Production
Reality: it’s completely overrated
There’s no such thing as a reality show, only unreality shows. The more unreal, in some cases, the better....
Production
Defining “The Cinematic Look”
Many of us talk about “the cinematic look” without defining what it is. Here’s my take. For a Mother’s...
Production
Lenses: My Likes, Dislikes, and the Return of the Cooke Speed Panchro
Every lens has a feel and a purpose. Some reproduce the world perfectly, some imperfectly. They all have their...
PVC Exclusive | Industry Experts
A Guide to Shooting HDR TV: Day 6, “How the Audience Will See Your Work”
This is the sixth installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
PVC Exclusive | Industry Experts
A Guide to Shooting HDR TV: Day 5, “The Technical Side of HDR”
This is the fifth installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
PVC Exclusive | Industry Experts
A Guide to Shooting HDR TV: Day 4, “Artistic Considerations”
This is the fourth installment of six-part HDR “survival guide.” Over the course of this series, I hope to...
PVC Exclusive | Industry Experts
A Guide to Shooting HDR TV, Day 3: “Monitor Considerations”
This is the third installment of a six-part HDR “survival guide.” Over the course of this five-part series, I...
PVC Exclusive | Industry Experts
A Guide to Shooting HDR TV: Day 2, “On Set with HDR”
This is the second installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
PVC Exclusive | Industry Experts
A Guide to Shooting HDR TV: Day 1, “What is HDR TV?”
This is the first installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
Production
Cooke Anamorphic Lenses Bring Class and Character to a Clean Digital World
I remember the first time I worked in anamorphic. I’d landed a job as “A” camera operator on a...
