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HPA Tech Retreat 2015 - Day 2

Year in Review; Washington Update; UHD; CES; Broadcasters, and more

By Adam Wilt | February 11, 2015

 

From Mark Schubin's Intro and Year in Review, through Pete Putman's CES Review, it's day 2 of the Tech Retreat. Plus, we get to debate integer vs. fractional frame rates again, a topic that will never die.

[Updated 18:58 PST: Final except for fixups.]

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Blackmagic At Sundance Film Festival

Four films shot with Blackmagic Cameras and countless others using DaVinci Resolve

By Brian Hallett | February 11, 2015

Everyone loves a camera that makes a show at the Sundance Film Festival, and Blackmagic embraces that rebellious, independent spirit that makes their cameras and software a perfect match for passionate Indie Film-makers world-wide.  

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Interweaving in 3D space in Motion

This Week on MacBreak Studio

By Mark Spencer | February 10, 2015

Can you wrap a light streak around text in Motion?

That's the question on this week's MacBreak Studio with Steve Martin from Ripple Training that I attempt to answer, using an example from an earlier episode on creating light streaks.

In that episode I... Read More

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Media Composer 101 - Advanced - 4K Workflows Part 2: RED 4K Offline/Online in v8.3

Navigate the Ins and Outs of shooting in 4K and finishing in HD in Avid Media Composer

By Kevin P. McAuliffe | February 08, 2015

In the second part of our look at 4K workflows inside of Media Composer Subscription, we take a look at a RED offline/online scenario working totally in 4K, with a little help from REDCINE-X PRO.

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Canon 5D Update Leaked

As well as a new wide lens

By Brian Hallett | February 05, 2015

Canon's latest update to the 5D line has been leaked. Some of this news we have seen, like the 50.6MP CMOS Sensor, and some of this news is new.  For me, I hadn't seen the new 11-24mm F4 lens until today, which by the way is very wide.  

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Blackmagic Design Releases DaVinci Resolve 11.2

Improved Cinema DNG processing & adding Avid's new codec

By Brian Hallett | February 04, 2015

Blackmagic Design releases DaVinci Resolve 11.2 adding new codecs, cinema DNG tone improvements, and edit page improvements that move the color correction software closer to an NLE that can handle more than simple edits.  

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Sweeping Up in Motion

This Week on MacBreak Studio

By Mark Spencer | February 03, 2015

This week on MacBreak Studio Steve Martin from Ripple Training (check out the brand new completely updated website) and I dive into Motion in order to respond to a viewer's question, who wanted to know how he could fly a camera by an object, while having the camera continue to... Read More

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Motion Graphics for Business - Part 2: Beyond Hollywood

The videos that influenced videos

By ChrisZwar | February 02, 2015

As the interest in motion graphics rapidly expanded following the release of Seven, Hollywood embraced innovative title design, and many Hollywood title sequences helped define the look of motion graphics for years to come.  As I noted in Part 1, the early books on motion graphics design... Read More

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Product Review: ikan PD1 Remote Air One Remote Follow Focus

An affordable remote follow focus for the rest of us...

By Helmut Kobler | February 01, 2015

Ikan’s Remote Air One (also known as the PD Movie) is a wireless remote follow focus that’s easily the most affordable I’ve seen. You can get a single-channel kit at B&H Photo these days for $1599, including a hard case, a handheld transmitter, receiver, single .8... Read More

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Day 1 #28daysofquicktips - Minimize Interview Roles in FCPX

This tip saves me a lot of time watching FCPX redraw filmstrip thumbnails

By Scott Simmons | February 01, 2015

For some reason most all of my Final Cut Pro X job seem to revolved around talking head interviews. This is fine and we can tell some good stories from interviews but I’ve found that the redrawing of thumbnails in the FCPX timeline can take up a lot of time throughout the day. I’ve sped that up with this tip.

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Media Composer Quick Bite 1

"Working with Photoshop Guides" for Media Composer editors

By Kevin P. McAuliffe | January 31, 2015

Media Compser editors know that our Title safe and Picture safe guides are an essential part of our titling workflow.  Working in Photoshop is no different, but sometimes I see editors run into problems with their guides in Photoshop, and just need a little push in the right direction. Read More

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28 Days of Quicktips 2015 -  #28daysofquicktips

28 Days of Quicktips 2015 -  #28daysofquicktips

A tip a day for 28 days. Send your own and maybe win a prize!

By Scott Simmons | January 31, 2015

Way, way back in the year 2009 when I started this channel on PVC I published the 28 Days of Quicktips. And then we did it again in 2011 and included reader quicktips. It was exactly what the title says, one Quicktip a day for the entire month of February that somehow related to post-production. We’re going to do it again for 2015. Like we did in 2011, this year we're also looking for user submitted Quicktips. Just send us your favorite short Quicktip and an accompanying image or two that helps illustrate the tip and we'll try to publish those as well. And as an incentive to send us your own Quicktips I will choose what I personally judge to be the best submission and send them a free copy of the Color Correction Handbook. Details below.

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Sports Solutions white paper for NewTek LatAm/EMEA

Sports Solutions white paper for NewTek LatAm/EMEA

I wrote a new white paper for NewTek Latin America, and Europe/Middle East/Africa is now requesting an English translation.

By Allan Tépper | January 30, 2015

After the great popularity of the NewTek New Scopes white paper I published for NewTek US, the Latin American department then contracted me to translate/localize it for its own region. Later, the NewTek Latin American division requested a series of other white papers, starting with the NewTek Sports Solutions white paper. Despite its rather narrow title, this white paper will also be quite valuable for anybody planning a live multicamera video system. Shortly thereafter, the NewTek EMEA (Europe, the Middle East and Africa) division requested an English translation/localization. Ahead you’ll find the table of contents and more.

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Shooting in Raw

Shooting in Raw

The Real World Use of Raw Footage

By Dorian Heller | January 30, 2015

We've all heard it, but how many actual know the benefits of shooting in a raw format? Most modern camera systems have the ability to capture raw photos or even video.

An Easy Way To Think About It:

Let's take photography as an example; your camera lets you shoot in either... Read More

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In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800

In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800

Thanks to the reverse telecine feature in the Shogun and other Átomos recorders, Staff/HDTV got its wish.

By Allan Tépper | January 27, 2015

Staff/HDTV in Guatemala really wanted to record pure progressive 1080/29.97p for its multi-camera TV shoots. They strongly considered NewTek’s TriCaster lineup, but TriCaster didn’t offer any option with 8 HD-SDI inputs in their desired price range, so instead they chose Datavideo’s HS2800 mobile studio, which starts with 8 HD-SDI inputs and is expandable to 12. The initial problem was that the SE–2800 contained in the HS2800 package only handles interlaced 1080i, but a workflow I previously published solved the problem and allowed Staff/HDTV to have their cake and eat it too. Details ahead.

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Dynamic Trimming in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | January 27, 2015

What is dynamic trimming, anyway?

There has been a lot of discussion on this topic lately, and today Steve Martin from Ripple Training jumps in with his take on what the term meant when applied to legacy Final Cut Pro and what it means today in Final Cut Pro X.

By... Read More

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I am a Bird

Experiencing the Inspire 1

By Mark Spencer | January 26, 2015

This weekend my friend Gary Yost took out his new DJI Inspire 1 for some test flights. The footage is so pretty I thought it was worth sharing.

Though overall he loves the Inspire 1, he does have some criticisms. In his words:

The great news is that this craft is so... Read More

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4K Studios Uses Blackmagic UHD to deliver old Kung Fu Movies in 4K

Kung Fu never looked better

By Brian Hallett | January 25, 2015

San Francisco based 4K Studios are using Blackmagic Design gear to scan old 35mm Film prints to bring old Kung-Fu movies to the world's first all 4K Ultra HD streaming network. Roundhouse kicks, mis-matched dialogue dubs, and Kung-Fu style snap zooms straight out of the 70s never looked so good.

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Media Composer 101 - Advanced - Creating SD DVD’s from HD, 2K & 4K Projects part 3

Let's wrap up our look at creating DVD's by building them in our favorite DVD creation applications

By Kevin P. McAuliffe | January 24, 2015

In this week's Media Composer 101 tutorial, I'm going to show you four different DVD burning applications, and how simple they are to use, when creating your screening DVD's!

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Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Benjamín Fernández of Digital Sprockets has 6 reasons why he prefers to edit video with DaVinci Resolve instead of FCP X.

By Allan Tépper | January 24, 2015

Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine (film-to-tape) and film restoration services. While I’m in México City doing seminars, I visited Digital Sprockets and heard all 6 interesting reasons why Benjamín prefers editing video with DaVinci Resolve than with Final Cut Pro X.

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