Production
Picking a tablet to control the Behringer/Midas X AIR wireless mixer/recorder
I have covered the Behringer/Midas X AIR wireless mixers/recorders with built-in automix capabilities superficially in two prior articles (links...
Production
Review: iKlip A/V mount/grip/pre-preamp for smartphones & small cameras
After my recent “first look”, here is the review of IK Multimedia’s iKlip A/V preamp/mount/grip for smartphones & small...
Post Production
HP ZBook Studio G3: How to output standard framerates over HDMI
Despite deceitful rounding in camera menus from otherwise responsible manufacturers including Canon, JVC, Panasonic and Sony, rates like exact...
Production
PRODU.com debuts Speed Booster for GH4
I first became intrigued with the Speed Booster concept when I saw Norwegian filmmaker Andyax’s video from April 2015....
Production
Auphonic audio recording app for Android & iOS: strong mixed emotions
So far, I have reviewed at least two audio recording apps for iOS (RØDE Rec and ShurePlus MOTIV)… and...
Production
Advantages to recording mono, even for a stereo show
As I have shown in many past articles, there are many mono (i.e. non-stereo) digital mics that can be...
Distribution
Facebook misrepresents & underestimates its own audio/video specs
As I have covered previously, YouTube and Vimeo used to misrepresent its own published specs, and then later corrected...
Production
Branded windscreen vs mic flag: let’s compare
Back in 2014, I published the article RT and DirectTV Sports go beyond conventional mic flags by using branded...
Production
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
Production
First look: iKlip A/V preamp/mount/grip for smartphones & small cameras
I have covered mounts and grips before (iOgrapher and The Padcaster). I have reviewed many audio preamps to connect...