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NAB 2013: Matrox shows standalone streamer/recorder appliance
Aimed to connect to existing video mixers (“switchers”) which don’t already have streaming capabilities (or to connect to a...
NAB Show
NAB 2013: Version 11 of Pro Tools finally cures its Achilles’ heel
Forget about its brand-new engine, 64-bit architecture, and expanded metering. The most important improvement I see in the palindromic...
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Blackmagic shows pocket RAW camera for US$1K plus 4K camera for US$4k
At NAB 2013, Blackmagic showed two new cameras to join its initial US$2995 Cinematography Camera. The new ones include...
Production
How to pick your ideal HDMI or HD-SDI interface for WireCast (Pro)
UPDATED: This article now updated info. Many people have heard of Telestream’s renowned WireCast (Pro) software, which can convert...
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OLED field monitor upgradable to become a recorder? Enter the Odyssey7 and Odyssey7Q
Long time ProVideo Coalition readers know that I have been covering external progressive 4:2:2 and 4:4:4 recorders from different...
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Why did Apple drop Castilian video subtitles and soundtracks in iTunes 11.02?
When I published two separate Open Letters to Apple less than two weeks ago (links ahead), I didn’t expect...
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Why you must deactivate EDID on your HDLink (aka “Band-Aid”)
I have clarified in prior articles how essential it is for DreamColor monitor users who also use an i/o...
Post Production
Why does the Mac still deal with connected HDTV monitors haphazardly?
It is good that OS X can now offer proper spatial resolution for HDTV monitors at 720p and 1080p...
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Why does FCP X still deal with pro i/o interfaces haphazardly?
Since Apple released Final Cut Pro X in June 2011, there have been seven updates and many valuable features...
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Hands-on with the UltraStudio Mini Monitor
Although I have covered Blackmagic’s new US$145 UltraStudio Mini Monitor interface in prior articles (links ahead), I have now...