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Grading with Resolve

Side-by-Side Comparison Video

By Mark Spencer | January 05, 2015

My friend Gary Yost has been enjoying learning Resolve. He recently graded a short project I directed, shot, and edited for the Delfina Restaurant Group in San Francisco. Then, he made this great comparision video that shows the original shots next to the graded shots. I thought you... Read More

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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 1

Creating DVD screeners is trickier than it seems in Media Composer, unless you think things through first!

By Kevin P. McAuliffe | January 01, 2015

In this week's Media Composer 101 tutorial, Kevin P McAuliffe will show you how to create SD screening DVD's from HD, 2K, 4K and UHD projects.  If you don't think through what you're doing, you could run into trouble quicker than you think.

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Master the Art of 4K Editing in Avid Media Composer

Lesson 1: Setting Up 4K Projects

By Kevin P. McAuliffe | December 31, 2014

4K is all the rage now, whether you're actually editing projects in 4K or not, is another question, but having the tools at your disposal is essential, so when you get that call from your client, you're all set to go!

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REVIEW - Genarts Sapphire 8

One of the leaders in effects is back, but is version 8 worth your time and money?

By Kevin P. McAuliffe | December 30, 2014

I know a lot of people in the industry, both users and developers alike.  I know almost the entire teams at Boris FX, Coremelt, Digital Anarchy, Rampant Design Tools, Imagineer Systems, and many others, but I’ll be honest.  I’ve always found Genarts to be a glass ceiling... Read More

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Fast Title Changes in Final Cut Pro X

This Week on Under 5

By Mark Spencer | December 22, 2014

On this week's Final Cut Pro X Under 5, Steve Martin from Ripple Training shows us how powerful the Timeline Index can be when it comes to modifying titles. If you've been navigating to titles by scrolling along the timeline, you won't want to miss this tip.

By... Read More

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Wrapping Text Around an Object

On This Week's Motion Magic

By Mark Spencer | December 22, 2014

Motion's text formatting, styling, and animating capabilties are deep - and when combined with Motion's realtime playback engine, creating text-based animations is downright addictive.

This week on Motion Magic, I show you how you can wrap text around an object in 3D... Read More

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From Filmmaker to Stock Footage Evangelist

From Filmmaker to Stock Footage Evangelist

How one filmmaker has discovered the creative and financial benefits of using and shooting stock footage

By Jeremiah Karpowicz | December 22, 2014

Not too long ago a particular image on Twitter caught my eye, and you can probably see why…

From period pieces to shot-on-film aerials, see some epic new footage in Recreated. http://t.co/gigZfLgfmW pic.twitter.com/yfwnTT4puN

— Dissolve (@dissolve) August 19, 2014... Read More

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Areca 8050 Thunderbolt RAID Review

How I built a 24TB RAID6 for under $2800

By Matthew Jeppsen | December 21, 2014

About six months ago, I had a 20 Terabyte problem. I had a shelf of external hard drives of all shapes, sizes, and interfaces, and weak, infrequent backup system. It was time to consolidate my media and fix this issue. After much research, I invested in a Areca Thunderbolt RAID and a reliable backup solution. Here are my adventures in building this complete system.

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Media Composer 101 - Lesson 8 - What’s new in v 8.3

Let's take a look at the new features in the new Media Composer 8.3 update

By Kevin P. McAuliffe | December 20, 2014

The newest update to Avid Media Composer gives us access to higher than HD resolution(s), a new codec (DNxHR), and a few other bells and whistles that you'll definitely want to check out!

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PSA: Current Avid Media Composer owners upgrade to v8 before the end of the year

You have just over a week to keep your license current for $299 per year

By Scott Simmons | December 20, 2014

This is a public service announcement as we move into this last week of 2014. If you currently own a license for Avid Media Composer here’s a reminder that you have through December 31, 2014 to get your one year support contract and, by virtue of that support contract, get your version 8 upgrade … all for $299. This is the way to go for current Avid Media Composer users as this will keep you current for $299 per year. That includes standard support and all the upgrades Avid cares to give us. Welcome to new software licensing models.

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Media Composer 101 - Lesson 7 - Settings Part 1

Your settings are what are going to keep you editing at top speed!

By Kevin P. McAuliffe | December 18, 2014

You settings are exceptionally important inside of Media Composer.  They are what are going to give you access to all the bells and whistles that will make the difference between a slow edit and unhappy client, to a fast edit, and an exstatic client!

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First look: Panasonic DMC-FZ1000 4K UHD camcorder

First look: Panasonic DMC-FZ1000 4K UHD camcorder

With its 25–400mm permanent electric zoom and 1" type sensor for under US$900, it is worth a good look.

By Allan Tépper | December 18, 2014

I first paid attention to the Panasonic DMC-FZ1000 4K UHD camcorder when my friend and director Luis Palomo told me he had one on the way for him. I looked up the specs and price, and was intrigued. Like the Sony PXW-X70 I’ll be reviewing soon (already purchased by two local friends), the DMC-FZ1000 has a 1" type sensor which is capable of 4K UHD, as well as 1080p and below. It has a 25–400mm permanent electric zoom (35mm equivalent). Here is my first look (including audio details not published by Panasonic), while I perform a full evaluation with Luis.

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Linking Animations in Motion

This Week on MacBreak Studio

By Mark Spencer | December 17, 2014

The Link behavior in Motion is a powerful way of animating one one object with another.

This week on MacBreak Studio, I show Steve Martin from Ripple Training one way to use the Link behavior to create a wheel and piston animation similar to a steam locomotive.

In... Read More

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Template Greeting Cards in Final Cut Pro X

This week's 5-minute Final Cut Tip

By Mark Spencer | December 15, 2014

Final Cut Pro X in under 5 minutes is a weekly series of short tutorials from Ripple Training designed to show you how to do something specific and useful in Final Cut Pro X from start to finish.

This week's episode shows you where you can get a holiday template that was... Read More

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Editing the Bioneers 25th Anniversary Conference

On-site Multicamera editing with Final Cut Pro X on a Mac Pro

By Mark Spencer | December 15, 2014

Editing the Bioneers 25th Anniversary Conference

In October 2014, the Bioneers (http://www.bioneers.org) held their 25th anniversary conference in San Rafael, California. Bioneers is a non-profit educational organization that explores innovative solutions to planetary issues. The... Read More

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Best of 2014 Aerial Videography Gear Guide

Best of 2014 Aerial Videography Gear Guide

A General Guide for Aerial Photo/Video Gear Currently Available

By Jeff Foster | December 10, 2014

2014 has been an amazing year for aerial/drone photography and video, and I've compiled a list of great products that will appeal to fliers and shooters for all levels!

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Audio-only Cross-fades in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | December 10, 2014

 

  How do you cross-fade just the audio portion of an edit point?

That's the question we tackle on this week's episode of MacBreak Studio.

I start by showing Steve Martin from Ripple Training a simple storyline of clips, where I want to audio... Read More

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An unfair yet justifiable mic comparison: AT2005USB versus Plantronics .Audio 326

An unfair yet justifiable mic comparison: AT2005USB versus Plantronics .Audio 326

Even though it may be unfair, I have logical justifications to make this mic comparison/shootout.

By Allan Tépper | December 09, 2014

I have covered the Audio Technica AT2005USB hybrid microphone (analog XLR + digital USB) in past articles and ebooks, and it has been my chosen studio microphone for my recent podcasts. On the other hand, I recently reviewed the Plantronics .Audio 326 headset microphone with outstanding results. Now, even though it might be considered unfair, I am doing a direct shootout. Ahead are my justifications and test results, including simultaneous recordings through each mic.

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Media Composer 101 - Lesson 6 - Bins part 2

Let's continue our look at bins with some great "hidden" features you'll definitely want to know about.

By Kevin P. McAuliffe | December 04, 2014

In the second of our two part look at bins, we'll take a look at some tucked away features of Media Composer that will really help you get organized, and stay organized right from import to delivery.

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MXF Support in Final Cut Pro 10.1.4

On This Week's Under 5

By Mark Spencer | December 02, 2014

Final Cut Pro X version 10.1.4 is out today. In the above Final Cut Pro in Under 5 Minutes video, Steve Martin from Ripple Training explores one specific new feature: how to import and export MXF files. 

Before getting into the workflow, it’s important to define... Read More

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