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Arri Alexa and Rosco LitePads Come Through for OnLive’s First National Spot
Originally slated to be a web-only spot, the first shoot day went so well that when the client saw...
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The Secrets of the Chroma Du Monde, Explained Live (on tape) at NAB!
I spent a lot of time in the DSC Labs booth at NAB, giving Chroma Du Monde demonstrations and...
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A Mix of Film and HD Doesn’t Scare Arri’s Alexa
The client wanted contrasty toplight against seamless white, and then they wanted to intercut that with stock footage shot...
News
Where I’ll Be at NAB
I’m constantly amazed at how many readers I have, and if you’d like to amaze me more by stopping...
Production
The Secret Art of Slating: 25 Tips to Help You Slate Like a Pro
Slate training was my introduction to one of the most important tenets of filmmaking: always think of the next...
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iPhone Apps: The Short List for the Average Cinematographer
It seems everyone and their sister’s friend’s cousin has made a list of indispensable cinematography iPhone apps. Now it’s...
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Panasonic AF-100: The Good, The Bad, and The Ugly
The Panasonic AF-100 is getting a lot of buzz as a possible HDSLR killer. We used it in the...
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Career Advice for the Young DP
This is my response to a question posted to the Cinematography Mailing List by a young film student who...
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Phantom Adventures: 1000fps on a Budget
A while back I wrote this article about some high speed tests I did in preparation for an upcoming...
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Alexa ISO Settings: The Least You Need to Know
My previous Arri Alexa article showed you how the camera’s dynamic range responds to different ISO settings. In this...