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Creative Cloud 2014 June Release

Much more added to NAB video apps reveal

By Rich Young | June 18, 2014

This April, Adobe revealed many of the new features of Creative Cloud at NAB 2014, but that was for After Effects, Premiere, & the other video apps. It appears there's much more -- over 1000 feature updates for 14 desktop apps, plus numerous mobile and cloud updates. 

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EOS 600D/Rebel 3Ti: The Best and Cheapest DSLR for Video

If you want a DSLR for video and have few lenses, the EOS 600D may be your best investment.

By Jose Antunes | June 18, 2014

The humble EOS Rebel 3Ti/EOS 600D DSLR from Canon, launched in 2011, is one of two Canon cameras offering your lenses a unique feature: as if by magic, your 100mm becomes a 300mm. But Canon dropped the function in most recent models.

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New Adobe Creative Cloud video applications now available

2014 release of Adobe Premiere Pro and other production tools launched today

By Eric Philpott | June 18, 2014

At a special event in New York City, Adobe today announced the launch of the new 2014 versions of the Creative Cloud desktop apps, new mobile apps and tools, and expanded integration. Included in these are new versions of Premiere Pro CC, After Effects CC, SpeedGrade CC, Adobe Audition CC,... Read More

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Dynamic Range & Blackmagic’s 4K Production Camera

How much over/under can one shoot?

By Brian Hallett | June 17, 2014

Blackmagic Design lists the dynamic range of the 4K Blackmagic Production Camera at 12 stops.  What does this mean in real-world situation?  How much range is in the 4K ProRes file?  For me, I wanted to see what I can over/under expose and still get a great image out of the footage

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mObject for Motion and Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | June 17, 2014

3D objects in Motion and Final Cut Pro?

Well yes, it is possible, thanks to a new plugin from MotionVFX.com called mObject.

With mObject, you can create or import 3D objects, add lighting and textures, and then manipulate them directly inside either Final Cut Pro X... Read More

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Blackmagic finally removes (part of) the Band-Aid!

Blackmagic finally removes (part of) the Band-Aid!

After several years + 241 electronic signatures, some DreamColor Monitor users can rejoice and sell their Band-Aid, but not all

By Allan Tépper | June 15, 2014

A few days ago, I received a cryptic message from an Australian reader (a countryman of Blackmagic, but apparently not a Blackmagic Design employee). It said: “Looks like Blackmagic have removed the Band-Aid. Latest software supports RGB 10bit on HDMI!”. I immediately downloaded the ReadMe for the latest update to Blackmagic’s Desktop Video Software, which also automatically updates firmware when appropriate. I had a couple of questions and contacted Blackmagic PR. Ahead are the critical details you need to know.

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Adobe to hold special online event on June 18

Everything new is new again in Creative Cloud

By Eric Philpott | June 12, 2014

On June 18, Adobe will host a worldwide event from New York City on what's coming next in Creative Cloud. The presentation will start at 1:00 pm ET (10 am PT) and anyone can register to watch live.

At NAB this year, Adobe revealed new versions of all of the Creative Cloud... Read More

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Hands-On Review: Manfrotto X-PRO 3-Way Head

Can a tripod head made for photographers survive in the video capturing world?

By Jose Antunes | June 11, 2014

Photographers starting to try using video may discover, sooner than they would like to, that their tripod head may not be suitable for video. Specially if, like me, they use essentially ball-head systems, even if sturdy ones, they will discover they need a video tripod or at least a fluid tripod head for tilts & pans.

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The Desktop Video Revolution - Part 3

The Desktop Video Revolution - Part 3

How desktop technology revolutionised video production - 2013

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 2

The Desktop Video Revolution - Part 2

How desktop technology revolutionised video production - 1997

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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The Desktop Video Revolution - Part 1

How desktop technology revolutionised video production

By ChrisZwar | June 10, 2014

The video production industry has radically changed over the past 20 years, a period of time that can be called "the desktop video revolution".  As desktop computers evolved to become faster and cheaper, they gradually displaced the traditionally expensive "black boxes" that had governed... Read More

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Video framerates and the Tower of Babel: a translation guide

Video framerates and the Tower of Babel: a translation guide

Until manufacturers start speaking the same language, we need a cheat sheet.

By Allan Tépper | June 10, 2014

What does “24p” or “30p” mean when a manufacturer states it? How can we tell if —and when— they really mean 23.976p, 24.000p, 29.97p, or even the non-standard 30.000p? Unfortunately, each manufacturer has its own policy about this, which reminds me of the biblical story of the Tower of Babel: At the end of the story, all of the workers were speaking a different language and couldn’t understand each other. Ahead is a translation guide, including Adobe, AJA, Apple, Avid, Blackmagic, Canon, Corel/Pinnacle Systems, Datavideo, GoPro, JVC, FiLMiC Pro, NewTek/TriCaster, Panasonic, and Sony, plus an FAQ.

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Pinnacle Studio for iPad adds 25p + more improvements

Pinnacle Studio for iPad adds 25p + more improvements

Fortunately, Pinnacle Studio for iPad added several improvements, but several simple ones remain desperately missing.

By Allan Tépper | June 10, 2014

Pinnacle Studio for iPad (previously known as Avid Studio for iPad) has thankfully added missing framerates including 24 + 25, plus other improvements. In my articles in ProVideo Coalition magazine, I have covered the application since its birth from Avid, when it changed its name and owner, and when it became the first iOS video editing app to support translucent alpha channels. Ahead I’ll cover the improvements in detail, what’s critically missing, and what is simply wrong and must be fixed.

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The VFX Business in 2014: an interview with Scott Ross, Part Two

The VFX Business in 2014: an interview with Scott Ross, Part Two

As the last major VFX studio in Los Angeles leaves town, we look what could change current trends

By Mark Christiansen | June 10, 2014

At the close of last week, Sony Pictures Imageworks (SPI) announced it would be moving its headquarters from Los Angeles to Vancouver. While inevitable to many visual effects industry observers who understand the role of subsidies in moving VFX work away from California and the U.S., this... Read More

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Strategic Through-Edits

This Week on MacBreak Studio

By Mark Spencer | June 10, 2014

When is an edit not an edit - and why should you care?

Steve Martin from Ripple Training tackles this deep philosophical question on this week's MacBreak Studio.

We are of course referring to a "through-edit": something Steve defines as "an edit with continuous... Read More

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Video in DSLRs: The Speed Limit

When photographers move into video, they learn something very puzzling: there is a speed limit! Time to get a special filter.

By Jose Antunes | June 07, 2014

Photographers control exposure with a triangle comprised of aperture, shutter speed and ISO. It's so common that no one thinks about it... until they turn the button on their DSLRs to video mode and discover, after some initial tests, that their videos are all jumpy. The solution is simple, but it is not always clearly explained. I could say it involves leaving the triangle behind and going for a square. It's something that asks for a new way of thinking. Let me explain.

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First look: ThunderBay IV 4-bay 12TB Thunderbolt system

First look: ThunderBay IV 4-bay 12TB Thunderbolt system

Over the upcoming weeks, I’ll be reviewing this quite flexible Thunderbolt storage device.

By Allan Tépper | June 06, 2014

Long time readers know that I have reviewed several different Thunderbolt storage (and other) devices from diverse manufacturers. One of those is OWC, aka Other World Computing. I am now honored to be invited to review their new ThunderBay IV 4-bay 12TB Thunderbolt, system, which can be configured in several different ways and promises to offer quite a punch for its relatively low —and even palindromic— price of US$979. Here’s a first look.

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Send Better Video Project Pitches Faster

Proposal software and templates can help you prepare proposals faster, track whether they've been viewed, and win business.

By Chris Potter | June 04, 2014

Before I started work building our video review and approval platform I worked in the consulting business. A big part of the job involved preparing client pitches and proposals.

The process was pretty tedious. Proposals were built based off of templates we had prepared. More often... Read More

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Replace/Relink in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | June 03, 2014

When to replace and when to relink?

This is the question Mark and Steve from Ripple Training tackle on this week's MacBreak Studio.

If you need to replace a video clip, graphic, or audio file in your Final Cut Pro X project, one way is to use the aptly-named... Read More

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Product Review: Hexolux D7 LED Fresnel Light

Product Review: Hexolux D7 LED Fresnel Light

An LED light with good color precision, power and control.

By Helmut Kobler | June 02, 2014

The Hexolux D7 LED light ($2400) is one of those lights that breaks ground because it can take the place of many conventional lights you’ve been using for years without the compromises that have typically characterized LEDs.

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