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Vignettes in Premiere & After Effects

A plethora of resources

By Rich Young | December 27, 2012

Vignettes have become more popular, and perhaps heavy-handed, especially in After Effects since the release of the DV Rebel's Guide by Stu Maschwitz. Of course there's numerous ways to make vignettes, and it looks like the topic is quite well-covered now, thank you. Here are a few tools & tutorials on the various options.

In Premiere, some techniques will break the hardware acceleration chain, and force a longer software render, so be sure that any effects used are accelerated, if render time is a factor.

  • Bart also created new plugin effects Vignette (CS5) and Power Window (CS6) for Premiere & After Effects, but they're not accelerated. Note also the Red Giant Magic Bullet resources for After Effects, which work for Premiere too.
  • There are various alternatives for plug-ins built into Final Cut and Motion; see more by Andy Mees and Alex Gollner (both free), or the fancier G_Vignette from Natresse.
 
 
Many of the ideas mentioned in Premiere tutorials were predated by or derived from After Effects techniques, like these:
 
  • Chris and Trish Meyer posted More on Vignettes, including free After Effects Apprentice videos on using Masks to Create Vignettes., and links to similar treatments that previously as PDFs at Artbeats.


    They also have a one-stop shop of video tutorials on the topic, Extended Vignette Techniques, which shows "multiple approaches to guiding the viewer’s focus" -- as well as tips on masking, creating shape layers, editing gradients, painting in After Effects, lighting in 3D, motion stabilization, using filters like Circle, etc. (example embedded below).

  • ft-Vignetting Pro by François Tarlier, a now is a native AE filter that quickly adds a customizable vignette. (See the demo video below.)
  • You can also apply a postcrop vignette (under fx) in Camera Raw; see Vignetting in Camera Raw CS5 by Matt Kloskowski. You can use Camera RAW in AE; see Use JPEG files in Camera RAW at AE Portal. On an AdobeAE Facebook post, Chris Meyer commented that the Raw dialog cuts off the high and low color values at the import stage and noted a workaround to recover missing highlights. You can also use the Vignette feature in the Lens Correction filter of Photoshop to add, correct or remove vignetting (it doesn't effects highlights so much).


     

    Thumbnail photo by David Ball. Other photo by Joe Lencioni.

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