Production
Advantages to recording mono, even for a stereo show
As I have shown in many past articles, there are many mono (i.e. non-stereo) digital mics that can be...
Distribution
Facebook misrepresents & underestimates its own audio/video specs
As I have covered previously, YouTube and Vimeo used to misrepresent its own published specs, and then later corrected...
Production
Branded windscreen vs mic flag: let’s compare
Back in 2014, I published the article RT and DirectTV Sports go beyond conventional mic flags by using branded...
Production
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
Production
First look: iKlip A/V preamp/mount/grip for smartphones & small cameras
I have covered mounts and grips before (iOgrapher and The Padcaster). I have reviewed many audio preamps to connect...
Production
Comparing wireless audio mixer’s specs: Behringer/Midas & Mackie
Thanks to two colleagues, I have become aware of inexpensive wireless audio mixer offerings from Behringer/Midas & Mackie. Alex...
Uncategorised
Why your startup should have IVR/interactive phone system
Some people call them IVR (Interactive Voice Response). Others just call them an interactive phone system, and some jokingly...
Production
Review: ATH-AG1x mic/headset for isolation
In the past, I have reviewed several different headsets. I always cover their practical uses, and also how close...
Post Production
PV3200PT monitor for editors: Surprising responses from BenQ
When I first saw José Antunes mention the BenQ PV3200PT 4K UHD here in ProVideo Coalition (link ahead), I...
Post Production
First look: T-RackS Saturator X for Mac/Windows from IK Multimedia
With its new T-RackS Saturator X, IK Multimedia is promising “analog saturation magic” for digital recordings. In the Italian...