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Finder Logging for Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | July 15, 2014

I can log my footage in the Finder?

Yes, that is now possible thanks to a new feature in the 10.1.2 update to Final Cut Pro X which imports Finder Tags as keyword collections.

In Mavericks, you can now assign metadata to any file in the Finder with Finder Tags - an... Read More

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Inventing the non-linear edit suite

How five different products were created from five different philosophies

By ChrisZwar | July 15, 2014

If you're developing a groundbreaking new product, where do you start?  The desktop video revolution was driven by the emergence of non-linear editing systems running on home computers, but adapting them for video production was a gradual process.  The products that were being... Read More

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Useful Tools for Editors - Been a Long Time Edition

Rejoice in small software developers!

By Scott Simmons | July 13, 2014

It’s been a long time, been a long time, been a long lonely, lonely, lonely, lonely time since we last had a Useful Tools for Editors roundup. Let’s jump into it with a long list of stand-alone applications, tools and items that support many different other tools and workflows. They all have one thing in common which we’ll discuss at the end of the post.

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Renaming and Relinking Files in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | July 08, 2014

 

 

Keep your filenames - and find them more easily.

This week on MacBreak Studio, Steve and Mark from Ripple Training continue their exploration of the new features in the 10.1.2 update to Final Cut Pro X. Today, they explore two improvements:... Read More

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Being a Videographer in Virtual Worlds

Creating a Space Simulation video is easy with the tools available to videographers. Let me take you into a virtual world!

By Jose Antunes | July 08, 2014

I continue to test PowerDirector 12 as an option to edit my videos, and this is a new article about the program and what I am doing with it. It is also a mix of different technologies in use, from nVidia's ShadowPlay to a PC game that will be launched this year, Elite: Dangerous, from Frontier, so I thought this may interest some readers.

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The Library Inspector in Final Cut Pro 10.1.2

This Week on MacBreak Studio

By Mark Spencer | July 01, 2014

Last week Apple released its 12th update to Final Cut Pro X since its release 3 years ago.

This 10.1.2 update includes a variety of workflow improvements which we covered in detail in this PVC article. Over the next few weeks we'll be discussing these changes here on... Read More

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Product Review: Genus Elite Matte Box & Bravo Follow Focus MK3

Professional Filmmaking Gear That Keeps Working

By Jeff Foster | June 27, 2014

I've had the opportunity to use the Genustech cine gear for several months now on a variety of cameras from a Sony EX3, to a Canon 60D to a Blackmagic Design Cinema Cam and a BMD Pocket Cam. Highly adjustable, durable, and travels very well. In one word: Solid.

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Hands on with the Atomos Samurai Blade and Connect Converter/TSG

Hands on with the Atomos Samurai Blade and Connect Converter/TSG

The First High-Definition HD-SDI Test Set That Fits in Your Hand

By Kevin Owen | June 26, 2014

I recently had the opportunity to try out the new Samurai Blade from Atomos and was really impressed with all of the features they managed to pack into such a small package.

I stumbled onto the product almost by accident - I had just purchased one of their Connect signal... Read More

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Getting Tricky with Auditions in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | June 26, 2014

Something else you can do with Auditions?

Yes, although we have talked about Auditions in Final Cut Pro X before, this week on MacBreak Studio, Steve Martin from Ripple Training demonstrates another way to work with this powerful feature.

For the uninitiated,... Read More

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CapicúaFM: First podcast I recorded with Bossjock Studio

CapicúaFM: First podcast I recorded with Bossjock Studio

CapicúaFM was the first podcast I recorded “live-to-drive” with Bossjock Studio, the automatic mixer, and iRig Pro

By Allan Tépper | June 25, 2014

ProVideo Coalition readers who are interested in audio production will recall my recent article about Bossjock Studio, and my review of the AT-MX351a automatic audio mixer which kills crosstalk (links ahead). Well now I recorded and published my first “live-to-drive” podcast, as opposed to post-producing everything later, as I did in the past. I also used the iRig Pro A-to-D converter. Ahead is the setup, and the experience.

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GoPro Dual HERO System for Stereoscopic 3D

GoPro Dual HERO System for Stereoscopic 3D

Housing and Sync System for Twin Hero3+ Black Cameras

By Jeff Foster | June 24, 2014

GoPro introduces the Dual HERO System for two Hero3+ Black Edition cameras to create 3D stereoscopic images and I get to take it to task in this review, shooting still image pairs and video clips.

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A Wearable 4G LTE Camera

The Liquid Image Ego LS camera allows live streaming beyond the range of Wi-Fi, but there is a catch: the resolution.

By Jose Antunes | June 24, 2014

While many action camcorders in the market offer wireless connectivity, only the Liquid Image Ego LS, which will be launched this Summer, is able to transmit over a 4G LTE network video in WQVGA at 30fps. If by now you're confused, let me share this with you: WQVGA is a nominal resolution of 400x240, with multiple variants, the biggest of them covering 480x272 pixels. Yes, that's what the Liquid Image Ego LS does on 4G.

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EOS 600D/Rebel 3Ti: The Best and Cheapest DSLR for Video

If you want a DSLR for video and have few lenses, the EOS 600D may be your best investment.

By Jose Antunes | June 18, 2014

The humble EOS Rebel 3Ti/EOS 600D DSLR from Canon, launched in 2011, is one of two Canon cameras offering your lenses a unique feature: as if by magic, your 100mm becomes a 300mm. But Canon dropped the function in most recent models.

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mObject for Motion and Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | June 17, 2014

3D objects in Motion and Final Cut Pro?

Well yes, it is possible, thanks to a new plugin from MotionVFX.com called mObject.

With mObject, you can create or import 3D objects, add lighting and textures, and then manipulate them directly inside either Final Cut Pro X... Read More

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Blackmagic finally removes (part of) the Band-Aid!

Blackmagic finally removes (part of) the Band-Aid!

After several years + 241 electronic signatures, some DreamColor Monitor users can rejoice and sell their Band-Aid, but not all

By Allan Tépper | June 15, 2014

A few days ago, I received a cryptic message from an Australian reader (a countryman of Blackmagic, but apparently not a Blackmagic Design employee). It said: “Looks like Blackmagic have removed the Band-Aid. Latest software supports RGB 10bit on HDMI!”. I immediately downloaded the ReadMe for the latest update to Blackmagic’s Desktop Video Software, which also automatically updates firmware when appropriate. I had a couple of questions and contacted Blackmagic PR. Ahead are the critical details you need to know.

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Hands-On Review: Manfrotto X-PRO 3-Way Head

Can a tripod head made for photographers survive in the video capturing world?

By Jose Antunes | June 11, 2014

Photographers starting to try using video may discover, sooner than they would like to, that their tripod head may not be suitable for video. Specially if, like me, they use essentially ball-head systems, even if sturdy ones, they will discover they need a video tripod or at least a fluid tripod head for tilts & pans.

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The Desktop Video Revolution - Part 1

How desktop technology revolutionised video production

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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Video framerates and the Tower of Babel: a translation guide

Video framerates and the Tower of Babel: a translation guide

Until manufacturers start speaking the same language, we need a cheat sheet.

By Allan Tépper | June 10, 2014

What does “24p” or “30p” mean when a manufacturer states it? How can we tell if —and when— they really mean 23.976p, 24.000p, 29.97p, or even the non-standard 30.000p? Unfortunately, each manufacturer has its own policy about this, which reminds me of the biblical story of the Tower of Babel: At the end of the story, all of the workers were speaking a different language and couldn’t understand each other. Ahead is a translation guide, including Adobe, AJA, Apple, Avid, Blackmagic, Canon, Corel/Pinnacle Systems, Datavideo, GoPro, JVC, FiLMiC Pro, NewTek/TriCaster, Panasonic, and Sony, plus an FAQ.

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Pinnacle Studio for iPad adds 25p + more improvements

Pinnacle Studio for iPad adds 25p + more improvements

Fortunately, Pinnacle Studio for iPad added several improvements, but several simple ones remain desperately missing.

By Allan Tépper | June 10, 2014

Pinnacle Studio for iPad (previously known as Avid Studio for iPad) has thankfully added missing framerates including 24 + 25, plus other improvements. In my articles in ProVideo Coalition magazine, I have covered the application since its birth from Avid, when it changed its name and owner, and when it became the first iOS video editing app to support translucent alpha channels. Ahead I’ll cover the improvements in detail, what’s critically missing, and what is simply wrong and must be fixed.

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Strategic Through-Edits

This Week on MacBreak Studio

By Mark Spencer | June 10, 2014

When is an edit not an edit - and why should you care?

Steve Martin from Ripple Training tackles this deep philosophical question on this week's MacBreak Studio.

We are of course referring to a "through-edit": something Steve defines as "an edit with continuous... Read More

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