Uncategorised
NewTek’s new waveform monitor graticule… and more
In April 2013, you probably read how delighted I was to announce that NewTek had committed to adding scopes...
Post Production
Make Dual Mono work between FiLMiC Pro and FCP X 10.0.8 & 10.0.9
As I have covered in several recent articles and videos, it is now possible to record “stereo” 48 kHz...
Uncategorised
ENG mic comparison: Audio Technica BP4002 versus Electro-Voice RE50N/D-B
In this short video, we compare the sound quality of the popular Electro-Voice RE50N/D-B and the Audio Technica BP4002...
Uncategorised
FiLMiC Pro 3.3 adds external audio monitoring + remote
I am delighted to see that FiLMiC Pro’s palindromic upgrade to version 3.3 finally includes external live audio monitoring...
Uncategorised
Roland DUO-CAPTURE EX US$199 field audio mixer for iPad
The US$199 DUO-CAPTURE EX from Roland (like the excellent hybrid microphone I’ve applauded in several articles and ebooks) connects...
Uncategorised
Which Blackmagic camera models output live native progressive, and when?
Which Blackmagic camera models output live native progressive 1080p, and when? This situation is a bit confusing, and hasn’t...
Uncategorised
Blackmagic slashes camera prices, updates firmware
This morning Blackmagic announced important firmware updates for its cameras and slashed the prices of two models. The firmware...
Uncategorised
Vimeo fixes Android playback compatibility beyond Vimeo.com
In case you hadn’t read any of my prior related articles, from March 2013 until sometime last Friday, July...
Uncategorised
Why video producers/distributors should embrace Chromecast
Chromecast is the name of a US$35 digital media streaming adapter developed by Google and released last week, in...
Uncategorised
Blackmagic ships first 6G-SDI products to simplify 4K cabling
Up until recently, if you wanted to connect a 4K video signal from one device to another, you required...