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REVIEW - Red Giant Universe

Is this a Universe you want to visit?

By Kevin P. McAuliffe | November 29, 2014

NAB 2014 has been over for about seven months now, and most people might be wondering why I am writing a review of Red Giant Universe now, as opposed to when it was first announced/released around the time of NAB.  To be honest with you, the review I'm writing today is very different from the one I would have written then.

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iMovie 10.0.6 gets official ProRes, audio only export, and more

iMovie 10.0.6 gets official ProRes, audio only export, and more

Now Apple’s free editing tool gets more flexibility, and there’s a way to set framerate to 23.976p, 25p, or 29.97p.

By Allan Tépper | November 29, 2014

With iMovie version 10.0.6, Apple’s free editing program now gets official support for ProRes, new custom H.264 export, and audio only export. Although previously there have been unofficial ways to use ProRes with iMovie, it is finally official. Also, learn how to set an iMovie 10.x project framerate to 23.976p, 25p, or 29.97p despite no official settings to do so in this version.

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Creating a Storyboard in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 28, 2014

How do you tell a visual story without any visuals?

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to do exactly that.

Final Cut Pro X contains a collection of generators: "generated" content that you can use in your projects. These... Read More

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The making of a music video in Spain, including crowdsourcing of B-roll

The making of a music video in Spain, including crowdsourcing of B-roll

For her latest music video, Sole Giménez crowdsourced the B-roll…

By Allan Tépper | November 28, 2014

For her latest music video, where the main shots were shot on a beach in Valencia, Spain, singer/songwriter Sole Giménez crowdsourced the B-roll shots via social media. Ahead are production details, including cameras, directors, editors, and graders.

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Media Composer 101 - Lesson 5 - Bins part 1

Media Composer 101 - Lesson 5 - Bins part 1

Let's get back to basics with the start of a multi-part look at Bins in Media Composer

By Kevin P. McAuliffe | November 27, 2014

Let's get back to basics and take a look at bins inside of Media Composer.  This first of a multi-part lesson will give you a good running start, so you can start organizing yourself lightning quick!

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Dear Vimeo: Before supporting 4K, please prioritize this more urgent need

Dear Vimeo: Before supporting 4K, please prioritize this more urgent need

Many people are requesting 4K on Vimeo, but there’s something easier that is needed much more urgently.

By Allan Tépper | November 24, 2014

It is clear from the buzz in forums that many people are obsessed about having Vimeo offer 4K, whether it be the UHD (Ultra HD) version or the larger DCI version. However, there is something much more urgent for Vimeo to support, which is both easier and a higher priority than either of the 4K requests because it immediately affects many more video producers who already have multiple years of footage, and countless more viewers already own a proper screen for it.

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The case of the white t-shirt

The case of the white t-shirt

An assortment of analogies to help understand the video production business

By ChrisZwar | November 24, 2014

In an earlier article I said that when I began my career, I found business issues more difficult to understand than any software or hardware matters.  This article elaborates on some of those issues, and presents several different analogies to help you think about you and your business... Read More

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Sony PXW-X180 Camera Review

1080 60p, Variable ND, and a load of great features found in this versatile hand-held camera.

By Brian Hallett | November 23, 2014

Just when you thought 1/3 inch cameras were on the way out, Sony goes ahead and makes a versatile hand-held camera with quite a few surprisingly good features.  From professional codecs, great slow-motion capabilities and a ND filter upgrade that really needs to be included in all of Sony's cameras. 

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Installing and editing with Final Cut Pro 7 on a new Macbook Pro with Yosemite

The lack of a DVD drive and a new OS hasn't stopped FCP Classic

By Scott Simmons | November 23, 2014

It had been well over a year since I saw my good friend and longtime business partner Final Cut Pro 7 but this week saw the opportunity request to open it back up and work on a music video. Rather than try to convince the production to move to something else (believe me, I’ve tried) I jumped in! Then I noticed I needed to install it on my laptop … that doesn’t have a DVD drive. Nor do I have an external one. It’s still possible and you can even update to 7.0.3. 

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SmartView 4K monitor: like a DreamColor monitor with built-in Teranex?

SmartView 4K monitor: like a DreamColor monitor with built-in Teranex?

SmartView 4K monitor features built-in 3D LUTs, Teranex scaler, and more.

By Allan Tépper | November 22, 2014

At IBC in Amsterdam, Blackmagic showed its US$1995 SmartView 4K (Ultra HD) monitor, which features built-in 3D LUTs, Teranex scaler, adjustable on screen markers, H/V delay, blue only, 12G-SDI inputs, and more. Many readers may immediately imagine that the SmartView 4K might be a direct competitor to an HP DreamColor. I conducted a short interview about some of its yet unpublished specs. Let’s see in which respects it’s like a DreamColor, and in which it isn’t.

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Media Composer 101 - Advanced - Reformatting your Footage

Media Composer 101 - Advanced - Reformatting your Footage

This lesson will help you format your 4x3 footage correctly, inside your 16x9 timeline!

By Kevin P. McAuliffe | November 20, 2014

We're heading back to the mailbag to answer another viewer question, and it's one that throws people for a loop a lot of the time, and that is getting your SD footage to look correct in your HD 16x timeline.

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Coming Soon: Veydras Micro 4/3 Cinema Primes

Dedicated cine primes will improve cine-style workflows for MFT cameras

By Adam Wilt | November 19, 2014

Los Angeles lensmen Ryan Avery (formerly with Schneider Optics) and Jim Zhang (a behind-the-scenes designer for the likes of Century Optics, Chrosziel, and 16x9) have teamed up to build the “Veydra” line of Micro 4/3 Cinema Lenses.

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Amadeus Pro, Audio Hijack, Sole Giménez and CapicúaFM

Amadeus Pro, Audio Hijack, Sole Giménez and CapicúaFM

How I used several Mac audio apps to produce the latest episode of CapicúaFM

By Allan Tépper | November 19, 2014

Previously, I described how to produce a podcast live-to-drive using BossJock Studio with an automatic mixer (article links ahead). However, that isn’t practical when you’re interviewing a Spaniard singer/songwriter like Sole Giménez (ex-Presuntos Implicados) about her latest album via an international phone call, and also want to intertwine pieces of her own music based upon her sometimes unexpected responses. Ahead is the workflow and the final recording I used with CapicúaFM’s latest episode, including many of the audio apps used.

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Moving “Tracks” in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 19, 2014

How do you select all "tracks" in Final Cut Pro X, and do you even need to?

This week on MacBreak Studio, Steve Martin from Ripple Training helps us understand how approaching Final Cut Pro X from the perspective of legacy editing applications can hinder our ability to get... Read More

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Ask an Expert: OS Upgrade Issues, Retiming Animations within Titles and Camera/TV Combos

Ask an Expert: OS Upgrade Issues, Retiming Animations within Titles and Camera/TV Combos

This month in the ProVideo Coalition Mailbag

By The ProVideo Coalition | November 18, 2014

In our November 2014 Mailbag, readers asked questions about how to solve their OS upgrade issues, retiming animations within titles, what might be a good camera/TV combo and plenty more. Mark Spencer and Jose Antunes offered their insights and get specific about how readers can solve these... Read More

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AJA Announces Ship Date for the CION Production Camera

AJA Announces Ship Date for the CION Production Camera

Now Accepting Orders from Worldwide Reseller Channel

By PVC News Staff | November 18, 2014

 AJA Video Systems today announced that the company has started accepting orders for the new CION production camera, with an anticipated initial ship date by the end of December. CION is both ergonomic and lightweight with unparalleled connectivity, and is capable of shooting at 4K/UltraHD... Read More

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UPDATE: DJI Announces the Inspire 1 sUAV

UPDATE: DJI Announces the Inspire 1 sUAV

A New Form Factor for Professional Aerial Videography

By Jeff Foster | November 16, 2014

At 4:30pm PST November 12, 2014, DJI launched a new concept in sUAV design specifically for the professional aerial videographer and photographer. I was happy to be invited to this special event with a few of my colleagues and share the specifics around this new aerial craft with you. *LATEST UPDATE 11/16

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Want to see 4K editing in Media Composer before its release?

Avid is very excited about the impending release of the next version of Media Composer, and wants everyone to see it!

By Kevin P. McAuliffe | November 14, 2014

And no, I’m not breaking any embargoes, NDA’s or anything like that.  Avid is very excited about the impending release of the next version of Media Composer, and officially wants everyone to see it, and get excited about it as well.

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Cinema 4D and After Effects Interaction: Exploring Cineware

Cinema 4D and After Effects Interaction: Exploring Cineware

Cineware and Other 3D Renders In After Effects

By Dorian Heller | November 14, 2014

My name is Dorian Heller and I’m Seattle-based motion designer and visual fx artist. I’ve done work for Microsoft and several other companies with deadline driven deliverables. Therefore, it’s imperative for my work to look professional and also be efficient. This can mean... Read More

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Panavision Rolls Out Primo 70 Lenses at Camerimage

Panavision Rolls Out Primo 70 Lenses at Camerimage

By PVC News Staff | November 13, 2014

Panavision, the company behind the world’s best cinema lenses for 60 years, is showcasing their new line of Primo 70 lenses optimized to work with today’s larger sensor digital cameras. The lenses are being exhibited here at the 22nd edition of the Camerimage International Film... Read More

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