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Why an iPad is like a 4×5 view camera, and why you’ll need a black “focusing cloth”
In case you hadn’t heard yet: Apple has just established the iPad (2012) as a viable HD video camera...
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Sound Device’s PIX recorders: a closer look as of firmware 1.07
Many people know Sound Devices as a renowned manufacturer of very high-end audio equipment for field production. They make...
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Bandito Brothers use multiple HP DreamColors + Adobe Premiere for Act of Valor
I recently had the pleasure and honor of being invited again by Hewlett Packard to their 2012 media event,...
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GH2 adds missing AVCHD 29.97PsF… but worsens its already non-standard HDMI output
The segregated 59.94Hz version of Panasonic’s Lumix DMC-GH2 camera (aka GH2) originally offered just two combinations of progressive internal...
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AJA and Sound Devices embrace Sony NXCAM’s timecode-over-HDMI
Many ProVideo Coalition readers may recall my article called Untapped features in Sony NXCAM’s new HDMI output from June...
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How to get the “24p” look for your live-switched multicam shoot
Our friends at Datavideo recently asked me to write an article called How to get the “24p” look for...
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Avid now lets you edit video on your iPad for US$4.99. Should you?
I was privileged to find out a few hours in advance of the public announcement of Avid Studio for...
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AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
AJA is now shipping its US$1495 Io XT, AJA’s first Thunderbolt device which I covered in detail when it...
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Pegasus Thunderbolt RAID5 from PROMISE
As many ProVideo Coalition readers may recall, I have written about disk arrays from PROMISE before, although the last...
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Can a professional really use Premiere Elements 10?
I first wrote about Premiere Elements back when version 9 was first released for the Mac. At that point,...