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PVC NAB 2014: Amimon

The power behind the aerials

By Bruce A Johnson | April 13, 2014

You may not recognize the name, but Amimon is a company pushing remote video to new heights - and distances.  Zero-latency video from 2000 meters away?  Sign me up.

 

PVC NAB 2014 Amimon from ProVideo Coalition on Vimeo.

 

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PVC NAB 2014: Vectormount

Give your GoPro the ability to pan with the wind

By Bruce A Johnson | April 12, 2014

Sure, it's nice to look straight ahead, but sometimes it's even better to be able to look around.  Vectormount gives your GoPro the ability to do just that.

 

PVC NAB 2014 Vectormount from ProVideo Coalition on Vimeo.

 

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PVC NAB 2014: Telemetrics

You see their work every day and don't even know it!

By Bruce A Johnson | April 12, 2014

Telemetrics makes the world standard in robotic camera support. They showcased several new products at NAB 2014.

 

PVC NAB 2014 Telemetrics from ProVideo Coalition on Vimeo.

 

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PVC NAB 2014: LaCie

Medium drives, HUGE drives, and fast to boot.

By Bruce A Johnson | April 10, 2014

The folks at LaCie are leading the charge into Thunderbolt 2 technology, and creating some enormously huge drive arrays with wicked transfer speeds.  Have a look.

 

 

PVC NAB 2014 LaCie from ProVideo Coalition on Vimeo.

 

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PVC at NAB 2014: Dougmon Camera Stabilizer

A new look at an old problem...

By Bruce A Johnson | April 10, 2014

Have a look at the Dougmon, a fresh take on a vexing problem.

 

PVC Dougmon from ProVideo Coalition on Vimeo.

 

 

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Product Review: Zacuto Z-Drive Follow Focus and Tornado Grip

A unique way to pull focus while keeping a shoulder-rig steady

By Helmut Kobler | April 09, 2014

Zacuto’s Z-Drive and Tornado Grip are an out-of-the-box answer to the problem many camera operators face when using a shoulder rig: how do you pull focus while keeping your shoulder rig steady?

 

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AJA & Blackmagic announce shoulder-mounted 4K cameras

AJA & Blackmagic announce shoulder-mounted 4K cameras

Both offer RAW recordings + ProRes; Blackmagic emphasizes modular sensors: AJA emphasizes suede shoulder pad.

By Allan Tépper | April 08, 2014

At NAB 2014 in Las Vegas, both AJA and Blackmagic announced shoulder-mounted 4K cameras for attractive prices. AJA’s Cion camera uses an APS-C 4K/UHD sensor, while Blackmagic’s URSA offers 4 different sensor options which are user upgradable. The 4K/UHD sensor is Super 35mm. Some details are ahead, in alphabetical order…

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Keyframe Improvements in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | April 08, 2014

The 10.1 update to Final Cut Pro X included several improvements for manipulating keyframes. For example, it's now possible to select multiple keyframes, and to copy and paste keyframes.

In this episode of MacBreak Studio, Mark and Steve from Ripple Training demonstrate... Read More

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Sunday at NAB. Nice, quiet, productive.

Even with pre-NAB announcements it's one of the best NAB days

By Scott Simmons | April 06, 2014

Sunday at NAB can be an interesting time. The show floor hasn’t opened yet so you’re not constantly bombarded with new product announcements (though today seems to be an exception), people aren’t moving around like maniacs and the hallways of the Las Vegas Convention Center halls aren’t madhouses. As one of the speakers at Post|Production World I took advantage of my favorite perk: being able to sit in on some other classes and learn.

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Adobe to reveal next wave of innovation in pro video apps at NAB 2014

Creative Cloud delivers the complete filmmaker’s toolkit

By Eric Philpott | April 04, 2014

Editing and video content creation workflows are about to get easier and more exciting, with major updates coming soon to Creative Cloud, bringing more Adobe magic, expanded support for cutting edge technologies, and an even more connected creative experience.  At NAB 2014 Adobe will... Read More

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HitFilm is bringing a plugin package to your NLE ... and After Effects of course

Here's a quick look at what to expect when this capable little package ships

By Scott Simmons | April 04, 2014

Most everyone in the post-production business has heard of HitFilm, the interesting little alternative non-linear editor and effects package from FX Home. In 2013 they completed a successful Kickstarter campaign to bring HitFilm to the Mac. Now they are making plug-ins for that NLE you might already be using that will cost you $499. And NAB 2014 is the perfect place to launch it.

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JuiceLink pre-announces wearable pro audio recorder

JuiceLink pre-announces wearable pro audio recorder

JuicedLink will show a wearable pro audio recorder at NAB. How will it compare with wearable proposals from other companies?

By Allan Tépper | April 02, 2014

JuicedLink, a leading manufacturer of external audio interfaces for cameras, just surprised me by pre-announcing its first portable audio recorder, and it joins several other wearable recording proposals. In this first look, let’s see how the new Little DARling Distributed Audio Recorder will compare with other proposals from Audio Technica, IK Multimedia, and RØDE, all of which propose adapting your smartphone or iPod Touch to become a wearable audio recorder by adding their hardware, plus some software.

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Adobe Premiere Pro CC NAB preview

This next version of PPro adds some big flashy new features and lots of little things editors will love

By Scott Simmons | April 01, 2014

It comes as no surprise that Adobe has a big video tools reveal in store for NAB 2014. All the video apps in the Creative Cloud get updated as the slow and steady advance of their video tools continue. It’s no surprise that Adobe Premiere Pro CC gets my main focus as the NLE keeps getting better. Check out detail on After Effects and the other CC apps as well. While there are signature new features that will get most of the press there’s a lot of utilitarian things that hardcore storytellers will appreciate. No word on exactly when this will ship but keep an eye toward the Creative Cloud.

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Preview: The Mini XTC 9250-XL

The Wait Is Finally Over

By Don Starnes | April 01, 2014

Just in time for NAB, the 9250-XL is everything that a producer could want in a camera. The revolution has begun...

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Red Giant BulletProof adds some significant, needed features

MXF, the ability to ADD and not COPY are chief among them. Oh, and PluralEyes integration.

By Scott Simmons | April 01, 2014

Red Giant software has announced quite a few new things just in time for NAB 2014. There’s a new Magic Bullet Looks reborn, and PluralEyes 3.5 with the ability to correct for sync drift. But what I wanted to point out is a couple of significant new features in BulletProof 1.2.

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Multicam Audio Editing in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | April 01, 2014

Multicam in Final Cut Pro X has gotten even better.

The multicam implementation in Final Cut Pro X was exceptional from the time it was first introduced. The flexibility of the different options for syncing angles, including a very fast and accurate automatic sync feature... Read More

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Media Composer - You Ask, I Answer! - Lesson 3

A viewer wants to do a simple split screen in Media Composer? Let's see how it's done!

By Kevin P. McAuliffe | March 31, 2014

In this tutorial, exclusive to PVC, I'm going to answer a question about creating simple split screens inside of Media Composer 7.  3D Warp tool, or Avid FX, which one will you choose?

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The Secret - or not so secret - world of Templates

The Secret - or not so secret - world of Templates

How to be an After Effects imposter for less than $20

By Steve Hullfish | March 31, 2014

Writing about anything on a forum with users as widely varied in their experience as provideocoalition is  a trick. Half the people will say “I never heard of that” and the other half will say – like the Geiko Insurance ads – “Duh! Everybody knows... Read More

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The Art and Science of “THE BIG BANG THEORY”

The Art and Science of “THE BIG BANG THEORY”

Editor Peter Chakos and Assistant Todd Morris discuss their very funny workflow

By Steve Hullfish | March 31, 2014

One of the most popular shows on TV is “The Big Bang Theory.”

I spoke to the editor, Peter Chakos, and his assistant, Todd Morris about how they cut the show.

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A Hands-on Experience with the ARRI AMIRA

In cameras, as in life, you get what you pay for

By Justin Aguirre | March 30, 2014

The opportunity to head up to the ARRI headquarters in Burbank for a one-on-one experience with its prototype AMIRA camera made me feel like a kid who found out I was going to Disney World.

From its classic 16mm cameras to the current ALEXA, ARRI has always had a special place in my... Read More

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