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Sports Solutions white paper for NewTek LatAm/EMEA

Sports Solutions white paper for NewTek LatAm/EMEA

I wrote a new white paper for NewTek Latin America, and Europe/Middle East/Africa is now requesting an English translation.

By Allan Tépper | January 30, 2015

After the great popularity of the NewTek New Scopes white paper I published for NewTek US, the Latin American department then contracted me to translate/localize it for its own region. Later, the NewTek Latin American division requested a series of other white papers, starting with the NewTek Sports Solutions white paper. Despite its rather narrow title, this white paper will also be quite valuable for anybody planning a live multicamera video system. Shortly thereafter, the NewTek EMEA (Europe, the Middle East and Africa) division requested an English translation/localization. Ahead you’ll find the table of contents and more.

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In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800

In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800

Thanks to the reverse telecine feature in the Shogun and other Átomos recorders, Staff/HDTV got its wish.

By Allan Tépper | January 27, 2015

Staff/HDTV in Guatemala really wanted to record pure progressive 1080/29.97p for its multi-camera TV shoots. They strongly considered NewTek’s TriCaster lineup, but TriCaster didn’t offer any option with 8 HD-SDI inputs in their desired price range, so instead they chose Datavideo’s HS2800 mobile studio, which starts with 8 HD-SDI inputs and is expandable to 12. The initial problem was that the SE–2800 contained in the HS2800 package only handles interlaced 1080i, but a workflow I previously published solved the problem and allowed Staff/HDTV to have their cake and eat it too. Details ahead.

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Dynamic Trimming in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | January 27, 2015

What is dynamic trimming, anyway?

There has been a lot of discussion on this topic lately, and today Steve Martin from Ripple Training jumps in with his take on what the term meant when applied to legacy Final Cut Pro and what it means today in Final Cut Pro X.

By... Read More

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Have I Finally Perfected My Backup Strategy?

By Dan Carr | January 26, 2015

Like many people, I’ve struggled over the years to find the perfect backup solution for all of my digital content.  As file sizes creep ever upwards, it’s been a permanent upgrade process that’s often caused more than its fair share of headaches.  All drives will... Read More

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I am a Bird

Experiencing the Inspire 1

By Mark Spencer | January 26, 2015

This weekend my friend Gary Yost took out his new DJI Inspire 1 for some test flights. The footage is so pretty I thought it was worth sharing.

Though overall he loves the Inspire 1, he does have some criticisms. In his words:

The great news is that this craft is so... Read More

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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 3

Let's wrap up our look at creating DVD's by building them in our favorite DVD creation applications

By Kevin P. McAuliffe | January 24, 2015

In this week's Media Composer 101 tutorial, I'm going to show you four different DVD burning applications, and how simple they are to use, when creating your screening DVD's!

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Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Benjamín Fernández of Digital Sprockets has 6 reasons why he prefers to edit video with DaVinci Resolve instead of FCP X.

By Allan Tépper | January 24, 2015

Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine (film-to-tape) and film restoration services. While I’m in México City doing seminars, I visited Digital Sprockets and heard all 6 interesting reasons why Benjamín prefers editing video with DaVinci Resolve than with Final Cut Pro X.

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Product Review: DSLRPros Expedition Series P2 Aerial Kit

Product Review: DSLRPros Expedition Series P2 Aerial Kit

Adventure-Ready and Totally Portable P2 Aerial Photography/Videography System

By Jeff Foster | January 21, 2015

Taking the popular and durable design of the DJI Phantom 2, DSLRPros has created a truly portable kit for the extended-travel road warrior, camper, hiker or outdoor explorer, with the DSLRPros Expedition Series PD Aerial Kit. I live with this kit for a couple of months and take it with me out in the country, down the coast and even on the job of a major sky rise construction site downtown. Durability and dependability... we'll see how it holds up to the task!

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Review - Wipster

Can something so simple and free be any good? Yes, yes it can!

By Kevin P. McAuliffe | January 21, 2015

There have been a couple of great articles here on PVC in the last little while about Review and Approval.  Scott Simmons had an article that focused on the Review and Approval options for you out there, and Dorian Heller had posted his look at Wipster.  Well, with this review, I hope to take Dorian’s great review, and expand on it with my own take on Wipster, and look at not only the product itself, but the man behind it, Rollo Wenlock, Wipster's CEO, and his vision for the company. Read More

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The Compound Clip Conundrum

This Week on MacBreak Studio

By Mark Spencer | January 21, 2015

Handles? We don't need no stinkin' handles!

That's what a compound clip in Final Cut Pro X might say when you try to ripple, roll, or extend an edit point or add a transition between a compound clip and another clip. You'll find there is no extra media... Read More

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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 2

Let's compress our files with an application you might already have at your disposal.

By Kevin P. McAuliffe | January 15, 2015

In this week's Media Composer 101 tutorial, Kevin P McAuliffe will show you that no matter what compression application you have, whether it Sorenson Squeeze, Adobe's Media Encoder or even Apple's Compressor, with a little forethought, you will be creating your M2V and AC3 files, lightning quick!

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Allan Tépper to give 4 tech seminars in México City

Allan Tépper to give 4 tech seminars in México City

From January 26–29, Allan Tépper will give seminars in México City.

By Allan Tépper | January 15, 2015

From January 26–29, I’ll be giving four tech seminars in México City. Actually, three of the four will be tech (audio/video/podcast production/post/distribution), while the first presentation will be free, and will be about language issues. All four presentations will take place in México City, and will be presented in Castilian/castellano (aka “Spanish”). Details ahead.

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First look: Cinema FV–5 for Android, similar to FiLMiC Pro for iOS

First look: Cinema FV–5 for Android, similar to FiLMiC Pro for iOS

With USB audio coming to Android, I began to explore Cinema FV–5 and initiated talks with the developer.

By Allan Tépper | January 15, 2015

I recently covered how proper digital USB audio is coming to Android (link ahead), which means that iOS devices like iPad/iPhone/iPod Touch will now face some healthy competition for audio/video production. That’s why I purchased and began conversing with the developer of an Android app called Cinema FV–5, which is similar to FiLMiC Pro on iOS. Initially, I’ll be using Cinema FV–5 with the Sony Exmor IMX214 sensor (f/2.0 aperture, 13MP, 4K DCI and UHD) in the OnePlus One phablet/phone. Ahead you’ll see features, a demo, and the developer’s response to my first comments and questions.

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Sync-N-Link X for Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | January 13, 2015

Why would you want a separate app to sync audio and video clips?

This week on MacBreak Studio, Sam Mestman from FCPworks.com returns to make the case for Sync-N-Link X for Final Cut Pro X.

As he explains to Steve Martin of Ripple Training, Sync-N-Link X not only... Read More

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IK Multimedia: Android will finally receive proper USB audio support

IK Multimedia: Android will finally receive proper USB audio support

Thanks to IK Multimedia, many Android devices should receive proper USB audio support soon.

By Allan Tépper | January 10, 2015

For the past few years, I have been covering many third-party USB audio devices for iOS phones and tablets in ProVideo Coalition magazine, including digital microphones and audio interfaces with built-in A>D conversion. Even though I am a Mac user who prefers Android for my mobile phone, I have so far emphasized iOS (iPad/iPhone/iPod Touch) since there has been such weak support for digital USB audio with Android. This was supposed to change with Android 5 (Lollipop). However, there have still been latency issues. IK Multimedia promises to be the hero to resolve this soon for certain Android phones and tablets. Details ahead.

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A Little (Big) Avid Media Composer & Final Cut Pro X Trimming Demonstration

This is my contribution to a recent Twitter discussion about the joys of Dynamic Trimming

By Scott Simmons | January 09, 2015

Ever since the release of Final Cut Pro X there’s been a lot of discussion around FCPX’s trimming capabilities. They are quite strong with a very fluid way of trimming edits using the mouse, looping playback as well as some keyboard shortcuts. Users of Avid Media Composer have... Read More

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Drone Academy X DJI Phantom Flight Training Series

Drone Academy X DJI Phantom Flight Training Series

The Best Basic Training for UAVs on Video from DSLRPros

By Jeff Foster | January 07, 2015

Want to learn to fly that new DJI Phantom you got and get professional results (and fewer crashes)? DSLRPros has produced what I think is the best, most professional video training series I've seen to date, with their Drone Academy X DJI Phantom Flight Training Video Series.

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The Magic of Hard Links

This Week on MacBreak Studio

By Mark Spencer | January 06, 2015

What exactly are "hard links" anyway?

A better question might be "why are they useful?" - which is exactly what Sam Mestman shows Steve Martin from Ripple Training on this week's episode of MacBreak Studio.

Hard links allow the Finder to represent files on a... Read More

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Grading with Resolve

Side-by-Side Comparison Video

By Mark Spencer | January 05, 2015

My friend Gary Yost has been enjoying learning Resolve. He recently graded a short project I directed, shot, and edited for the Delfina Restaurant Group in San Francisco. Then, he made this great comparision video that shows the original shots next to the graded shots. I thought you... Read More

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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 1

Creating DVD screeners is trickier than it seems in Media Composer, unless you think things through first!

By Kevin P. McAuliffe | January 01, 2015

In this week's Media Composer 101 tutorial, Kevin P McAuliffe will show you how to create SD screening DVD's from HD, 2K, 4K and UHD projects.  If you don't think through what you're doing, you could run into trouble quicker than you think.

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