spent the 1st half of this year releasing two films, a feature length documentary and a short film narrative (Becoming Fools and Fruitcake respectively). Through this process I've attended screenings and festivals of our own films and for others. I've also sat through several Q&A's with independent filmmakers and although I love hearing how other creatives move through the process of producing their work I sometimes get increasingly frustrated with the fact that camera gear takes such a center stage while lighting, composition, sound design and production design take a distant back seat.

Read More

0 Comments

Your 4K Questions Answered

Your 4K Questions Answered

Participants of the live webinar answer all of the questions that came in during the event

By Jeremiah Karpowicz | July 30, 2014

During the live "The Benefits of Using 4K Now" webinar, presenters James Fox, Geoff Peck and Scott Hamilton presented info that content creators need to consider in the present and future when it comes to 4K. As the CEO and VP of Technology at Dawnrunner, respectively, James and Geoff discussed... Read More

0 Comments

adapter anamorphic lens scope widescreen

Review: SLR Magic ANAMORPHOT 1,33x 50 anamorphic adapter

Make your camera a mean, clean, widescreen machine with this affordable anamorphic adapter

By Adam Wilt | July 27, 2014

SLR Magic's ANAMORPHOT 1,33x 50 is an affordable anamorphic adapter lens (US$899; $1099 with two diopters) letting you shoot 2:37:1 widescreen on a 16x9 camera, or, if you're in a retro mood, 16x9 widescreen on a 4x3 standard-def camera. It works on lenses with a clear front aperture of... Read More

0 Comments

Radiant Images Creates Simple and Effective Solutions for Filmmakers of Every Size

Radiant Images Creates Simple and Effective Solutions for Filmmakers of Every Size

An interview with Sinclair Fleming , Director of Engineering at Radiant Images

By Jeremiah Karpowicz | July 24, 2014

Radiant Images is solution-oriented rental house singularly focused on advancing cinematography. At Cine Gear they showcased their Novo action camera accessories and a wide selection of custom camera stabilizers for attendees.  Their focus on simplicity in design and operation and ease of... Read More

0 Comments

audio blackmagic camera cameras color mac nab news production video

Blackmagic Production Camera Gets A New “Heads Up Display”

Audio Meters, Time Remaining & Histogram

By Brian Hallett | July 24, 2014

Blackmagic release firmware 1.9 with a new "heads up display." To say the new features found in firmware 1.9 is good news is a massive understatement.  If you own or shoot with a Blackmagic Production Camera download this firmware as quickly as possible, because these features will only make capturing great footage and sound easier.

Read More

0 Comments

apple blackmagic broadcast camera cameras editing editing final cut pro final cut pro x nab

Blackmagic Adds New ProRes Options To Their Cameras

Longer Record Times

By Brian Hallett | July 17, 2014

Blackmagic announces camera firmware 1.8.2 which adds three Apple ProRes formats to three of their cameras.  Meaning longer record times with significantly smaller file sizes.  

Read More

0 Comments

Review: iRig Pro preamp/A>D from IK Multimedia

Review: iRig Pro preamp/A>D from IK Multimedia

Use the iRig Pro confidently as a mic preamp, an A>D converter, or both simultaneously.

By Allan Tépper | July 16, 2014

Although I have reviewed many audio preamps and A>D (analog-to-digital) converters, the iRig Pro I am covering here is truly unique for several reasons, two of which are why I purposefully excluded it from my recent roundup of five other preamp + A>D devices for iOS. Ahead you’ll learn everything I love about the iRig Pro for both audio and video, yet why I still can’t recommended the iRig Recorder app for video producers.

Read More

0 Comments

blackmagic camera digital lens news production video

Half-Priced Pocket Cinema Camera

A Steal of a Deal

By Brian Hallett | July 16, 2014

The Pocket Cinema Camera goes on the discount sales shelf if only for a limited time. If you want to take advantage of the deal then you better hurry this sale goes until August 31st or until they run out of supplies.

Read More

0 Comments

drones training

Taking Flight: Drone Photography & Videography Workshop

2-Day Online Streaming Video Workshop on CreativeLive

By Jeff Foster | July 15, 2014

Whether you're new to Aerial Photography/Videography and looking for how to get started, or have some experience and want to see how to get more out of your productions or take it to the next level, then this online streaming video workshop may be just the help you're looking for!

Read More

1 Comments

Inexpensive balanced XLR lavalier microphone test

Inexpensive balanced XLR lavalier microphone test

Can you really get a pair of balanced XLR lavalier mics for under US$100?

By Allan Tépper | July 15, 2014

If you have ever priced lavalier microphones with balanced XLR connections, you know that they typically cost upwards of US$150 each, and sometimes can cost more than double that price. However, my friend María found a package deal where she was able to receive not one, but two balanced XLR lavalier microphones for well under US$100, which means that each mic cost less than US$50. Ahead you’ll get to hear four recorded tests and make your own conclusion about the quality.

Read More

1 Comments

adobe apple avid blackmagic digital editing editing fcp final cut pro hardware

Inventing the non-linear edit suite

How five different products were created from five different philosophies

By ChrisZwar | July 15, 2014

If you're developing a groundbreaking new product, where do you start?  The desktop video revolution was driven by the emergence of non-linear editing systems running on home computers, but adapting them for video production was a gradual process.  The products that were being... Read More

2 Comments

after effects after effects cc 2014 command id david torno menu menu command id pdf download

After Effects Menu Command ID’s

AE menu command id listing

By David Torno | July 08, 2014

 

Update: AECC2014_MenuIDs_v1_0.pdf released 7/29/14

So for awhile now, many After Effects community members have been using After Effects menu command id's in their ExtendScript scripts. Some compare the numbers against the text version of a menu command,... Read More

0 Comments