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				<title>Pro Video Coalition</title>
				<dc:language>en</dc:language>
				<dc:creator>editblog@gmail.com</dc:creator>
				<dc:rights>Copyright 2013</dc:rights>
				<dc:date>2013-05-20T16:14:14+00:00</dc:date>
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					  <title>Ice Cold Gold editor tweets a ton of Avid tips</title>
					  <link>http://provideocoalition.com/ssimmons/story/ice-cold-gold-editor-tweets-a-ton-of-avid-tips</link>
					  <guid>http://provideocoalition.com/ssimmons/story/ice-cold-gold-editor-tweets-a-ton-of-avid-tips#When:21:25:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/scott/avid/mc-twitter-tips.jpg" width="250" alt="avid editing editing effects media composer tips video " /></p>													<p>
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<p>
	Twitter is always a good place to chat about film and video post-production. It&rsquo;s also a great place to pick up tips and tricks. Recently editor <a href="http://www.davidmichaelmaurer.com/davidmichaelmaurer/Latest.html">David Michael Maurer</a> spent his Twitter day tweeting a slew of Avid Media Composer tips and tricks. It&rsquo;s often tricky to distil a complex editing tip into 140 characters but Mr. Maurer did a good job. Since not everyone who would like to see some good Avid tips is on Twitter I&rsquo;ve reposted those here, with permission.</p>

										
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					  <dc:date>2013-05-23T21:25:00+00:00</dc:date>
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					  <title>Using the new Refine Edge Tool in After Effects CC</title>
					  <link>http://provideocoalition.com/cmg_keyframes/story/using-the-new-refine-edge-tool-in-after-effects-cc</link>
					  <guid>http://provideocoalition.com/cmg_keyframes/story/using-the-new-refine-edge-tool-in-after-effects-cc#When:20:02:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/meyers/RefineEdge/hero_RefineEdges.jpg" width="250" alt="Using the new Refine Edge Tool in After Effects CC" /></p>													<p>
	</p>
<p>
	Every time After Effects or any other major tool you use is updated, you go through a decision process of whether or not to buy the upgrade. Adobe has upped the ante this cycle by announcing the end of permanent licenses for most of their software; from now on, their major apps are only available through their Creative Cloud subscription model. We&rsquo;ve avoided publicly joining the Creative Cloud debate (we happen to actually be subscribers, and we&rsquo;re very happy - while also realizing it may not work for everyone), but in the meantime, we wanted to share with you more about some of the significant new features in the Creative Cloud version of After Effects so you can be better informed about your upgrade decision when the June 17 release date rolls around.</p>

										
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					  <dc:date>2013-05-23T20:02:00+00:00</dc:date>
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					  <title>Whip (swish) pans in After Effects &amp;amp; Premiere</title>
					  <link>http://provideocoalition.com/ryoung/story/whip-swish-pans-in-after-effects-premiere</link>
					  <guid>http://provideocoalition.com/ryoung/story/whip-swish-pans-in-after-effects-premiere#When:00:18:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/swish.jpg" width="250" alt="Whip (swish) pans in After Effects &amp; Premiere" /></p>													<p>
	A <a href="http://tvtropes.org/pmwiki/pmwiki.php/Main/WhipPan">whip or swish pan</a> describes the motion of a fast camera move, as in following a passing train or spaceship. Because of motion blur, it&#39;s most often used to smooth transitions between abrupt cuts of shots or scenes. While this is often done in post, Adobe doesn&#39;t include dedicated tools for this effect, so here are some 3rd-party filters and tutorials you can use to construct whip pan transitions in After Effects and Premiere Pro.</p>

										
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					  <dc:date>2013-05-23T00:18:00+00:00</dc:date>
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					  <title>I miss digitizing footage from video tape</title>
					  <link>http://provideocoalition.com/ssimmons/story/i-miss-digitizing-footage-from-video-tape</link>
					  <guid>http://provideocoalition.com/ssimmons/story/i-miss-digitizing-footage-from-video-tape#When:20:50:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/scott/realtime-thumb.jpg" width="250" alt="digitizing edit fcp fcpx final cut pro final cut pro x media composer premiere premiere pro " /></p>													<p>
	Ok, I&rsquo;m going to just come right out an admit it &hellip; I miss digitizing. For those young &lsquo;uns unfamiliar with the term that would be the process of actually having to take a video tape and capture that into the computer for editing. Some folks call it ingest, others do use the term capture but I&rsquo;ve always referred to it as digitizing. I used to hate it but now I miss it. Sometimes I miss it a lot. Is that crazy?</p>

										
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					  <dc:date>2013-05-21T20:50:00+00:00</dc:date>
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					  <title>FCP X, Photoshop, and RAW</title>
					  <link>http://provideocoalition.com/mspencer/story/fcp-x-photoshop-and-raw</link>
					  <guid>http://provideocoalition.com/mspencer/story/fcp-x-photoshop-and-raw#When:13:33:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/MBS_215_thumb.jpg" width="250" alt="fcp fcp x final cut pro final cut pro x mark spencer photoshop raw ripple ripple training steve martin " /></p>													<p>
	</p>
<p>
	This week on MacBreak Studio, Steve Martin from Ripple Training gives us some tips on working with RAW images in Final Cut Pro X.</p>
<p>
	We&#39;ve talked about RED RAW workflow in an earlier episode of MacBreak Studio - how you can work with these RAW video files natively in FCP X,...
										
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					  <dc:date>2013-05-21T13:33:00+00:00</dc:date>
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					  <title>HDSLRShooter at NAB 2013: Carl Zeiss Compact Zoom 28&#45;80</title>
					  <link>http://provideocoalition.com/cmilby/story/hdslrshooter-at-nab-2013-carl-zeiss-compact-zoom-28-80</link>
					  <guid>http://provideocoalition.com/cmilby/story/hdslrshooter-at-nab-2013-carl-zeiss-compact-zoom-28-80#When:23:10:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/CMilby/Zeiss-002.jpg" width="250" alt="canon eos carl zeiss clint milby compact zoom glass hdslr hdslrshooter lens nab nab2013 " /></p>													<p>
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<p>
	When you&#39;re considering what to invest your money into in regards to camera equipment what comes to mind?&nbsp; Some may say the camera body, but with technology changing moment to moment the body is&nbsp; one of the most disposable pieces of a camera rig.&nbsp; At best you may be...
										
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					  <dc:date>2013-05-20T23:10:00+00:00</dc:date>
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					  <title>What&#8217;s In a Name?</title>
					  <link>http://provideocoalition.com/avanhurkman/story/whats-in-a-name</link>
					  <guid>http://provideocoalition.com/avanhurkman/story/whats-in-a-name#When:17:47:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/AVH/Introductory-Icon.jpg" width="250" alt="adobe speedgrade color color balance color correction color grading contrast adjustment davinci resolve filmlight baselight gain gamma " /></p>													<p>
	In this week&#39;s somewhat detail-oriented "Answers Occasionally Given," I start out tackling the differences among color and contrast controls with similar names; in particular, the difference between Lift, Shadow, and Offset controls. Then, I move on to a reader&#39;s question about the best stage of a multi-operation color adjustment in which to adjust Luma. It&#39;s GRIPPING, I tell you&hellip;</p>

										
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					  <dc:date>2013-05-20T17:47:00+00:00</dc:date>
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					  <title>Sony NX30: currently best in its class, yet improvable</title>
					  <link>http://provideocoalition.com/atepper/story/sony-nx30-currently-best-in-its-class-yet-improvable</link>
					  <guid>http://provideocoalition.com/atepper/story/sony-nx30-currently-best-in-its-class-yet-improvable#When:16:14:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/Allan_T/NX30_frente250.jpg" width="250" alt="Sony NX30: currently best in its class, yet improvable" /></p>													<p>
	</p>
<p>
	Thanks to Miami dealer and rental house Midtown Video and later to PRODU.com, I had a brief opportunity to test the Sony NX30, the NXCAM camcorder I&rsquo;ve come to call the &ldquo;little sister&rdquo; of the NX70, which I covered in detail last year. Officially called the HXR-NX30...
										
					  ]]></description>
					  
					  <dc:date>2013-05-20T16:14:00+00:00</dc:date>
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					  <title>Beyond AVCHD: a proposed new standard for AVCHD cam manufacturers</title>
					  <link>http://provideocoalition.com/atepper/story/beyond-avchd-a-proposed-new-standard-for-avchd-cam-manufacturers</link>
					  <guid>http://provideocoalition.com/atepper/story/beyond-avchd-a-proposed-new-standard-for-avchd-cam-manufacturers#When:15:35:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/Allan_T/BeyondAVCHD_250.jpg" width="250" alt="Beyond AVCHD: a proposed new standard for AVCHD cam manufacturers" /></p>													<p>
	Back in November 2011, I published an Open Letter to professional AVCHD camera manufacturers. In that Open Letter, I clarified what I liked about the then current offering of pro AVCHD cameras;pointed out details I found inappropriate especially for pro users; and made requests. Now I am going...
										
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					  <dc:date>2013-05-20T15:35:00+00:00</dc:date>
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					  <title>Premiere Pro News Notes #02</title>
					  <link>http://provideocoalition.com/ryoung/story/premiere-pro-news-notes-02</link>
					  <guid>http://provideocoalition.com/ryoung/story/premiere-pro-news-notes-02#When:10:15:00Z</guid>
					  
					  <description><![CDATA[
												<p><img src="http://provideocoalition.com/images/uploads/pr-marquee-overview-250.jpg" width="250" alt="Premiere Pro News Notes #02" /></p>													<p>
	A series of as-they-come notes on news of assorted Premiere Pro tutorials, tips, and related tools continues.</p>

										
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					  <dc:date>2013-05-20T10:15:00+00:00</dc:date>
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