Production
Move the Camera, Not the Actor
On a recent shoot a discussion arose as to whether it was better to move an actor or to...
Production
How to Be Kind to a Camera Assistant
A lot of people are starting out at the top these days–just buying a camera and starting a career...
Production
Color Matching a Canon C300 to an Arri Alexa
I’m shooting more projects with the Canon C300 but none of the built-in looks greatly appeal to me. While...
Uncategorised
Low Light Levels and Wide-Open Lenses: the 80s/90s Look
There's something amazing about shooting low light images with a wide open lens. Now that the average camera is...
Uncategorised
A Tale of Two iPads
In 2011 I bought an iPad 2, and in 2012 I traded it up for an iPad 3. For...
Production
Hitting the Exposure Sweet Spot
After years of looking at dynamic range charts I noticed that almost all camera gamma curves emphasize mid-tones within...
Uncategorised
Does the Zone System Apply to HD Cameras?
My latest obsession is trying to match reflectance values with IRE values to create a “Zone System for video.”...
Production
What Good is a Macbeth/Colorchecker Chart?
Most camera rental houses have an in-house expendables store, and during a recent visit to one such store I...
News
The Canon C300 Comes Through for Kendall-Jackson Winery
These days it's all about getting the most bang for your budget, and this promo for a new Kendall-Jackson...
Post Production
Reflected Light Meters: What Are They Really Saying?
It has long been whispered, in dark corners of the industry, that our reflected light meters aren’t telling us...