There's something amazing about shooting low light images with a wide open lens. Now that the average camera is rated at 800 or faster, we can take advantage of using smaller and smaller lights and even shoot scenes that look brighter on the monitor than they do by eye… An example of low light/low contrast […]
Read More… from Low Light Levels and Wide-Open Lenses: the 80s/90s Look
The agenda has been announced for the Twelfth Annual San Francisco SuperMeet, to take place Wednesday, January 30, 2013 at the Mission Bay Conference Center in San Francisco, CA. Jay Cassidy A.C.E. (SILVER LININGS PLAYBOOK, INCONVIENIENT TRUTH, INTO THE WILD) will be the featured guest. This SuperMeet promises to be the single largest gathering of Final Cut, Adobe, Avid, Autodesk […]
Read More… from Agenda Announced for the San Francisco SuperMeet Featuring Jay Cassidy, A.C.E.
Light Iron – a post production leader specializing in on-site dailies, digital intermediate, archival, and data services for projects originated on file-based motion cameras – has expanded into the New York market, acquiring all post-production facilities and resources of OFFHOLLYWOOD, located in the Soho district of Manhattan. Terms of the transaction remain confidential. “OFFHOLLYWOOD is known in […]
It’s been twenty years since After Effects was created by a small start-up company in Providence, Rhode Island. Some of those brilliant minds who brought After Effects into this world are still here at Adobe and some have moved onto other ventures. But one thing that remains true–from the first day the Company of Science […]
Event Date: 02/06/2013 11:00 AM Pacific Standard Time Get the scoop on color theory and grading for on-set professionals in this exclusive webcast with Juan Carlos Ortiz, colorist, DIT and local 600 member whose latest work includes MTV's hit show “Teen Wolf.” Juan Carlos will be sharing his insight and knowledge on such topics […]
Read More… from Everything On-set Professionals Need to Know About Color Correction
National Geographic followed Steve McCurry on his journey to shoot the last 36 exposures of Kodachrome. McCurry took a 6 week trip to a variety of locations to find the subjects for the very last roll. The video is now available to watch on Youtube and if you have half an hour spare then it's […]
Company 3 is proud to announce the addition of award winning colorist Bob Festa. Bob is one of the most accomplished colorists in post production. His credits include virtually all of the world’s best known brands and some of the most iconic commercial advertising ever created. Along the way, Bob has worked with the industry’s […]
When colorist Patrick Inhofer was first contacted by the filmmakers for the short film horror anthology website BloodyCuts.co.uk, he knew right away that he wanted to be involved. The Bloody Cuts team shares a love and passion for horror films and has presented the anthology online as a free web series. They contacted Patrick to […]
Read More… from DaVinci Resolve Provides Color Correction for Short Horror Film ‘Dead Man’s Lake’
Here's some of the last few weeks or so of assorted After Effects tutorials, tips, and scripts & plug-ins new and old. Adobe is celebrating the 20th year of After Effects. Above is AE before the killer 2.0 feature: the Timeline window (which combined Time, Properties, and Layers). To kick off the party, Adobe posted […]
With the advent of Thunderbolt a new option arrived for editors in the form of an easy to use video capture and playback interface for your editing computer that doesn’t have to sit inside a tower. Adding Thunderbolt to iMacs and laptops means portability and affordability is an option for editors like never before. Both […]
Read More… from Comparing two Thunderbolt capture and playback devices
