RSS

Topics

lens rental

Renting Lenses from LensRentals.com

What it's like to rent gear by mail.

By Adam Wilt | January 30, 2015

For my December lens tests with Veydras and Rokinons (among others), I needed some Rokinons, otherwise it wouldn't really be a test with Veydras and Rokinons (among others). I also needed a PL-to-MFT mount adapter, and a Nikon-F-to-Canon-EF adapter. None of these were items stocked by... Read More

0 Comments

Shooting in Raw

Shooting in Raw

The Real World Use of Raw Footage

By Dorian Heller | January 30, 2015

We've all heard it, but how many actual know the benefits of shooting in a raw format? Most modern camera systems have the ability to capture raw photos or even video.

An Easy Way To Think About It:

Let's take photography as an example; your camera lets you shoot in either... Read More

0 Comments

hollywood post alliance hpa hpa tech retreat schubin tech retreat

HPA Tech Retreat: Registration Closes on Monday

There's still time to sign up for the 2015 Tech Retreat... but only through Monday, February 2

By Adam Wilt | January 30, 2015

If you've been thinking about attending the HPA Tech Retreat in Palm Springs, February 9-13, better make up your mind: it's close to selling out, and advanced registration closes this coming Monday, February 2. As the press release says:

The Tech Retreat is a relaxed yet... Read More

0 Comments

AE + C4D: Some Minor Assembly Required

AE + C4D: Some Minor Assembly Required

Properly setting up your AE and C4D Lite projects to best work together

By Chris and Trish Meyer | January 29, 2015

We’re fans of the Live 3D Pipeline workflow between After Effects CC and CINEMA 4D Lite. And Adobe has automated a large portion of the process to get the two to work together: In After Effects, create a New > Layer > MAXON CINEMA 4D File, and not only is a layer created in AE with the CINEWARE plug-in applied (where all the magic happens), C4D Lite is also opened with a new project linked to that particular instance of the plug-in for live rendering. However: At least as of AE CC 2014.2, not all of the necessary information about the AE composition is passed onto the C4D project, and neither is the AE project configured to match some assumptions C4D is making. Therefore, it’s up to you to fill in or correct the necessary parameters.

Read More

0 Comments

Exclusive Details Around the New Aerial Robotics and Drone Pavilion at NAB Show

Exclusive Details Around the New Aerial Robotics and Drone Pavilion at NAB Show

Jeff Foster will serve as Program Manger

By Jeremiah Karpowicz | January 27, 2015

Word about the new Aerial Robotics and Drone Pavilion was just made offical, and even though NAB Show 2015 is still months away, it's already shaping up to be one of the highlights of the event. It's set to feature a flying cage, a demonstration area with seating, and daily... Read More

0 Comments

In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800

In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800

Thanks to the reverse telecine feature in the Shogun and other Átomos recorders, Staff/HDTV got its wish.

By Allan Tépper | January 27, 2015

Staff/HDTV in Guatemala really wanted to record pure progressive 1080/29.97p for its multi-camera TV shoots. They strongly considered NewTek’s TriCaster lineup, but TriCaster didn’t offer any option with 8 HD-SDI inputs in their desired price range, so instead they chose Datavideo’s HS2800 mobile studio, which starts with 8 HD-SDI inputs and is expandable to 12. The initial problem was that the SE–2800 contained in the HS2800 package only handles interlaced 1080i, but a workflow I previously published solved the problem and allowed Staff/HDTV to have their cake and eat it too. Details ahead.

Read More

0 Comments

300 dynamic dynamic dynamic trimming fcp fcp x fcpx final cut final cut pro final cut pro x

Dynamic Trimming in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | January 27, 2015

What is dynamic trimming, anyway?

There has been a lot of discussion on this topic lately, and today Steve Martin from Ripple Training jumps in with his take on what the term meant when applied to legacy Final Cut Pro and what it means today in Final Cut Pro X.

By... Read More

0 Comments

backup cloud drive google drive hard drive hdd raid ssd

Have I Finally Perfected My Backup Strategy?

By Dan Carr | January 26, 2015

Like many people, I’ve struggled over the years to find the perfect backup solution for all of my digital content.  As file sizes creep ever upwards, it’s been a permanent upgrade process that’s often caused more than its fair share of headaches.  All drives will... Read More

0 Comments

dji drone drones gary yost inspire uav yost

I am a Bird

Experiencing the Inspire 1

By Mark Spencer | January 26, 2015

This weekend my friend Gary Yost took out his new DJI Inspire 1 for some test flights. The footage is so pretty I thought it was worth sharing.

Though overall he loves the Inspire 1, he does have some criticisms. In his words:

The great news is that this craft is so... Read More

0 Comments

3d 4k blackmagic broadcast camera cameras color news production software

4K Studios Uses Blackmagic UHD to deliver old Kung Fu Movies in 4K

Kung Fu never looked better

By Brian Hallett | January 25, 2015

San Francisco based 4K Studios are using Blackmagic Design gear to scan old 35mm Film prints to bring old Kung-Fu movies to the world's first all 4K Ultra HD streaming network. Roundhouse kicks, mis-matched dialogue dubs, and Kung-Fu style snap zooms straight out of the 70s never looked so good.

Read More

0 Comments

2k 4k adobe encore cs6 avid media composer dvd dvd studio pro hd sorenson squeeze sorenson squeeze 10 pro toast titanium

Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 3

Let's wrap up our look at creating DVD's by building them in our favorite DVD creation applications

By Kevin P. McAuliffe | January 24, 2015

In this week's Media Composer 101 tutorial, I'm going to show you four different DVD burning applications, and how simple they are to use, when creating your screening DVD's!

Read More

0 Comments

education gaffer gaffing gripping training workshop

On Set Lighting Workshop in Burbank

2 Day Workshop on Lighting & Grip - Feb 7 & 8th

By Matthew Jeppsen | January 24, 2015

Gaffer Craig Burns is offering an unique lighting and grip business workshop in Burbank on Feb 7-8, 2015. Burnie seems like a no-nonsense type of guy, and I get the sense that his teaching style will be practical and straightforward. 

Read More

0 Comments

Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Benjamín Fernández of Digital Sprockets has 6 reasons why he prefers to edit video with DaVinci Resolve instead of FCP X.

By Allan Tépper | January 24, 2015

Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine (film-to-tape) and film restoration services. While I’m in México City doing seminars, I visited Digital Sprockets and heard all 6 interesting reasons why Benjamín prefers editing video with DaVinci Resolve than with Final Cut Pro X.

Read More

0 Comments

4k blackmagic camera cameras color news production video

Blackmagic’s 2.0 Firmware Update Released

Adds 444 ProRes 4K & HD To The URSA

By Brian Hallett | January 24, 2015

Blackmagic releases Camera Firmware 2.0 adding new recording features to the URSA. The Studio Camera 4K, Studio Camera, Pocket Cinema Camera and Blackmagic Cinema Camera all get minor improvements or bug fixes.

Read More

0 Comments

Easy Flying Logos with AE + C4D Lite (+ Illustrator)

Easy Flying Logos with AE + C4D Lite (+ Illustrator)

Your Creative Cloud subscription has all the tools needed for this common motion graphics task

By Chris and Trish Meyer | January 22, 2015

One of the most common, bread-and-butter motion graphics jobs you’re going to get is to take your client’s flat, two-dimensional print logo, turn it into a 3D object, and animate it onto the screen for an endless variety of video destinations (trade shows, press events, training videos, web & social media, etc.). This used to mean having to buy and learn a 3D program in addition to After Effects and/or your NLE of choice, rendering it out of one, and bringing it into the other to potentially integrate over additional footage. Now that CINEMA 4D Lite is bundled with After Effects, and there is a direct render path between the two, this task is now a bit easier.

Read More

0 Comments

Pond5 Launches the Public Domain Project With 80,000 Free Media Clips

Pond5 Launches the Public Domain Project With 80,000 Free Media Clips

The collection includes 10,000 free video clips, all formatted in 4K or Full HD

By PVC News Staff | January 22, 2015

Pond5, the world’s leading online marketplace for royalty-free video footage, announced today the launch of the Pond5 Public Domain Project, the first library of free public domain content designed specifically for media makers. The initial collection includes 10,000 video clips, 65,000... Read More

0 Comments

adobe after effects avid media composer 8 creative cloud cc editing editing fcpx motion 5 nle review and approval

Review - Wipster

Can something so simple and free be any good? Yes, yes it can!

By Kevin P. McAuliffe | January 21, 2015

There have been a couple of great articles here on PVC in the last little while about Review and Approval.  Scott Simmons had an article that focused on the Review and Approval options for you out there, and Dorian Heller had posted his look at Wipster.  Well, with this review, I hope to take Dorian’s great review, and expand on it with my own take on Wipster, and look at not only the product itself, but the man behind it, Rollo Wenlock, Wipster's CEO, and his vision for the company. Read More

0 Comments

The Public Domain Project

The Public Domain Project

Pond5 just saved you countless hours. And probably some money, too.

By Chris and Trish Meyer | January 21, 2015

We all need footage - but there’s not always the budget to license or shoot it. We can try to hide behind the illusion of “Fair Use” - but in reality it’s hard to qualify for the exemption. In theory, if we know where to look (such as the Archive.org, or anything funded by the US government - as long as you’re a US citizen), we may be able to dig up some public domain assets that are suitable - but that would take hours upon hours of searching and browsing, and the quality may not be great. Until now.

Read More

0 Comments

RØDE Breaks New Ground with Multiple Product Launch in 2015

RØDE Breaks New Ground with Multiple Product Launch in 2015

By PVC News Staff | January 21, 2015

Australian audio company RØDE Microphones has held the largest simultaneous product launch in the company’s history, introducing multiple new products and categories at an exclusive event in San Diego, USA. Considered by many to be the dominant force in audio for... Read More

0 Comments

compound compound clip fcp fcp x fcpx final cut final cut pro final cut pro x handles macbreak

The Compound Clip Conundrum

This Week on MacBreak Studio

By Mark Spencer | January 21, 2015

Handles? We don't need no stinkin' handles!

That's what a compound clip in Final Cut Pro X might say when you try to ripple, roll, or extend an edit point or add a transition between a compound clip and another clip. You'll find there is no extra media... Read More

0 Comments