Distribution
All audio production & distribution should go 48 kHz. Learn why.
Hello to our friends at the software development teams at ACX, Apple (GarageBand team), Audible, Bossjock, Spreaker and Wooji...
Distribution
The making of a cross-platform audio/video multimedia ebook
In August of 2015, I published my first review of Amazon’s free Kindle Textbook Creator (KTC) program to create...
Distribution
Live TV versus prerecorded: how to take best advantage of each
Producing a TV show strictly for a live TV or Internet audience has both advantages and disadvantages. The same...
Production
Movi, the 4K streamcorder that simulates nine 720p cams while switching live
At CES, the well known CDN (content distribution network) Livestream introduced the innovative Movi 4K streamcorder which can replace...
Production
Review: Project Fi, son of Google Voice
I became a heavy user of Google Voice many years ago. I even ported my mobile phone number there....
Production
FiLMiC Pro reaches Android after years on iOS
For those unfamiliar, FiLMiC Pro is a renowned under US$10 app for iOS (iPhone, iPad and iPod Touch) and...
Production
Why we should only use worldcams
In a recent article, I covered the differences between the words camera, camcorder, streamcorder and worldcam. Fortunately, there are...
Production
JVC clarifies key details in the GY-HM170 camera/camcorder
I recently published a detailed article comparing the JVC GY-HM200 with the Sony PXW-X70. Since then, I updated that...
Production
JVC GY-HM200 versus Sony PXW-X70: Let’s compare them carefully.
(UPDATED ARTICLE) As covered in several prior articles, the Sony PVW-X70 is a true worldcam that can shoot 50...
Production
Camera, camcorder or streamcorder? What’s the difference?
A friend asked me yesterday why I had used the term camcorder in a recent article. Another asked about the term worldcam....