Distribution
Panasonic AF100 joins forces with Sony encoder for 25p Euro spot in Miami
Recently I was put in charge of the technical workflow for an HD 1080/25p real estate commercial spot to...
Sony
Untapped features in Sony NXCAM’s new HDMI output
Sony’s latest NXCAM cameras fortunately feature unprecedented new features with their live HDMI outputs, including uncompressed 1080p at 50p...
Production
On-Location Sports Coverage with DICHO & HECHO Productions
DICHO & HECHO (“Said & Done”) Productions, a startup production company in Guatemala City, Central America, recently purchased Datavideo’s...
Uncategorised
Allan T©pper to give seminars in 2 Colombian cities in May
Just after returning from NAB in Las Vegas, Allan T©pper will give seminars in two cities in Colombia (South...
Uncategorised
AJA KiPro Mini review + commentary
Like a miniature version of the original KiPro from AJA (which I reviewed in October 2009), the KiPro Mini...
Uncategorised
Do you work in the broadcast industry? What does “broadcast” mean?
Do you work in the broadcast industry? What does the word broadcast mean to you? If you work for...
Uncategorised
PluralEyes for Premiere Pro CS5 (Mac) reviewed
If you ever record dual-system audio or multiple camera angles without synchronized timecode, you’ll wonder how you ever survived...
Uncategorised
Thunderbolt in MacBook Pro: a new era for demanding video editors who prefer laptops
As we have amply covered in multiple articles in ProVideo Coalition magazine, demanding online editing of multiple realtime HD...
Distribution
To DRM or not to DRM? That is the question for today’s digital content producers
Whether you are a video producer, music producer, audiobook producer, or the author of ebooks, if you sell your...
Uncategorised
Google political move stifles web video distribution & complicates our workflow
In case you didn’t hear yet, Google recently announced the elimination of support for H.264 in HTML5 video in...