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Visual Effects Workflow with Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 21, 2014

How does Final Cut Pro X fit into the visual effects workflow of a feature film?

Quite comfortably, as we discover on this week's episode of MacBreak Studio, where I get the opportunity to speak with Mike Matzdorff who was the first assistant editor on a big-budget studio... Read More

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Kicking the Tires on the Adobe Premiere Pro CC 8.1 Update

It's more than kicking the tires really since I've cut two jobs in it already

By Scott Simmons | October 20, 2014

It was announced at IBC and shipped at Adobe MAX (I wonder if this will become the norm?) and it’s another big update to Adobe Premiere Pro. We dissected the features when this update was announced but now that we’ve had the chance to work with it we can dig in a bit deeper. I’d have posted this sooner but I’ve been editing!

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Media Composer 101 - Lesson 2 - What’s New in Version 8.2

What's New in version 8.2 of Media Composer Subscription

By Kevin P. McAuliffe | October 19, 2014

Much like with most applications, you wait for the major updates (version 4, 5, etc) for new features to add to your editing toolkit.  Well, with the new Subscription Model of Media Composer, the world best editing application now gets new features every few months.  Here's what's new in version 8.2.

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iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

The new iPad Air 2 is non-reflective and reduces glare by 56%! The "least reflective tablet on the market"...

By Allan Tépper | October 19, 2014

Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use. In fact, I recently even sent my MacBook Air to have its display transplanted for a matte display. Now, I am ecstatic to see that Apple is finally offering a non-reflective screen on its latest iPad Air 2. I am only disappointed not to see it offered on the iPad Mini 3 or an any current iPhone. Details ahead.

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Review: ThunderBay IV 4-bay 12TB Thunderbolt system

Review: ThunderBay IV 4-bay 12TB Thunderbolt system

Now we can do RAID5 via software and save substantially.

By Allan Tépper | October 19, 2014

Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the palindromic price —in this configuration— of US$979, which has since been lowered to US$959. OWC offers other configurations too, with smaller or larger capacity, and now even some with Thunderbolt 2. Ahead I review the various available configuration options (JBOD, RAID 0, RAID 0+1, RAID 4, RAID 5) and compare their performance versus redundancy, logistical benefits of each one, and more.

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First Look: Hands-on with the GoPro HERO4 Black

First Look: Hands-on with the GoPro HERO4 Black

Actual Results and Dispelling Misconceptions for Aerial Videographers

By Jeff Foster | October 14, 2014

Since the announcement of the flagship camera in GoPro's new HERO4 lineup, I get to give the HERO4 Black a test with several devices and gimbals to see how it compares to the HERO3+ and share my initial results.

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Interactive Title Design in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 14, 2014

Did you know you can do interactive, realtime title design directly inside Final Cut Pro X?

This is the subject we tackle in this week's edition of MacBreak Studio. While Motion is the primary companion application for creating motion graphics for editors using Final Cut... Read More

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PVC at AES 2014 - Exciting New Products from Lectrosonics

Check out the details of the new L-series products

By Woody Woodhall | October 13, 2014

The Audio Engineering Society (AES) had their 137th International Convention this past week in Los Angeles and I had the opportunity to speak on-camera with a number of companies, discussing new products.

First up is a conversation with Karl Winkler, the Director of New Business for... Read More

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Why We Need Color Correction

And why we need to convince our audience that they do too.

By Terence Curren | October 13, 2014

The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals, right? If you answered no, do you think the average consumer can articulate the value you add over the newcomer? How do we continue to get compensated for our hard... Read More

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Locking Fonts in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 08, 2014

Why would you want to "lock" a font?

That's a question we tackle in this week's MacBreak Studio, where I show Steve Martin from Ripple Training how you can do exactly that.

With the integration between Final Cut Pro X and Motion, it is a common scenario for a... Read More

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TriCaster Mini from NewTek: a first (but intense) look

TriCaster Mini from NewTek: a first (but intense) look

TriCaster Mini is likely to become the most revered “multicamera studio in a box” in its class.

By Allan Tépper | October 07, 2014

Today NewTek announced TriCaster Mini, the newest member of its TriCaster family of “multicamera studio in a box” products. Frequent readers will recall that I have covered TriCasters in the past, and —full disclosure— have also written several contracted white papers for NewTek, in two languages. Under a non-disclosure agreement, I had a rather intense advanced briefing/discussion about TriCaster Mini with the company, and ahead you’ll see everything I love, plus details I would really like polished in an upcoming software update.

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Epson Moverio BT-200 Smart Glasses with the DJI Phantom 2 Vision+

Epson Moverio BT-200 Smart Glasses with the DJI Phantom 2 Vision+

A New Experience for Flying/Shooting FPV with HUD on Clear Lenses

By Jeff Foster | October 06, 2014

Unlike typical FPV goggles that basically block out the world around you and force you to only see what the on-board camera sees, the Epson Moverio BT-200 Smart Glasses work directly with the DJI Phantom 2 Vision+ with the DJI VISION app and the WiFi extender.

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The Padcaster Mini is now available

The Padcaster Mini is now available

iPad Mini mediographers now have more frame/case/mount options.

By Allan Tépper | October 04, 2014

Joining the original (larger sized) Padcaster, the new Padcaster Mini is similar, but sized to match Apple’s iPad Mini and iPad Mini Retina. Padcaster Mini’s purpose is to mount the iPad Mini (Retina) on a tripod or other support device, and to mount accessories and lenses. In many prior iOS mediography articles, I have covered the original Padcaster and its closest competitor, the iOgrapher. Ahead you’ll find virtues of each and help you pick the option for your iPad Mini (Retina).

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Product Review: DSLRPros 3-Axis Handheld Stabilizers

Product Review: DSLRPros 3-Axis Handheld Stabilizers

Two Amazing New 3-Axis Powered Stabilizers for Smartphones and GoPros

By Jeff Foster | October 03, 2014

Never before have 3-axis brushless motor-driven handheld stabilizers been more needed than with release of the latest smartphones and GoPro cameras! I've had a chance to test both of these products from DSLRPros and give you a sample of how they work and what kind of results you can expect from them.

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Multi-screen Multicam in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | September 30, 2014

 

Putting the Angle Viewer into the Timeline?

That is essentially what Steve Martin from Ripple Training shows us how to do in this week's episode of MacBreak Studio. So why would you want to?

When editing a multi-camera shoot in Final Cut Pro X, you first... Read More

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Product Review: 3D Robotics RTF Y6 Multicopter

Product Review: 3D Robotics RTF Y6 Multicopter

Precision, Power and Autonomous Flight Control

By Jeff Foster | September 27, 2014

Beyond traditional smaller quadcopter designs on the market, the usual choice for an upgrade is a hex or octocopter... but the form factor of 6 motors and props on the three-armed "Y" formation of the 3D Robotics RTF Y6 airframe provides not only good stability in windy conditions, but a hotrod of a UAV capable of over 55mph and some truly impressive video footage. But hold on - this sucker can really FLY!

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Adobe at IBC 2014 - the show in review

Product previews, brilliant customer presentations, and thousands of visitors

By Eric Philpott | September 25, 2014

It felt like summer in Amsterdam, host city for the International Broadcasting Convention, Europe’s largest industry tradeshow. Inside the spacious RAI convention center thousands of visitors came to see the latest in film and broadcast technology – including previews of the next... Read More

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Useful Tools for Editors: The Denoise Edition

Remove noise (and other stuff) from both audio and video with some of these tools

By Scott Simmons | September 24, 2014

 

Here we are back again with another round of Useful Tools for Editors. Today there’s a few things that can help reduce the noise in both your audio and your video as well as some options to beauty up your image be it someone’s skin or bringing it into a... Read More

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Creating Final Cut Pro Transitions in Motion

This Week on MacBreak Studio

By Mark Spencer | September 23, 2014

How do you customize effects in Final Cut Pro X?

That's a question I hear frequently from legacy Final Cut Pro editors. They are used to changing the settings of a built-in effect, then saving the modified version so they can use it again in other projects with all their... Read More

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Product Review: Lightpanels Astra 1x1 LED Light

Product Review: Lightpanels Astra 1x1 LED Light

Power, expandability, accessories, and a lower price.

By Helmut Kobler | September 22, 2014

The Litepanels Astra is the next-generation 1x1 LED light from the company that invented the first generation. After Litepanels founded the genre, a lot of companies followed its lead with cheaper — and, more lately, competent clones — but the $1350 Astra raises the bar again with dual daylight/tungsten LEDs , high-powered output, DMX expandability and a nice ecosystem of light-shaping accessories. It’s easily the best 1x1 panel I’ve come across. 

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