Production
Review: iPhone 18 Pro Max
News
Goldenrod launches platform for film production incentives
Colorfront: versatility is the new standard in media workflows
HOVERAir VERSA: pocket camera that can fly gets 2 IFA Awards
LUMIX S 20 mm F2.5: a lightweight ultra-wide prime for video and travel
VES’s inaugural Women Who Lead Summit sold-out
Wave Central named a recipient of a 2026 Emmy Award
ShiftCam Gear launches Stick-On Plate for iPhone 18 and 17 Pro/Pro Max
Telestream introduces Surveyor mABR for video delivery
Spotlight Picks
Production
Review: DJI Osmo 360 II
Production
PVC at IBC 2026: GVM Redefines Production Lighting with Ultra-Slim F-S Series COBs
Stepping onto the IBC show floor, one of the most intriguing developments in location lighting was getting hands-on with...
Production
PVC at IBC 2026: Atomos Unveils Ultra-Bright Shinobi 7 II and IP-Enabled Shogun AV-19M
Atomos has unveiled the latest additions to their lineup of robust, high-performance camera monitors at IBC 2026, including a...
Production
PVC at IBC 2026: How DJI is Connecting the Dots Across Cameras, Audio, and Stabilization with Osmo 360 II, Mic Mini 2S and More
DJI, best known for their fleet of arial camera drones and other related accessories, have shown off a wholly...
Latest
Production
Review: iPhone 18 Pro Max
Uncategorised
iodyne Brings Smarter, More Secure Edge Storage to IBC 2026
Every production relies on storage, but most portable drives remain surprisingly passive. They hold files, collect handwritten labels, and...
Production
Review: DJI Osmo 360 II
The Osmo 360 II is a minor but welcome improvement over last year’s Osmo 360. Though it’s got the...
Production
ProVideo Coalition’s Best in Show Winners from IBC 2026
After a few packed days walking the halls of IBC 2026, we saw everything from major advances in broadcast...
Post Production
Post Production
PVC at IBC 2026: Strada 2.0 Brings Distributed Media and Connects AI Workflows Across the World
Adobe Insights
PVC at IBC 2026: Adobe Debuts Generative Media Tool to Bring AI Directly into Premiere Pro Timeline
Adobe’s Generative Media Tool allows users to produce text-to-media AI-generated content and directly import it within their Premiere Pro...
Post Production
Battle of the NLE AI Assistants
This is really just a stream-of-consciousness post. I had a rather simple edit job that felt like the perfect...
Post Production
Avid and FilmLight announce Baselight-powered color coming natively to Media Composer
If you’ve spent any time in a high-end post facility, you know the workflow between the edit suite and...
Podcasts
Art of the Frame
Art of the Frame Podcast: The Alan Smithee Round Table – What We Did Last Summer
Podcasts
When audio dramas need credible fictitious banks, with logos, spokespersons and domains
When I needed to produce a dramatic audio scene on CapicúaFM, featuring the VPs of International Wire Transfers from...
Art of the Frame
Art of the Frame Podcast: Editors on Editing with “Beef” Editor Laura Zempel
In this episode of Editors on Editing, host Glenn Garland sits down with Emmy and Eddie Award-winning editor Laura...
Podcasts
Art of the Frame Podcast: The Alan Smithee Round Table – Who’s Winning the AI Boom?
The Alan Smithee Roundtable podcast wrapped up its fourth season with a discussion focusing on the evolving landscape of...
