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Renting Lenses from LensRentals.com
For my December lens tests with Veydras and Rokinons (among others), I needed some Rokinons, otherwise it wouldn’t really be...
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First Look: Veydra Mini Primes for Micro Four Thirds
I’ve had some time to play with four prototype Veydra MFT Cine Lenses: the 16mm, 25mm, 35mm, and 50mm....
Pro Photo
Review: Luxi For All Incident-Metering Photosphere for iOS and Android
Luxi For All (US$30) from Extrasensory Devices is a small, translucent white hemisphere with a spring clip. It’s designed...
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Coming Soon: Veydras Micro 4/3 Cinema Primes
Los Angeles lensmen Ryan Avery (formerly with Schneider Optics) and Jim Zhang (a behind-the-scenes designer for the likes of...
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Shame on you, PBS
I went back to Ohio But my pretty countryside Had been paved down the middle By a government that...
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122 Slides on the Sony PXW-FS7
The Sony PXW-FS7 “Vérité”, being announced at IBC as I post this, is a large-single-sensor camera aimed specifically at...
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Review: SLR Magic ANAMORPHOT 1,33x 50 anamorphic adapter
SLR Magic's ANAMORPHOT 1,33x 50 is an affordable anamorphic adapter lens (US$899; $1099 with two diopters) letting you shoot...
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Art Adams and Adam Wilt on the F55 at Cine Gear Expo
In Los Angeles for Cine Gear Expo this weekend? Art Adams and I will be giving an hour-long presentation...
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Entering Production: SLR Magic ANAMORPHOT 1,33x 50
I’ve just received a “test sample” of the SLR Magic ANAMORPHOT 1,33x 50 adapter built with final parts, so...
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Should Professional Editors care about FCPX (again)?
Last October Kevin McAuliffe told us in two articles that Final Cut Pro X wasn't worth caring about: “FCPX...