Production
Quick Look: Sony F65 4K Digital Cine Camera
Last week, San Francisco rental house extraordinaire Videofax took delivery of Sony F65 #15, and on Thursday BandPro’s Jeff...
Production
Review: Panasonic AG-AC160 and AG-HPX250 1/3″ 3-MOS camcorders
While all the attention is focused on large-single-sensor cine-style camcorders, Panasonic has come out with a line of high-quality...
Uncategorised
Affordable PL-mount Primes Compared
If you’re in the market to rent or buy “affordable” PL-mount primes (e.g., under $10,000/lens), you won’t want to...
Sony
Quick Look: Three New E-Mount Primes
The 50mm f/1.8, 30mm f/3.5 macro, and 24mm f/1.8 lenses, with hoods. Sony has three E-Mount primes coming out...
Production
LSS Notes: Sony F3/FS100 preso at MTE; “C300 = Awesome”
1) Media Solutions and Sony present Sony...
Pro Photo
Quick Look: Canon EOS C300 LSS 1080p Camcorder
Updated Scoopic? Minimalist C300 with EF 24-105mm zoom. Last Thursday, Canon announced the EOS C300 (EF mount) and C300...
Uncategorised
Quick Notes: ETE Panel; MTE Open House
Meets The Eye’s Studio A during its first production. Next week I’ll be involved in two public events, one...
Production
Caleb Crosby’s FS100 Top Handle
You can tell a camera has struck a chord when its users start turning out aftermarket accessories that are...
Production
Cine Gear Expo LA 2011
A Panaflex on a Silent Cat slider? It must be Cine Gear Expo time! Cine Gear Expo, “the film,...
NAB Show
NAB 2011 – Odds ‘N’ Ends
Chromaticity plot of NorthernLights LEDs. Triangle is Sony F23’s gamut. The chart at the top of the page shows...