RSS

Video

fcp fcp x fcpworks fcpx final cut final cut pro final cut pro x keyboard keyboard shortcuts macbreak

Mastering the Keyboard in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | November 04, 2014

Can you edit without a mouse or trackpad?

That's the challenge our guest Sam Mestman tackles this week with Ripple Training host Steve Martin.

Executing commands with the keyboard is almost always faster than using a mouse or trackpad input device, so the more... Read More

0 Comments

apple edit editing editing editing. post-production mac pro macintosh macpro

Wringing the Life Out of an Old Mac Pro Tower

Like a good automobile it just keeps chugging along. And it is paid for.

By Scott Simmons | October 30, 2014

There’s a whole lot of us who still have a big, old aluminum Mac Pro tower sitting around doing a lot of work. We haven’t moved to 5K iMacs, Macbook Pros (or PCs) just yet. We also haven’t spent the money on a new Mac Pro. A conversation early at NAB 2014 got me thinking about all the stuff one could add to an old Mac Pro to help extend its life. NAB was the perfect place to talk to vendors who make those products you can stuff inside, or attach to, an old Mac Pro. A bunch of emails, phone calls and boxes later I’ve tried most all the gear mentioned below with my machine. I think of this current tower like a good, reliable, paid for car: I'm going to drive this thing until the wheels fall off.

Read More

0 Comments

First look: Sony PXW-X70 10-bit/4:2:2 handheld camcorder

First look: Sony PXW-X70 10-bit/4:2:2 handheld camcorder

Its 1" sensor, 4:2:2/10-bit internal recording, and 4K UHD upgradability make the PXW-X70 unique in its price class.

By Allan Tépper | October 30, 2014

I am quite intrigued with Sony’s new under US$2600 PXW-X70 camcorder. It has been a while since I used that term, but there is a good reason, since the “—corder” part of the X70 is at least as important as the “cam—” part in this compound word. The “cam—” part employs a 1-inch 4K UHD sensor, while the “—corder” part features up to 50 megabit/second 4:2:2 10-bit recording. So I decided to publish a first look before doing a full review later.

Read More

0 Comments

Review: Ninja Star tiny featherweight 4:2:2 10 bit recorder

Review: Ninja Star tiny featherweight 4:2:2 10 bit recorder

“Is that a 10-bit 4:2:2 HD video recorder in your pocket, or are you just glad to see me?”…

By Allan Tépper | October 29, 2014

Over the past several years, I have reviewed several 10-bit 4:2:2 HD video recorders, but the Ninja Star that Átomos sent me to review is certainly the tiniest: It weighs only 230 grams (8.1 ounces) including battery and media, which qualifies for many low-capacity drones. As you’ll see ahead, Ninja Star fortunately does not sacrifice any audio/video quality for its size. Its two secrets? It has no built-in video monitor, and it records onto the breakthrough new CFast format I recently covered, which is also used by other pioneers like Arri and Blackmagic.

Read More

0 Comments

bill davis davis favorite fcp fcp x fcpx filtering final cut final cut pro final cut pro x

Rating and Filtering in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 28, 2014

Guest Bill Davis takes us back to the basics this week.

One of the foundational building blocks for working in Final Cut Pro X is a firm grasp of  rating and filtering clips. This process utilizes Final Cut's underlying database model and its ability to leverage... Read More

0 Comments

edit software video

MOX and Open-Source Video

Noted developer launches Indiegogo campaign to create a universal video playback format

By Mark Christiansen | October 24, 2014

Earlier this week Brendan Bolles launched an Indiegogo campaign to support a six month development effort that would result in a new open-source video format called MOX. I had the opportunity to interview Brendan about the project, and the full transcript of the interview follows.

MOX... Read More

0 Comments

Review: Átomos Spyder monitor calibration system

Review: Átomos Spyder monitor calibration system

Quickly and easily calibrated to Rec 709 from Mac or Windows.

By Allan Tépper | October 23, 2014

Last year I published a short article when Átomos announced its Spyder monitor calibration system. Now I am privileged to have received one to review. With it, we can quickly and easily calibrate any calibratable Átomos monitor/recorder (i.e. Shogun, Samurai Blade, or Ninja Blade) to Rec 709 color space with a D65 white point (6500 degrees Kelvin). This is a special offering of Datacolor’s Spyder, with special software and a LANC cable. Details ahead.

Read More

0 Comments

cameras hardware monitor

My Ultimate Field Monitor

17", Lightweight, Dual Angle, Battery-Powered and Wireless

By Helmut Kobler | October 23, 2014

A few months ago, I put together the ultimate field monitor — for my purposes, anyway. I’m so happy with it that I find myself talking it up to clients, fellow shooters, and now to you, dear Reader.

Read More

0 Comments

blackmagic pocket cinema camera defy gimbal glidecam movi nex sony steadicam test workshop

Lookout Movi You’re Not the Only Kid In Town

My 2 Days with the Defy G5

By Bobby Marko | October 23, 2014

For the last two years the largest innovation in camera support and movement has to be the motorized gimbal. These devices have taken the filmmaking and video industry by storm. It’s hard to find one industry blog or magazine who isn’t talking about these devices. From handheld... Read More

0 Comments

fcp fcp x fcpx final cut final cut pro final cut pro x macbreak macbreak studio matzdorff mike matzdorff

Visual Effects Workflow with Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 21, 2014

How does Final Cut Pro X fit into the visual effects workflow of a feature film?

Quite comfortably, as we discover on this week's episode of MacBreak Studio, where I get the opportunity to speak with Mike Matzdorff who was the first assistant editor on a big-budget studio... Read More

0 Comments

adobe adobe premiere pro cc 2014 edit editing editing premiere premiere pro

Kicking the Tires on the Adobe Premiere Pro CC 2014.1 Update

It's more than kicking the tires really since I've cut two jobs in it already

By Scott Simmons | October 20, 2014

It was announced at IBC and shipped at Adobe MAX (I wonder if this will become the norm?) and it’s another big update to Adobe Premiere Pro. We dissected the features when this update was announced but now that we’ve had the chance to work with it we can dig in a bit deeper. I’d have posted this sooner but I’ve been editing!

Read More

0 Comments

8.2 avid avid media composer avid media composer 8 editing editing media composer software nle

Media Composer 101 - Lesson 2 - What’s New in Version 8.2

What's New in version 8.2 of Media Composer Subscription

By Kevin P. McAuliffe | October 19, 2014

Much like with most applications, you wait for the major updates (version 4, 5, etc) for new features to add to your editing toolkit.  Well, with the new Subscription Model of Media Composer, the world best editing application now gets new features every few months.  Here's what's new in version 8.2.

Read More

0 Comments

iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

iPad Air 2 is semi-matte!/My MacBook Air is now matte too!

The new iPad Air 2 is non-reflective and reduces glare by 56%! The "least reflective tablet on the market"...

By Allan Tépper | October 19, 2014

Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use. In fact, I recently even sent my MacBook Air to have its display transplanted for a matte display. Now, I am ecstatic to see that Apple is finally offering a non-reflective screen on its latest iPad Air 2. I am only disappointed not to see it offered on the iPad Mini 3 or an any current iPhone. Details ahead.

Read More

0 Comments

Review: ThunderBay IV 4-bay 12TB Thunderbolt system

Review: ThunderBay IV 4-bay 12TB Thunderbolt system

Now we can do RAID5 via software and save substantially.

By Allan Tépper | October 19, 2014

Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the palindromic price —in this configuration— of US$979, which has since been lowered to US$959. OWC offers other configurations too, with smaller or larger capacity, and now even some with Thunderbolt 2. Ahead I review the various available configuration options (JBOD, RAID 0, RAID 0+1, RAID 4, RAID 5) and compare their performance versus redundancy, logistical benefits of each one, and more.

Read More

0 Comments

First Look: Hands-on with the GoPro HERO4 Black

First Look: Hands-on with the GoPro HERO4 Black

Actual Results and Dispelling Misconceptions for Aerial Videographers

By Jeff Foster | October 14, 2014

Since the announcement of the flagship camera in GoPro's new HERO4 lineup, I get to give the HERO4 Black a test with several devices and gimbals to see how it compares to the HERO3+ and share my initial results.

Read More

0 Comments

custom title fcp fcp x final cut final cut pro final cut pro x macbreak macbreak studio mark spencer martin

Interactive Title Design in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 14, 2014

Did you know you can do interactive, realtime title design directly inside Final Cut Pro X?

This is the subject we tackle in this week's edition of MacBreak Studio. While Motion is the primary companion application for creating motion graphics for editors using Final Cut... Read More

0 Comments

audio broadcast camera cameras digital dslr lectrosonics location recording video wireless microphones

PVC at AES 2014 - Exciting New Products from Lectrosonics

Check out the details of the new L-series products

By Woody Woodhall | October 13, 2014

The Audio Engineering Society (AES) had their 137th International Convention this past week in Los Angeles and I had the opportunity to speak on-camera with a number of companies, discussing new products.

First up is a conversation with Karl Winkler, the Director of New Business for... Read More

0 Comments

color color correction editing editing video

Why We Need Color Correction

And why we need to convince our audience that they do too.

By Terence Curren | October 13, 2014

The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals, right? If you answered no, do you think the average consumer can articulate the value you add over the newcomer? How do we continue to get compensated for our hard... Read More

0 Comments

fcp fcp x fcpx final cut final cut pro final cut pro x fonts locking fonts macbreak macbreak studio

Locking Fonts in Final Cut Pro X

This Week on MacBreak Studio

By Mark Spencer | October 08, 2014

Why would you want to "lock" a font?

That's a question we tackle in this week's MacBreak Studio, where I show Steve Martin from Ripple Training how you can do exactly that.

With the integration between Final Cut Pro X and Motion, it is a common scenario for a... Read More

0 Comments

TriCaster Mini from NewTek: a first (but intense) look

TriCaster Mini from NewTek: a first (but intense) look

TriCaster Mini is likely to become the most revered “multicamera studio in a box” in its class.

By Allan Tépper | October 07, 2014

Today NewTek announced TriCaster Mini, the newest member of its TriCaster family of “multicamera studio in a box” products. Frequent readers will recall that I have covered TriCasters in the past, and —full disclosure— have also written several contracted white papers for NewTek, in two languages. Under a non-disclosure agreement, I had a rather intense advanced briefing/discussion about TriCaster Mini with the company, and ahead you’ll see everything I love, plus details I would really like polished in an upcoming software update.

Read More

0 Comments