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Making Project Management Simple and Efficient

Making Project Management Simple and Efficient

CEO Fredrik Limsäter tells us how ftrack can help creators keep their project on track

By Jeremiah Karpowicz | August 10, 2014

Project management is an issue that industry professionals of all sizes and types deal with. Keeping track of shots, figuring out how to collaborate with someone who’s on the other side of the world and trying to organize budgeting and scheduling logistics are just a few of the issues... Read More

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After Effects and Alexa - The Expurgated Version

Log C in After Effects in 3 minutes...

By ChrisZwar | August 08, 2014

OK so you've got some Arri Alexa footage in Log C format, and it looks funny in After Effects.  You don't have time to sit through my 2-part, 40 minute video on the best way to deal with Alexa footage in After Effects, you just want to know the basic details NOW!

So... Read More

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After Effects and Alexa - Part 2

Working with Arri Log C footage in After Effects

By ChrisZwar | August 08, 2014

The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called Log C.  While there are many ways of working with Log C footage in After Effects, none of them are immediately obvious – and if you’re new to log colourspaces then... Read More

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After Effects and Alexa - Part 1

Working with Arri Log C footage in After Effects

By ChrisZwar | August 08, 2014

The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called Log C.  While there are many ways of working with Log C footage in After Effects, none of them are immediately obvious – and if you’re new to log colourspaces then... Read More

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Boris Red 5.5 for Media Composer Editors

This webinar replay will give you a new look at a classic AVX plug-in/app with a major update!

By Kevin P. McAuliffe | August 07, 2014

More and more these days, Media Composer editors find themselves trying to stay in their timeline to get simple tasks done.  Boris Red 5.5 is the successor to Avid FX, and it will let you do some common tasks super quick, and keep you out of the time vampire of importing and exporting! Read More

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Getting Started with BCC Lite for Media Composer Part 2

In Part 1 we looked at BCC Colorize and Lens Flare 3D, now let's check out BCC Scanlines & Swish Pan

By Kevin P. McAuliffe | August 07, 2014

As most Media Composer editors are now aware, BCC is no longer included in your Media Composer Symphony upgrade.  That's because with your monthly subscription, you are now getting Symphony included.  But, that doesn't mean that you're without some awesome BCC effects to get you moving in the right direction.

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Helpful Ways for Cinematographers to Get a Grip on Lighting Part 2

Part 2: The Checker Board Pattern Method

By Bobby Marko | August 07, 2014

The last post we talked about how to get a proper initial setting when lighting your subject/foreground and background. If you missed it, check out Part I: Foreground and Background Exposure. For this post I wanted to take that initial step and move a little more in depth and talk about lighting scenes with the checkerboard pattern.

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Key Code Media Presents: Professional Editing With The Apple Mac Pro

Key Code Media Presents: Professional Editing With The Apple Mac Pro

Key Code Media invites you to an exclusive look at Non-Linear Editing on the Mac Pro on August 14th

By PVC News Staff | August 07, 2014

Come see industry experts from Avid and Adobe demonstrate the power of editing on the Mac Pro. Whether cutting on Avid Media Composer | Software or Adobe Premiere Pro, the dual workstation-class GPUs in Mac Pro accelerate effects, optical flow analysis, video export — and virtually... Read More

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Blackmagic Design Announces DaVinci Resolve 11 is Now Shipping

Blackmagic Design Announces DaVinci Resolve 11 is Now Shipping

Major update adds professional nonlinear online editing features, new ColorMatch, on set media management and plenty more

By PVC News Staff | August 06, 2014

Blackmagic Design today announced the release of DaVinci Resolve 11, available now for download free of charge for all existing DaVinci Resolve customers. DaVinci Resolve 11 is a major upgrade with over 100 new editing and color grading features. This new update includes professional nonlinear... Read More

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UPDATE - PVC Experts & Answers Webinar: UAV’s, Green Screens and Post

UPDATE - PVC Experts & Answers Webinar: UAV’s, Green Screens and Post

Watch the archived presentation and read through some answers to the questions we weren't able to take

By PVC News Staff | August 05, 2014

The ability for folks of all different production experiences and skill levels to be creative has never been more powerful. UAV's (unmanned aerial vehicles) allow anyone from a major motion picture director to a realtor grab footage that showcases their content in an amazing new light.... Read More

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A Tale of Two Thunderbolt Drives

The AKiTio Neutrino Thunder Duo and the Other World Computing ThunderBay IV

By Scott Simmons | August 05, 2014

If you’re lucky enough to have Thunderbolt in your workflow then you know the joys of its ease of use and insanely fast transfer speeds. Whether that’s moving multiple gigabytes of data in a few seconds or getting well over 700 megaBYTES a second transfer speeds while editing, Thunderbolt is a massive step up from Firewire and eSATA. This is a story of two very nice, very fast Thunderbolt RAIDs: the AKiTio Neutrino Thunder Duo and the Other World Computing ThunderBay IV . Have both of these in your arsenal and you’re all set for a variety of editing tasks.

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Initial review: iRig Mic HD from IK Multimedia

Initial review: iRig Mic HD from IK Multimedia

iRig Mic HD is a handheld digital mic from IK Multimedia

By Allan Tépper | August 05, 2014

I am honored to be one of a few tech journalists who have received the iRig Mic HD from IK Multimedia for initial review. The iRig Mic HD is a handheld digital-exclusive mic, made for use with iOS (iPad/iPhone/iPod Touch), Mac and Windows and produces rich and full bodied sound recordings (and this is not a shampoo commercial). I have a lot to say about the iRig Mic HD, so let’s get started.

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The Improved Voiceover Tool in FCP X

This Week on MacBreak Studio

By Mark Spencer | August 05, 2014

Can you record a voiceover track directly into Final Cut Pro X?

Yes, and you've been able to do it since the very first version of Final Cut Pro X was released. However, in the recent 10.1.2 update, Apple added several new features which make this tool more useful than... Read More

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Atomos Take HDMI One Step Closer to SDI Professional Video Standard

By PVC News Staff | August 04, 2014

Atomos today announce a move to standardize HDMI for the professional video industry by focusing on ease of use and customer experience. With in-depth experience along with their technical know-how, Atomos aim to help define industry standards. SDI has ruled the professional video space for... Read More

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RT and DirecTV Sports go beyond conventional mic flags

RT and DirecTV Sports go beyond conventional mic flags

Using a technique virtually unused in the US, networks like RT and DirecTV Sports are getting better branding on their mics.

By Allan Tépper | August 04, 2014

Most people who produce sports or news for TV know that branding is important, both on location (with signs and mic branding) and on screen (via electronic graphics). That is nothing new. However, I have recently seen how two TV networks from outside of the US are taking advantage of a device —and a technique— that grants them better branding by going beyond conventional mic flags.

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Handheld vocal microphones: a trend towards condenser electret?

Handheld vocal microphones: a trend towards condenser electret?

Have an open mind to condenser electret when considering new handheld interview microphones, together with traditional dynamics.

By Allan Tépper | August 04, 2014

With new handheld vocal microphones I am currently testing for reviews, there is a new trend toward condenser electret, which challenges the long established thinking. In traditional ENG (Electronic News Gathering), for decades there has been a preference for dynamic handheld interview mics. One of the reasons for that is because dynamics are generally much more durable. However, several factors are changing, so we must have an open mind when evaluating.

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Time Warner Cable Sports Keeps its Programming Secure with Sony Portable Drives

Time Warner Cable Sports Keeps its Programming Secure with Sony Portable Drives

By PVC News Staff | August 04, 2014

Content may be king, but for Time Warner Cable Sports, reliable, portable storage is critical. The network is using more than 50 of Sony’s new portable storage drives -- a combination of 256 GB solid state drives (model PSZ-SA25) and 1 TB hard-disk drives (model PSZ-HA1T).

... Read More

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Theatrical Television

Theatrical Television

Large screen projection was a gleam in television’s eye long before today’s digital systems

By Richard Wirth | August 04, 2014

Television has been trying to grow up and be a projection medium since its inception.  With the advent of digital, the little box of light and shadows has finally gotten its big boy pants and even whipped its big brother, film, to take over supremacy in the theatrical world.

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Essential Kit for DSLR Videography

Buying your first equipment to create video with your DSLR camera? Then you should read this guide!

By Jose Antunes | August 01, 2014

You've got your DSLR with video capabilities and just decided you want to try them out. Imagine you had $500 to spend on accessories. What should you buy?

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Helpful Ways for Cinematographers to Get a Grip on Lighting

Part I: Foreground and Background Exposure

By Bobby Marko | July 31, 2014

I spent the 1st half of this year releasing two films, a feature length documentary and a short film narrative (Becoming Fools and Fruitcake respectively). Through this process I've attended screenings and festivals of our own films and for others. I've also sat through several Q&A's with independent filmmakers and although I love hearing how other creatives move through the process of producing their work I sometimes get increasingly frustrated with the fact that camera gear takes such a center stage while lighting, composition, sound design and production design take a distant back seat.

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