DaVinci Resolve 16 adds LUFS audio loudness standards + linear features.
At NAB 2019, Blackmagic announced many new features to its DaVinci Resolve 16 editing/grading, including LUFS audio loudness standards...
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LUFS audio standards update for May 2018
Since I published How many LUFS for ideal audio loudness? Why can’t we be friends? in March, both Adobe...
Hindenburg adds -14 LUFS & Avid Pro Tools interoperability at NAB 2018
Hindenburg has just informed me officially that at NAB 2018 next week, they’ll be announcing a few new key...
How many LUFS for ideal audio loudness? Why can’t we be friends?
The recent audio loudness war reminds me of the 1975 hit song Why can’t we be friends?. As I...
How to export –16 LUFS from Hindenburg Journalist without the dangers of insecure FTP
Recently I published an article covering several new features and benefits in Hindenburg Journalist (PRO), including –16 LUFS normalization in the...
Review: RØDE VideoMic Go II compact hybrid shotgun microphone
Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...
Review: RØDE AI-Micro multiplatform dual channel 48 kHz audio interface
After exhaustive tests with five different microphone models, I am now ready to share my review with you of...
How to extract audio from a video series for an audio podcast
Recently, I helped a client learn how to extract audio from his video master for use in an audio...
Hindenburg replaces Soundflower with its own virtual audio device
Frequent readers will recall that back in January 2018, I published an article called How to install/update Hindenburg Journalist...
Review: Maono AU-HD300T dynamic hybrid USB/XLR microphone
Here is my review of the Maono AU-HD300T dynamic hybrid USB/XLR microphone. I am glad to see the market...
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