Production
Low Light: Do HDSLRs Really Rule?
The blogosphere is all a-twitter (and the twitterers are all blogging) about how good HDSLRs are in low light....
Production
Review: Panasonic AG-HPX370 1/3″ 3-MOS P2 HD Camcorder
The Panasonic AG-HPX370 (US$11,700 list; $9,200 street price) is a 1/3″ 3-MOS shoulder-mount HD camcorder with interchangeable lenses. It...
Uncategorised
Mysterium-X Exposed, part 2
With two RED ONEs back in from their M-X upgrades, and with the results of my previous test in...
Uncategorised
Mysterium-X Exposed, part 1
We received our first RED ONE back from the Mysterium-X upgrade, so without further ado, I slapped it on...
Pro Photo
HDSLR Revolution: Gale Tattersal Talks about “House”
A Canon 5D Mk II with 24-70mm f/2.8 lens, like one of the setups used on “Help Me”. “Help...
Uncategorised
Review: RED101 Training and Reference DVDs
Jay Kelley describes using the RED ONE on a gearhead with an eyepiece leveler. RED101 is a $60 DVD...
Pro Photo
Monitor your Canon HDSLR Wirelessly
Berat User, a DP working in Chicago with Canon HDSLRs, came up with a clever way to monitor the...
Pro Photo
HDSLR Revolution: House Party
Ready or not, here they come: HD-capable DSLRs are being used for high-end productions, despite their various shortcomings. One...
Production
…Winding down from NAB
Here we are a week after NAB, and I find that I shot 177 stills and 27 minutes of...
NAB Show
NAB 2010: Final Thoughts
It looks so peaceful at night… I only had two days at NAB this year, but I still came...