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SmartSound Plug-ins For Soundtrack Creation With Adobe Video Apps

Use SmartSound Plug-ins with Adobe Premiere Pro and After Effects CC For Round-Trip Music Soundtrack Creation and Editing

By Jeff Foster | August 27, 2014

SmartSound has made some great advancements in their software plug-ins for Adobe Premiere Pro and After Effects since I did my last how-to tutorial two years ago and posted here on ProVideo Coalition. I just recreated two new short video tutorials and wanted to share them with you here, to show you just how easy this NEW round-trip method is to create/edit music soundtracks for your video/animation projects starting inside your video production apps.

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Professional Platforms for Sales and Marketing Videos

Professional Platforms for Sales and Marketing Videos

Choosing the right video platform for video marketing, sales, and corporate communications.

By Chris Potter | August 27, 2014

Clients ask you to wear many hats. In addition to producing & editing video, you may be seen as the expert in online video distribution.

Using YouTube or Vimeo Pro to host and embed videos is a pretty safe choice. Both platforms provide great video playback and instant access to large communities that can expose your content to a broad audience.  However, they may not always be the best choice for you or your clients.

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Metabones Announces Canon EF to Micro Four Thirds Adapter

This speed booster will sell out fast

By Brian Hallett | August 26, 2014

Metabones, the fine manufacturer of lens adapters, announces a speed booster and smart adapter to use Canon EF lenses on Panasonic's GH4.  Do these adapters make the GH4 a more popular camera?

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GoPro Launches New Field Guide Video Series

Learn from GoPro's in-house media team

By Dan Carr | August 26, 2014

GoPro's in-house production crew are the guys responsible for creating things like the Hero 3+ launch video, currently sitting at over 16 million view on YouTube.  If there's ever anything you wanted to learn about shooting with a GoPro, these are the guys to teach it to you.

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Subroles in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | August 26, 2014

There are no tracks in Final Cut Pro X.

This fact really throws folks at first because it seems that tracks would be required for some very basic editing, compositing, organizing, and exporting functions. However, Final Cut's magnetic timeline, connected clips, and use of... Read More

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Sony’s Latest Budget A5100 Mirrorless Camera Delivers Surprising Video Features

XAVC S, Clean HDMI & more....

By Dan Carr | August 25, 2014

The A5100 is the latest edition to Sony’s increasingly popular mirrorless system and for the price point they’re hitting, this camera comes with a few surprising video features.

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Internal 4K Recording Coming To The Sony F5…For Free??

By Dan Carr | August 25, 2014

One of the main differentiators between Sony's F5 and F55 cameras is the ability for the latter to record 4k XAVC footage internally to its SxS cards, but this might all be about to change.....

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DJI Ronin Field Test

Putting the 3-axis gimbal through the paces

By Brian Hallett | August 24, 2014

It is the 3-axis brushless gimbal that has placed itself in direct competition with Freefly's Movi. It is less expensive and claims to handle heavier cameras, but what is the real story. In this review I turn a blind eye to all the marketing spin and focus on whether or not this is the 3-axis gimbal to buy. 

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3D Robotics - The Future of Autonomous Aerial Imaging

3D Robotics - The Future of Autonomous Aerial Imaging

Leading Technology for Filmmakers and Industry with Flying Robots

By Jeff Foster | August 23, 2014

You might hear the name 3D Robotics and say "Oh yeah, I've heard of those guys. They also make small UAVs don't they?” ...and you'd be right.. kind of. I take a closer look at this innovative company and peek into the future with one of the industries' great visionaries and technology leaders... and I get excited for what this all means for aerial imaging!

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Blackmagic Camera Firmware Update v1.9.3

Great news for Cinema Camera and Pocket Camera users

By Brian Hallett | August 21, 2014

For Cinema Camera and Pocket Camera users this is the big firmware everyone has been hoping to be announced.  First they gave users different flavors of ProRes. Then they updated the 4K Production Camera. Now, we finally have the features we all have been asking to be added to the cameras.

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Review 1: Telestream’s Switch aims to overtake & surpass QuickTime Pro

Review 1: Telestream’s Switch aims to overtake & surpass QuickTime Pro

In many ways, Switch has already surpassed QuickTime Pro…

By Allan Tépper | August 20, 2014

Back in December 2013, I published my “first look” article about the then just-announced Switch application for Mac OS from Telestream, which in many ways has already gone way beyond what the QuickTime Pro app ever did. Now that Switch is shipping, I was able to get a review license from the company and ahead you will see what I like, and what should be added to this promising audiovisual tool.

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Cinemagraphs in FCP X and Motion

This Week on MacBreak Studio

By Mark Spencer | August 19, 2014

Final Cut Pro X or Motion?

Both FCP X and Motion allow you to perform compositing and animation. How do you decide which to use? This week on MacBreak Studio, I show Steve Martin from Ripple Training how to approach the same task in both applications.

According to... Read More

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4K Monitors Under $850

The price of 4K monitors is dropping fast, while the specifications go the other way. But not all that glitters is gold!

By Jose Antunes | August 18, 2014

Here they are! 4K monitors for everybody on a tight budget, already under the $1000 many potential users define as the right price point to start looking for a new monitor. 2014 is the - first - year for cheap 4K monitors. And new models are announced each new week.

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Product Review: DSLRPros Cannes Cinema Edition P2 Aerial Kit

The Next Generation Aerial Kit Does So Much More!

By Jeff Foster | August 15, 2014

The DJI Phantom 2 is the second generation quadcopter from the industry giant, boasting better performance and longer flight time and it's remained pretty much a "hobbyist" craft as it comes from the factory - but I'll show you why the DLSRPros Cannes Cinema Edition P2 Aerial Kit has turned this "RC toy" into a serious, useful aerial videography tool. Read More

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First Footage From Blackmagic’s URSA Camera

The $6,000 Camera's Spectacular Sunrise Footage

By Brian Hallett | August 13, 2014

Australian John Brawley Director of Photography, known for testing Blackmagic Cameras before they are released, shows off the first footage from Blackmagic's new URSA Camera.  In predictable Brawley fashion; it is spectacular.

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Have a copy of my Final Cut Pro X Menu / Keyboard Shortcut Cheat-sheet

I made this a long time ago but have recently updated it

By Scott Simmons | August 12, 2014

I’m currently deep into the biggest Final Cut Pro X edit that I’ve done to date. Back when FCPX was new I did a webinar where I gave out a document I had made of some of the FCPX menus to help learn the keyboard shortcuts. I thought it was a good time to update that menu... Read More

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New Features in Motion

This Week on MacBreak Studio

By Mark Spencer | August 12, 2014

New features in Motion?

That's right - they aren't earth-shattering, but there were a few new features added to the Motion 5.1.1 update that came out the same time as the Final Cut Pro 10.1.2 update a few weeks ago.

In truth, there has been a lot of work... Read More

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Here are My Rules of Thumb When Choosing a Codec

Here are My Rules of Thumb When Choosing a Codec

I know just enough to be dangerous and keep myself out of trouble

By Art Adams | August 10, 2014

Olympic codec rankings. AVCHD is the most accurate... pic.twitter.com/ncRykgBznq

— Shane Ross (@comebackshane) July 16, 2014

 

Everything I know about codecs could fit on the head of a dime. That's after compression, of course. Prior to compression I... Read More

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After Effects and Alexa - The Expurgated Version

Log C in After Effects in 3 minutes...

By ChrisZwar | August 08, 2014

OK so you've got some Arri Alexa footage in Log C format, and it looks funny in After Effects.  You don't have time to sit through my 2-part, 40 minute video on the best way to deal with Alexa footage in After Effects, you just want to know the basic details NOW!

So... Read More

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After Effects and Alexa - Part 2

Working with Arri Log C footage in After Effects

By ChrisZwar | August 08, 2014

The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called Log C.  While there are many ways of working with Log C footage in After Effects, none of them are immediately obvious – and if you’re new to log colourspaces then... Read More

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