Post Production
Calibrated Codecs
Need to use MXF media (P2 DVCPRO/50/HD and AVC-I, IMX, XDCAM) natively in Final Cut Pro, or in Windows...
News
Events: DCS & MFM discuss CineAlta; FCPUG SuperMeet; Broadcast Video Expo
Get out, meet people, see cool things, and learn stuff. December: Learn about CineAlta cameras and different recording gammas...
Production
The 24 fps Prayer
We at Meets The Eye have been discussing frame rates today, triggered by the article at http://www.projectorcentral.com/judder_24p.htm. We’d like...
Production
Green/Magenta?
Art Adams and I have observed here on PVC that the RED ONE seems unusually sensitive to green and...
Production
RED ONE: Obsolete Already?
An R1 yesterday. It doesn’t look too worried. With last Thursday’s epic announcement (pun intended) from RED, the other...
Production
Review: Hood-Pro Sock-loupe
The Hood-Pro Sock-loupe turns the EX1's LCD into an EVF. Lots of people have said, “if only there...
Production
Making “One Man, One Vote”
Ten years ago a fellow named Marshall Spight posted a challenge on DV-L called “Throwing Down the DV Gauntlet”,...
Production
moby gratis- film music
LA-based FCP & Avid editor and bungee jumper Shane Ross posted this tidbit on his Little Frog in High...
Uncategorised
PMW-EX1 Firmware 1.11
23.98PsF output is available on EX1s with firmware 1.11. I’ve upgraded our PMW-EX1 from firmware version 1.03 to firmware...
Production
Sony notes, 7 Oct 2008
The business end of the HVR-Z5. There were a couple of unexpected surprises at VMI’s mini-Sony show today in...