Production
Monitoring challenges when using multiple digital USB mics simultaneously
Digital USB microphones have improved in quality and multiplied in availability on the market. This can simplify systems and...
Production
Review: RØDE NT1 studio microphone, shockmount and pop filter
Here is my review of the black-colored, high-end RØDE NT1 analog electret condenser studio microphone, together with its matching...
Production
Review: Descript transcription-text-audio-caption/subtitle editor
Although I have seen scattered pieces of the tools contained in Descript elsewhere (some of which I have reviewed...
Production
Review: Cleanfeed for remote HQ audio interview recordings: part 1
Cleanfeed is an online service that uses the Opus audio códec and the Chrome browser to allow for ISDN...
Production
Panasonic GH5S camcorder/camera proves that less (pixels) is more
At CES 2018, Panasonic just announced the new GH5S to accompany the original GH5 camcorder/camera. In a way, the...
Production
MoviePro for iOS: How to set 180-degree shutter, framerate and more
I first became aware of MoviePro’s advantages over FiLMiC Pro from Cielo de la Paz of The Storyographist. She...
Production
How to pick a handheld digital mic for a smartphone/tablet
Frequent readers know I review lots of microphones and audio interfaces, among many other things. One of the fastest-growing...
Production
Review: Sennheiser HandMic Digital with “secret” hardware limiter
The HandMic Digital from Sennheiser is the only dynamic mic I’ve encountered that ships with a Lightning cable, since...
Production
Directly attach iRig Pre HD to an ENG omni dynamic mic
After my review of the Senal ENG-18RL omnidirectional dynamic microphone for ENG (electronic news gathering) in 2016, my friend...
Distribution
AppleTV adds Match Frame Rate & Match Dynamic Range options (part 1)
If you have been reading my articles for the past few years, you know that I am quite into...