Production
Pasting Paths from Illustrator to After Effects
So what’s so interesting about a feature we’ve had for eons? We all know you can copy and paste...
Production
On Artbeats.com: Article on Color Management in After Effects
Every month, we write a Tips N Tricks article for our friends at Artbeats.com. This month we’ve written an...
Uncategorised
Can’t Give It Away; Can’t Throw It Away
It’s ironic that Giles Baker of Adobe just wrote about going tapeless, as we’re currently in the middle of...
News
Imagineer Extends Deal on monet, motor, mocha, and mocha-AE
Imagineer Systems is excited to announce a special “Spring” offer to the freelance and educational communities. 2007 has been...
News
The Difference Between the “m” Words
As Imagineer is fond of one-word names that all start with “mo…”, it can be hard to know or...
Production
Adobe Soundbooth sale; new audio blog
Adobe is showing signs that they are becoming increasingly serious about their audio offerings: – Adobe is offering their...
Production
Staggering Mistakes: Reversing Field Order
The two most-watched cable channels in our household are CNN and Speed (guess who watches which). Speed just started...
Production
Final Effects Complete version 5: Why?
Final Effects was pretty much the original third-party plug-in set available for After Effects. It was created by a...
Production
AFI Digital Content Lab Looking for Mentors
The American Film Institute’s Digital Content Lab (AFI DCL, for short) is looking for mentors for some high-profile interactive...
Production
Dynamic Range and the RED One
Stu Maschwitz (he of The Orphanage, Magic Bullet, and The DV Rebel’s Guide fame), is one of my go-to...